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- Thomas Gainsborough - Portrait of Anne - Countess of Chesterfield - 5" x 8" - 120 lined pages - If you love old master paintings and want an artsy, pretty notebook you'll love this fine art notebook. - 5x8 size makes it the perfect notebook for taking notes at the art museum, on vacation, or taking with you anywhere you go. - College rule lined pages let you write lots of notes and drawings. - Soft, matte finish cover is a joy to hold. - Makes a great gift for artists and your art loving friends and family.
Provides a history of the buildings that have housed the Getty Museum collections, overviews the collections themselves, and offers a biography of J. Paul Getty
Includes : Catherine of Siena ; Beatrice d'Este ; Anne of Brittany ; Lucrezia Borgia ; Margaret d'Angouleme ; Renee, Duchess of Ferrara.
Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal
Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.
Mary Louisa Boyle's 'Biographical Catalogue of the Portraits at Panshanger, the Seat of Earl Cowper, K.G' is a meticulously researched and comprehensive work that provides detailed descriptions of the portraits housed at the esteemed Panshanger estate. Written in a scholarly and analytical style, Boyle's book delves into the historical and artistic significance of each portrait, offering insight into the lives of the individuals captured in a variety of styles and poses. The book is a valuable resource for art historians and enthusiasts interested in British portraiture of the 18th and 19th centuries. Boyle's attention to detail and expertise in the subject matter shine through in her thorough examination of the portraits, making this book an indispensable reference for scholars of art history. Mary Louisa Boyle's dedication to preserving the legacy of the portraits at Panshanger is evident in her meticulous research and insightful commentary, making this book a must-read for anyone interested in the intersection of art and history.
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.