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"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." —The New Yorker "Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." —The New Republic Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man. Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." --The New Yorker "Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." --The New Republic Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul--and the ability to love his fellow man. Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius--both national and individual--and the terrible responsibilities of the truly great artist.
Specially-commissioned essays explore key dimensions of Thomas Mann's writing and life.
Ever since its appearance in 1947, Thomas Mann's novel Doctor Faustus has generated heated reactions among critics. Whereas initial ideological differences stemming from the Cold War and the division of Germany have abated following the reunification of 1990, diverse opinions and controversies persist about Mann's daring treatment of the Faust theme. These include such topics as the political stance of the author and the historical dimensions of the novel; the biographical and autobiographical and backgrounds of the workespecially in light of the subsequent publication of Mann's diaries and private notebooks; the writer's sexual and psychological proclivities; the thorny issues of montage, collage, and intertextuality; musical concerns such as the extent to which the novel's protagonist appropriates as his own Arnold Schonberg's twelve-tone system of composition or the role of Mann's fellow exile and mentor, Theodor W. Adorno, in indoctrinating his "pupil" into avant-garde musical techniques; the degree to which the novel exhibits structural features of the music on which the narrative focuses; and the function of certain mythic prototypes for this modern parody in fashioning the fortunes and fate of Adrian Leverkuhn. A provocative and still unresolved question centers on the precise role played by Goethe's Faust in the conception and execution of Doctor Faustus, in spite of Mann's assertion that his version of the legend had "nothing in common" with the work of his famous predecessor. Finally, the presence of strong visual elements in the novel leads to an assessment of the critical reception accorded Franz Seitz's film adaptation of Doctor Faustus (1982), a dicey subject in Manncircles, since few filmed versions of his novellas or novels have enjoyed an unsullied reputation.
In Thomas Mann's War, Tobias Boes traces how the acclaimed and bestselling author became one of America's most prominent anti-fascists and the spokesperson for a German cultural ideal that Nazism had perverted. Thomas Mann, winner of the 1929 Nobel Prize in literature and author of such world-renowned novels as Buddenbrooks and The Magic Mountain, began his self-imposed exile in the United States in 1938, having fled his native Germany in the wake of Nazi persecution and public burnings of his books. Mann embraced his role as a public intellectual, deftly using his literary reputation and his connections in an increasingly global publishing industry to refute Nazi propaganda. As Boes shows, Mann undertook successful lecture tours of the country and penned widely-read articles that alerted US audiences and readers to the dangers of complacency in the face of Nazism's existential threat. Spanning four decades, from the eve of World War I, when Mann was first translated into English, to 1952, the year in which he left an America increasingly disfigured by McCarthyism, Boes establishes Mann as a significant figure in the wartime global republic of letters. Open access edition funded by the National Endowment for the Humanities.
The ironic satire of a decaying German duchy and its rejuvenation by the appearance of an independent-minded American woman. Peopled with a range of characters from aristocrat to mad woman, this novel is a microcosm of Europe before the Great War. The book's driving force is the development of a love between the young Prince, hidebound by tradition, and the exotic, beautiful Imma. Written by Noble Prize winning author Thomas Mann, his careful depiction of a decaying society rejuvenated by modern forces illustrates in fable what he regarded as a universal truth - that ripeness and death are a necessary condition of rebirth.
DigiCat Publishing presents to you this special edition of "Doctor Faustus" by Thomas Mann. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This is the first up-to-date biography in English of Thomas Mann (1875-1955), perhaps the greatest German novelist of the twentieth century. Mann was the author of several classics of modern European fiction, including Death in Venice, The Magic Mountain, Buddenbrooks, and The Confessions of Felix Krull, Confidence Trickster, the winner of the Nobel Prize for Literature, and a staunch opponent of Nazism (which eventually drove him intoexile). Celebrated biographer Donald Prater traces Mann's life and work, from his upbringing in Lubeck, through his years in Munich, his exile in the US, and his last years in Switzerland. He discusses Mann's relationship with his novelist brother Heinrich, his homosexuality, his career as aprolific essayist, and the vast achievement of his novels. But the biography devotes particular attention to Mann's political thinking and his role in the rise and fall of Hitlerism. In Mann's development from nationalistic conservatism to a vigorous humanist anti-Nazism, Prater sees a fascinatingand crucially important illustration of the 'German problem' still so much of relevance to the Europe of today. Elegantly written, and always entertaining, Thomas Mann: A Life will take its place as the major biography of Mann.
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.