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David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. Contents: The Rehearsal (George Villiers and Others), 1742; The Alchymist. A Comedy (Ben Jonson), 1743; The Provok'd Wife. A Comedy (John Vanbrugh), 1744; and The Roman Father. A Tragedy (William Whitehead), 1750.
Professor Of English Literature Of King S College, London Observes Thus: This Is An Extremely Bold And Far-Reaching Attempt At A Comprehensive Theory Of Poetry. There Is Evidence Everywhere Of Extensive Learning And Of Acute And Sensitive Literary Mind. The Author Draws With Equal Ease On Indian Poetics And On English And European Literature, Aesthetics And Philosophy. The Candidate Stands Very Much In The Tradition Of That Manner Of Thinking Which May Be Associated With I.A. Richards, Of Whom He Is No Unworthy Follower.This Is Not An Easy Thesis On Which To Pass Judgment. I Am Impressed And Convinced By The Distinction Of Mind And The Continuity Of Thought. I Believe, It Is Worthy Of The Highest Doctoral Degree, If That Is Now D.Litt. Should Be Described And Therefore Of Publication.
This volume provides the first new edition of Cibber's plays since 1777, and the first edition ever published that includes all of his known plays and that incorporates his extensive and often complex revisions. This modern-spelling edition features a comprehensive general introduction to Cibber's career, and separate introductions for each play, detailing sources, performance data, and publication history. Annotations and textual notes are included to allow for additional study.
These four plays, written by women dramatists during the Restoration, are now available in a single edition. This volume includes Mary Pix's The Innocent Mistress, Susanna Centlivre's The Busy-Body, Elizabeth Griffith's The Times, and Hannah Cowley's The Belle's Stratagem; thereby introducing readers to some of the earliest published women dramatists. The text is freshly edited using modern spelling. The critical introduction, wide-ranging annotation, and informative bibliography illuminate the plays' cultural context and theatrical potential for reader and performer alike.