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Irène Schweizer: jazz pianist, activist, icon. Left-winged, lesbian, autonomous. The path of a young woman from the northern Swiss province leads further and further into experimental music: from London's jazz club Ronnie Scott's and the Zurich Africana Club to the avantgarde-stages in Wuppertal, Berlin, Willisau, Chicago and New York, and from concerts with Don Cherry, Louis Moholo and George Lewis to solo appearances as the leading pianist of European jazz in the Swiss temples of high culture, the Lucerne Culture and Congress Center and the Tonhalle Zurich. Again and again she fights for artistic freedom and autonomy.
This book is dedicated to women. It is divided into two sections. The WHY is the first, and the HOW is the second. I want to explain where I came from, who I've become, and how I got there. I am not omniscient, but some say I am close... This book is dedicated to you, whoever you are: Because the ability to love yourself is your true power, these are the essential femininity tools for elevating yourself, strengthening your soul, and connecting with your natural beauty. I want to guide you on how to be the best version of yourself—for you!
This volume brings together scholars and artist-researchers to explore the nature and function of musical instruments in creative practices, and their role in musical culture. Through historical, theoretical, critical, practical-artistic perspectives and case studies, the contributors here examine identities and affordances of acoustical, electronic and digital musical instruments, the kinds of relationships that composers and performers establish with them, and the crucial role they play in the emergence of musical experiences and meanings.
Perhaps you feel an entire car restoration seems too daunting a task to even think about. This book, however, will teach you how to go about this project in easy steps. While restoring a car is not a simple project, it is not difficult if you take it in steps. This is the perfect book for you to learn which steps to take when restoring a classic car as well as practical tips on the restoration process. If you have always loved cars and dreamed of one day bringing an old car back to life by restoration, "Vintage Cars – Restoration Tips From A Classic Car Junkie," can teach you the right way to go about living that dream by getting you started and keeping you motivated in a car renovation project. If you want to learn what you will need to have, know and practical tips on restoring a classic car as well as valuable information as far as websites and clubs that you can join to have a venue for displaying your car as well as meeting others who can help you in your pursuits, you need to read this eBook. 1) Learn The Difference Between Repair and Restoration Repairing a car is quite different from restoring a classic car. Repairs are made all the time on cars, this is not a restoration. There is not only a difference in repairing and restoration, but there is also a vast difference in the types of restoration. Here you can discover the different types of restoration for cars as well as the difference between simply repairing a car and actually restoring it. In "Vintage Cars – Restoration Tips From A Classic Car Junkie," you will have all of the information you need to get started on a successful restoration project. 2) Learn How To Do It Vintage Cars – Restoration Tips From A Classic Car Junkie" will not only give you easy to understand details of what you need to restore your car, but also how to find he products and parts that you will need as well as step by step instructions on the process of class car restoration.
Honorable Mention Recipient of the 2021 Marie Hochmuth Nichols Award for Outstanding Scholarship in Public Address by the National Communication Association In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published “We Are Our Feeling: The Black Aesthetic.” Baraka’s emphasis on the importance of feelings in Black selfhood expressed a touchstone for how the Black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely Black pessimism, to resist the constant physical violence against Black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of Black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping midcentury discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling Black feelings in the service of Black political action, Corrigan traces how Black liberation activists mobilized new emotional repertoires
Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh V's mother -- The Marxism of Felix Gonzalez-Torres -- Entanglements: Eiko's a body in a station -- Tseng Kwong Chi and the party's end -- Epilogue: 6E
For some, our media-saturated culture points to the decline of Western civilization; for others, it points to the dawn of a bright future. For Nathan Roberts, the mediated landscape is a place to thoughtfully engage with these tensions. This unique memoir, meditative and philosophical, chronicles Nathan’s absorption in the vital, inspiring, and often maddening power of media and entertainment. With wry self-effacement and raw honesty, he calls us to conceive of media not only as an abstract, postmodern phenomenon, but as a digital architecture that creates real meeting space. Exploring social media, music, film, art, theater, standup comedy, and more, Nathan shows us a world of entertainment that reflects the universal hunger for connection.
The remarkable autobiography of Mexican-Jewish disability rights activist and writer Gabriela Brimmer
The Russian Revolution, 1905-1921 is a new history of Russia's revolutionary era as a story of experience-of people making sense of history as it unfolded in their own lives and as they took part in making history themselves. The major events, trends, and explanations, reaching from Bloody Sunday in 1905 to the final shots of the civil war in 1921, are viewed through the doubled perspective of the professional historian looking backward and the contemporary journalist reporting and interpreting history as it happened. The volume then turns toward particular places and people: city streets, peasant villages, the margins of empire (Central Asia, Ukraine, the Jewish Pale), women and men, workers and intellectuals, artists and activists, utopian visionaries, and discontents of all kinds. We spend time with the famous (Vladimir Lenin, Lev Trotsky, Alexandra Kollontai, Vladimir Mayakovsky, Isaac Babel) and with those whose names we don't even know. Key themes include difference and inequality (social, economic, gendered, ethnic), power and resistance, violence, and ideas about justice and freedom. Written especially for students and general readers, this history relies extensively on contemporary texts and voices in order to bring the past and its meanings to life. This is a history about dramatic and uncertain times and especially about the interpretations, values, emotions, desires, and disappointments that made history matter to those who lived it.