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A Thin Veil Between This World and The Next is the definitive encyclopedia of the strange and paranormal that have occurred in the hardscrabble Appalachian community of Morgan County, Tennessee. The stories range from Haunted sites to paranormal events that have spiritual implications. Regardless if you are the serious paranormal researcher or the novice ghost hunter, this book has something for every reader. The book is also a lens to view Appalachian culture and folklore . Join the authors who are the former and current Morgan County historians on a journey of supernatural adventure.
Have you ever contemplated the existence of after-death communication and wondered just how thin the veil is between the physical and spiritual realms? What if your loved ones in the spirit world were attempting to communicate with you through signs, but you were unaware of their significance? Choong explores these inquiries from a New-Age perspective, providing detailed insights into the often-overlooked connections between our physical and spiritual existence. Drawing from her spiritual journey following her mother's passing, Choong delves into deathbed experiences, the intricate tapestry of grief, and insights into the afterlife. The book also weaves together a mosaic of spiritual experiences shared by others. This book is a must-read for those seeking answers about the subtle interplay between the realms and universal themes, such as uncovering our soul's purpose, the transformative power of gratitude, and the invaluable life lessons that follow the loss of a loved one. Marilyn Choong's memoir offers more than just answers; it's an emotional exploration with the aim of providing hope to those grappling with loss. If you're looking for solace and a deeper understanding of the spiritual dimensions that surround us, this book is a powerful guide on your journey.
Gallup, New Mexico, is a place like no other. It is disproportionally and simultaneously wonderful and terrible. It is a place of constant struggle, where the forces of good and evil collide. The former frontier mining town, bordering the Navajo Nation at the far western edge of New Mexico, is one of those few places on earth that have the power to change the course of our lives and transform us deeply.
This Thin Veil became the author's brainchild while running from the town he lived in, Eudora, Kansas, into Lawrence, Kansas, and his turn-around point, which was the site of the original Lawrence during the Civil War. It was here he became curious what those interred would have to say of the raiders, some of whom are seemingly deified for the event by the now-city itself. The author has passion for knowledge of the hereafter, more specifically for himself, as for those close already gone; he based this book on personal conjecture of life after death with what he has learned of the supernatural when life as we know it ceases. He had fun writing this piece because he was able to interject true personal experiences in with fictional characters and his own spiritual beliefs. For some, this book may be a catharsis and, for others, a horror story.
Something exciting is happening with the contemporary history play. New writing by playwrights such as Jackie Sibblies Drury, Samuel Adamson, Hannah Khalil, Cordelia Lynn, and Lucy Kirkwood, makes powerful theatrical use of the past, but does not fit into critics' familiar categories of historical drama. In this book, Benjamin Poore provides readers with tools to name and critically analyse these changes. The Contemporary History Play contends that many history plays are becoming more complex and layered in their aesthetic approaches, as playwrights work through the experience of being surrounded by numerous and varied forms of historical representation in the twenty-first century. For theatre scholars, this book offers a means of interpreting how new writing relies on the past and notions of historicity to generate meaning and resonance in the present. For playwrights and students of playwriting, the book is a guide to the history play's recent past, and to the state of the art: what techniques and formulas have been popular, the tropes that are widely used, and how artists have found ways of renewing or overturning established conventions.