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The Tsugaru Shamisen Club is finally up and running, and begins practicing for the "Matsugoro Cup," which was established by Setsu's mother, Umeko. However, the club is having a hard time getting members and still has no one to guide them!
When Setsu's grandfather died, so did Setsu's "sound"—his unique creative spark. Grieving, he goes to Tokyo to find himself...but manages to become totally, literally lost on his first day. Only a chance meeting with Yuna—aka Yuka, the hostess—saves him from being robbed. At first glance their lives seem totally different, but they're both striving for their dreams—hers, of being an actress, and his, of developing his talent with the shamisen—and it could just be that life in the raucous, unfeeling urban sprawl of Tokyo could just be what binds their fates together...
Vol. 15, "To the University of Leipzig on the occasion of the five hundredth anniversary of its foundation, from Yale University and the Connecticut Academy of Arts and Sciences, 1909."
In the Silent Era, film reissues were a battle between rival studios--every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies "found money," and cinema owners, who often saw audiences reject former box office hits. In the mid-1960s, the return of The Bridge on the River Kwai (1957)--the second biggest reissue of all time--altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics. This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoleon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).