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New essays on Thomas Traherne challenge traditional critical readings of the poet.
Throughout history the motif of ‘the Fall’ has impacted upon our understanding of theology and philosophy and has had an influence on everything from literature to dance. Fall Narratives brings together theologians, historians and artists as well as philosophers and scholars of religion and literature, to explore and reflect on a wide range of concepts of the Fall. Bringing a fresh understanding of the nuanced meanings of the Fall and its various manifestations over time and across space, contributions reflect on the ways in which the Fall can be seen as a transition into absence; how conceptions of the Fall relate to, change, and shape one another; and how the Fall can be seen positively, embracing as it does a narrative of hope.
What did it mean to be happy in early modern Europe? Positive emotions in early modern literature and culture includes essays that reframe historical understandings of emotional life in the Renaissance, focusing on under-studied feelings such as mirth, solidarity, and tranquillity. Methodologically diverse and interdisciplinary, these essays draw from the history of emotions, affect theory and the contemporary social and cognitive sciences to reveal rich and sustained cultural attention in the early modern period to these positive feelings. The book also highlights culturally distinct negotiations of the problematic binary between what constitutes positive and negative emotions. A comprehensive introduction and afterword open multiple paths for research into the histories of good feeling and their significances for understanding present constructions of happiness and wellbeing.
Greening the Children of God uncovers the theological roots of the growing ethical imperative to reconnect children to their natural environment. In their different traditions, theologians, environmental educators and psychologists all affirm that knowing their place in the natural environment helps a child develop an intersubjective ‘ecological’ identity that nurtures virtues of mutuality and care. During the Scientific Revolution this ethical harmony was threatened as science and moral theology began to adopt different epistemological methods, something the Anglican priest and poet Thomas Traherne was all too aware of. Traherne insisted that education should promote a child’s attention to the moral dimensions woven into ‘the tapestry of creation’, and professed that play, wonder, and a sensory relationship to diverse creatures play a pedagogical role in a child’s moral formation. Greening the Children of God establishes the contemporary significance of Traherne’s moral theory in conversation with child psychologists, educators, philosophers, and theologians who know that cultivating a place-based relationship to the local ecology helps children perceive creation’s deep mutuality and develop a moral identity in the image of a caring Creator.
An investigation into the remarkable "poetics of the atom" in English literary texts from the mid to late seventeenth century. The early modern "atom" - understood as an indivisible particle of matter - captured the poetic imagination in ways that extended far beyond the reception of Lucretius and Epicurean atomism. Contrarily to fears of atomisation and materialist threat, many poets and philosophers of the period sought positive, spiritual motivation in the concept of material indivisibility. This book traces the metaphysical import of these poetic atoms, teasing out an affinity between poetic and atomic forms in seventeenth-century texts. In the writings of Henry More, Thomas Traherne, Margaret Cavendish, Hester Pulter and Lucy Hutchinson, both atoms and poems were instrumental in acts of creating, ordering and reconstructing knowledge. Their poems emerge as exquisitely self-conscious atomic forms, producing intimate reflections on the creative power and indivisibility of self, soul and God. The book begins with a survey of the imaginative possibilities surrounding the early modern "atom", before considering the indivisible centres of the Cambridge Platonist Henry More's cosmic, Spenserian poetics. The focus then turns to the lyrical bond formed between atom and soul in the writings of Thomas Traherne, and from there, to the experimental sequences of Margaret Cavendish and Hester Pulter, whose poetic spaces create new worlds and imagine alternative lives. The book concludes with a study of Lucy Hutchinson's creation poem Order and Disorder, which anticipates the regeneration of fallen being in atomic and alchemical terms.
Thomas Traherne (1637-1674) was one of the most original writers of the early modern period. The exciting discovery of his lost manuscripts at the beginning of the twentieth century aroused an intense interest among poetry lovers and scholars of seventeenth-century literature, which has continued to this day. The finding of other challenging Traherne manuscripts over the course of the century has furthered the study of this remarkable "radically optimistic" figure.The most important contribution of this book is to demonstrate that Felicity is not a simplistic or sentimental notion but is grounded in a cognitive experience, which has been the subject of considerable research in recent decades. The book is framed by an introductory chapter that shows Traherne's position in the early modern history of a science of cognition and a concluding chapter that relates his discovery of a holistic state of consciousness to twentieth-century theoretical and experimental developments. The second and third chapters concentrate on what are recognized to be Traherne's core texts on Felicity, the Centuries and the Dobell folio poem sequence. The analysis of these two works uncovers the deep structures of Traherne's thought and sets the stage for the examination of other texts relevant to his foremost subject, Felicity. The fourth chapter investigates the seminal part played by Felicity in other poetry and prose, including Traherne's Felicity-based ethical treatise Christian Ethicks and the encyclopedic Commentaries of Heaven, which combines poetry with prose. Also included in this investigation are poems which, in effect, constitute another sequence--albeit a sequence badly edited by Traherne's brother Philip after Traherne's death. The subsequent chapter explores the presence of Felicity in texts contained in the Lambeth manuscript, discovered at the end of the twentieth century. These texts confirm the intellectual depth and sublime artistry with which Traherne communicated his cognitive breakthrough. Thomas Traherne and the Felicities of the Mind is an important, timely addition to all literature and British cultural collections.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived