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Contained within this antiquarian book is a detailed and concise look at the furniture of the illustrious cabinet-maker, Thomas Chippendale. Chippendale furniture is some of the most famous and sought after ever produced, and this text takes a look at a number of its most exquisite pieces and the man behind the designs. Including detailed descriptions, comments on history and development, and insightful information about Thomas Chippendale, this text constitutes a must-have for those with an interest in this style and makes for a worthy addition to collections of antique furniture literature. We have elected to republish this antique text now due to its educational value, and are proud to present it here complete with a new introduction on the history of furniture.
Published to coincide with the three hundredth anniversary of the birth of Thomas Chippendale, England’s most famous cabinetmaker, this issue of the Bulletin addresses the history of Chippendale works at The Met. Morrison H. Heckscher recounts the designer’s meteoric rise from rural obscurity to the heights of the London luxury trade, crediting that remarkable success to the publication of the Chippendale Director, an instructive book on furniture design and ornament. The text analyzes the Museum’s rare collection of drawings by Chippendale, revealing a gifted and highly imaginative designer who mastered what today would be called branding. Illustrating a wide selection of the Director drawings alongside furniture inspired by the Director or actually made in Chippendale’s shop, this Bulletin features works of art that attest to the museum’s century-long infatuation with drawing, prints, books, and furniture in the Chippendale style.
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.
This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.
Harewood House is one of the greatest country houses in Britain. Situated in the heart of Yorkshire, the house was commissioned in the 18th century by Edwin Lascelles, 1st Earl of Harewood. He employed the finest artists and craftsmen of the time, including John Carr of York for the Palladian exterior, Robert Adam for the interiors and Lancelot 'Capability' Brown for the landscape. Exquisitely furnished, Harewood was Thomas Chippendale's largest single commission. Harewood displays an extraordinary collection of Renaissance masterpieces alongside fine works of 20th-century art, and was the first country house in England to have a designated space for contemporary art. All Saints' Church, on the Harewood Estate, contains one of the most magnificent collections of late medieval alabaster tombs in Britain. This exquisite album of photographs by Harry Cory Wright allows us to experience Harewood as if for the first time. With an introduction by David Lascelles, 8th Earl of Harewood, who shares with us his own experience of living in such a remarkable house, this book evokes an incredibly vivid sense of place.