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The critically acclaimed, national bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph. In a kaleidoscopic narrative, New York Times–bestselling author and Salon founder David Talbot tells the gripping story of San Francisco in the turbulent years between 1967 and 1982. The emergence of a diverse cast of characters—Harvey Milk, Janis Joplin, Jim Jones, Bill Walsh—ushered in a transformative new era in the city’s history. Season of the Witch is the first book to fully capture the dark magic of San Francisco in this breathtaking period, when the city radically changed itself—and then revolutionized the world. “An enthralling—and harrowing—account of how the 1967 Summer of Love gave way to 20 or so winters of discontent.” —The Washington Post “A sprawling, ambitious history . . . Talbot’s energetic, highly entertaining storytelling conveys the exhilaration of ‘60s counterculture as well as the gathering ugliness that would mark the city in the ‘70s.” —The Boston Globe “Exhaustive research yields penetrating character studies . . . In exhilarating fashion, Talbot clears the rainbow mist and brings San Francisco into sharp focus.” —Publishers Weekly (starred review) “A gritty corrective to our rosy memories . . . enthralling, news-driven history . . . smart and briskly paced . . . I found it hard to put down.” —San Francisco Chronicle “An ambitious, labor-of-love illumination of a city’s soul, celebrating the uniqueness of San Francisco without minimizing the price paid for the city’s free-spiritedness.” —Kirkus Reviews (starred review) “Talbot presents gripping accounts of both crime sprees and football showdowns.” —Booklist
Searching for the elusive Star of Baewyr, Captain Lucan Hern, a virile warrior, is distracted from his mission by an encounter with Isadora, the young, widowed attendant to the Empress, who holds the key to what he is looking for, yet captivates him with her innocence. Original.
“In her much-needed and brilliant Year of the Witch, Temperance Alden guides readers to observe their own land, celestial cycles, seasonal cycles, and even their own biological cycles to inform their magickal year.”-- Mat Auryn, author of Psychic Witch: A Metaphysical Guide to Meditation, Magick, and Manifestation When we think of the wheel of the year, the Wiccan wheel with its celebrations of the Yule, Beltane, Mabon, and Samhain come to mind. But what about a wheel of the year for the rest of us pagans and witches? As a witch living in sunny South Florida, longtime hereditary witch Temperance Alden has often felt at odds gearing up to celebrate Yule, for example, when it is 76 degrees and sunny outside. Year of the Witch will help readers create their own intuitive practices in harmony with the climate, culture, and local spirits where they live. It’s of interest to witches coming off the Wiccan path and looking for a more personal approach to celebrating the rhythms of nature. Year of the Witch covers all aspects of this new, seasonal practice: The origins of the neo-pagan wheel of the year and why it is still so relevant today Culture, historical facts, and traditions associated with the major ceremonies Basic principles of land-based magick How to intuitively connect to the nature below your feet and the local gods Being a custodian to the land and its impact on our spiritual practice
The orphaned daughter of a sorcerer and a half-demon, Savannah is a terrifyingly powerful young witch who has never been able to resist the chance to throw her magical weight around. But at 21 she knows she needs to grow up and prove to her guardians, Paige and Lucas, that she can be a responsible member of their supernatural detective agency. So she jumps at the chance to fly solo, investigating the mysterious deaths of three young women in a nearby factory town as a favour to one of the agency’s associates. At first glance, the murders look garden-variety human, but on closer inspection signs point to otherworldly stakes. Soon Savannah is in over her head. She’s run off the road and nearly killed, haunted by a mystery stalker, and freaked out when the brother of one of the dead women is murdered when he tries to investigate the crime. To complicate things, something weird is happening to her powers. Pitted against shamans, demons, a voodoo-inflected cult and garden-variety goons, Savannah has to fight to ensure her first case isn’t her last. And she also has to ask for help, perhaps the hardest lesson she’s ever had to learn. Book 11 in the Otherworld series.
From the podcast host of The Witch Wave and practicing witch Pam Grossman—who Vulture has dubbed the “Terry Gross of witches”—comes an exploration of the world’s fascination with witches, why they have intrigued us for centuries and why they’re more relevant now than ever. When you think of a witch, what do you picture? Pointy black hat, maybe a broomstick. But witches in various guises have been with us for millennia. In Waking the Witch, Pam Grossman explores the impact of the world’s most magical icon. From the idea of the femme fatale in league with the devil to the bewitching pop culture archetypes in Sabrina the Teenage Witch and Harry Potter; from the spooky ladies in fairy tales to the rise of contemporary witchcraft, witches reflect the power and potential of women. Part cultural analysis, part memoir, Waking the Witch traces the author’s own journey on the path to witchcraft, and how this has helped her find self-empowerment and purpose. It celebrates witches past, present, and future, and reveals the critical role they have played—and will continue to play—in the world as we know it. “Deftly illuminating the past while beckoning us towards the future, Waking the Witch has all the makings of a feminist classic. Wise, relatable, and real, Pam Grossman is the witch we need for our times” (Ami McKay, author of The Witches of New York).
Tilly Witch forgets how to be mean and returns to the finishing school for witches to relearn the trickery of the trade.
In October 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary.
This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal
Arianwyn fluffs her witch's assessment - instead of qualifying, she's declared an apprentice and sent to remote Lull in disgrace. Then her arch-enemy, mean girl Gimma, arrives on holiday determined to make her life a misery. But as a mysterious darkness begins to haunt her spells, Arianwyn realizes there's much more than her pride at stake ...
"Starting with Ex Machina by Alex Garland, The Witch by Robert Eggers, and Moonlight by Barry Jenkins, the first collection from A24 BOOKS celebrates the singular vision and unbridled artistry of these noted writer-directors, showcasing how they saw their films through from script to screen."--Publisher's website