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A sequel to the widely successful Thomas Gray, Philosopher Cat, Philip J. Davis' latest continues the adventures of the internationally popular feline and friend. Could it be that Hans Christian Andersen - who wrote so lovingly of inchworms and ugly ducklings - was an unrepentant despiser of cats? That's the rumor that the philosophical feline, Thomas Gray, and cohort, Cambridge don Lucas Fysst, (whose last name doesn't rhyme with "fist") are determined to snuff out. In Copenhagen to attend a philosophers' convention, they go on the hunt for a missing Andersen manuscript that will set the record straight. A whimsically written and illustrated tale - part history, part parody, and all fun. Davis is Professor Emeritus of Applied Mathematics at Brown University and author of No Way: Essays on the Impossible.
Presents more than four hundred lists on various information on cats, including cat breeds, training, and behavior, as well as such topics as famous cats in history, cat food recipes, and gifts for pampered cats.
A number of years ago, Harriet Sheridan, then Dean of Brown University, organized a series oflectures in which individual faculty members described how it came about that they entered their various fields. I was invited to participate in this series and found in the invitation an opportunity to recall events going back to my early teens. The lecture was well received and its reception encouraged me to work up an expanded version. My manuscript lay dormant all these years. In the meanwhile, sufficiently many other mathematical experiences and encounters accumulated to make this little book. My 1981 lecture is the basis of the first piece: "Napoleon's Theorem. " Although there is a connection between the first piece and the second, the four pieces here are essentially independent. The sec ond piece, "Carpenter and the Napoleon Ascription," has as its object a full description of a certain type of scholar-storyteller (of whom I have known and admired several). It is a pastiche, contain ing a salad bar selection blended together by my own imagination. This piece purports, as a secondary goal, to present a solution to a certain unsolved historical problem raised in the first piece. The third piece, "The Man Who Began His Lectures with 'Namely'," is a short reminiscence of Stefan Bergman, one of my teachers of graduate mathematics. Bergman, a remarkable person ality, was born in Poland and came to the United States in 1939.
Presents hundreds of clever cat names to please even the fussiest pussycat. Plus there are amusing drawings on every page as well as informative tips, such as how to train a cat to actually come when he's called!
The author of Straw Dogs, famous for his provocative critiques of scientific hubris and the delusions of progress and humanism, turns his attention to cats—and what they reveal about humans' torturous relationship to the world and to themselves. The history of philosophy has been a predictably tragic or comical succession of palliatives for human disquiet. Thinkers from Spinoza to Berdyaev have pursued the perennial questions of how to be happy, how to be good, how to be loved, and how to live in a world of change and loss. But perhaps we can learn more from cats--the animal that has most captured our imagination--than from the great thinkers of the world. In Feline Philosophy, the philosopher John Gray discovers in cats a way of living that is unburdened by anxiety and self-consciousness, showing how they embody answers to the big questions of love and attachment, mortality, morality, and the Self: Montaigne's house cat, whose un-examined life may have been the one worth living; Meo, the Vietnam War survivor with an unshakable capacity for "fearless joy"; and Colette's Saha, the feline heroine of her subversive short story "The Cat", a parable about the pitfalls of human jealousy. Exploring the nature of cats, and what we can learn from it, Gray offers a profound, thought-provoking meditation on the follies of human exceptionalism and our fundamentally vulnerable and lonely condition. He charts a path toward a life without illusions and delusions, revealing how we can endure both crisis and transformation, and adapt to a changed scene, as cats have always done.
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