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STC felt like they were in a slump after the discussion of performing a movie theme song fell through, but the live venue restaurant targeting foreign tourists finally opens! Hoping to make a recovery, STC prepares to perform in this new venue. As they gradually draw more attention, they attract ever larger audiences. Then, one day, Director Jankovic, a film director who had attended the Newcomers' Concert, is spotted amidst the passionate audience! After their performance, Director Jankovic approaches Setsu with a proposal…?!
When Setsu's grandfather died, so did Setsu's "sound"—his unique creative spark. Grieving, he goes to Tokyo to find himself...but manages to become totally, literally lost on his first day. Only a chance meeting with Yuna—aka Yuka, the hostess—saves him from being robbed. At first glance their lives seem totally different, but they're both striving for their dreams—hers, of being an actress, and his, of developing his talent with the shamisen—and it could just be that life in the raucous, unfeeling urban sprawl of Tokyo could just be what binds their fates together...
Setsu and Wakana's feelings diverge concerning Spring Dawn. STC records Stormy Melody, an original song which channels Setsu's frustration over that, and the band achieves its major debut! However, their album goes on sale on the same day as Wakana's second album… What direction will this sibling showdown through the music market take?! Meanwhile, STC contends on a new stage with Seiryu Kamiki and Soichi Tanuma, their worthy rivals who carry the future of Tsugaru shamisen on their backs!!
Every member of the Shamisen Club is training hard for the Tsugaru Shamisen Koshien “Matsugoro Cup.” At the suggestion of their mentor Odawara-sensei, the club will set out for a summer training camp… With such little time remaining until the Matsugoro Cup, will they be able to tackle all of these challenges? Knowing that Setsu will be participating in the group competition, tough competitors from all over the country have sprung into action!
In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the "realism" of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators, to Bill Hanna and Joe Barbera. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons.
Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile. In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television’s true potential as an unparalleled promotional device; and—not least—parlayed a backyard railroad into the Disneyland juggernaut. Based on decades of painstaking research in the Disney studio’s archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney’s childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney’s life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict. Beginning in 1969, two and a half years after Disney’s death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney’s own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.