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Portugal's European Union honeymoon has officially ended. It was the victim of a Europe-wide political and financial crisis and an unstable EU identity increasingly splintered along regional and economic fractures. What does this mean for the former good student of European democracy? The answer may lie in renewed Portuguese efforts to deepen and strengthen ties with Lusophone countries across the globe, which since 1996 have been organized into a supranational organization called the Community of Portuguese-Speaking Countries (CPLP). While Portugal's marginality in relation to Europe might be emphasized in the corridors of Brussels, within the realm of the CPLP the former world power can once again see itself as existing at the center geographically as well as from a historic-cultural perspective of an extensive international milieu. The Lusophone World: The Evolution of Portuguese National Narratives explores the dialectic between Portugal's sense of identity and belonging in the EU and the CPLP. It provides an analysis of the manner in which Portugal's institutional allegiances to both of these organizations have impacted the political, economic, and social fabric of the nation. The fact that Portugal is turning to its former colonies as alternate partners in trade, commerce, emigration, and development initiatives may not be evidence of straightforward estrangement from the European continent. More likely, Portugal appears to be riding a fresh wave of what it means to be modern in the European milieu. This new concept of modernity, related to rhetoric of hybridity and a self-professed position as interlocutor, could be evidence of a deeper understanding of the new tools needed to survive and prosper in a rapidly-changing European Union.
On Emerging from Hyper-Nation represents Ronald W. Sousa’s attempt to answer the question, “Why do I smile on reading one of Saramago’s ‘historical’ novels?” Why that reaction of emotional release? To answer the “smile question” the book engages in a critical mode that could be described as “discourse analysis.” It combines several critical strains and relies on basic concepts from Freudian and Lacanian psychoanalysis, Adlerian psychology, and contemporary cognitive psychology for their discourse-analytical value rather than as entrées into psychoanalytical reading per se. The introductory chapter presents some of the concepts that underlie that compound analytical modality and sets out an overview of twentieth-century Portuguese social and economic history. Then, with an eye to answering the “smile question,” the book reads Nobel Laureate José Saramago’s three novels, Baltasar and Blimunda (1982), The Year of the Death of Ricardo Reis (1984), and The History of the Siege of Lisbon (1989). Or, better, it seeks to read Sousa’s own reading of the three works, since focus falls on how each novel seeks to construct both its own reading and also Sousa as its reader. The discussion brings to light a number of textual phenomena that bear upon the “smile question.” Among them are that the novels invoke, often subtly, the fascist hermeneutical heritage remaining from before the revolution of 1974 as a constituent part of their communication with the reader; that they summon up historical trauma; that they function as Freudian-style “tendentious jokes”; and that, through these various invocations, they seek to constitute a postrevolutionary Portuguese subject. The reading of Sousa’s reading, then, ends up being a reading of some of the cultural forces at work in postrevolutionary Portugal.
This book was significant in the development of Portuguese ethnography since it served as both a scientific study and a collection of stories for children to enjoy. Francisco Adolfo, the writer, is a philologist from Portugal. Henriqueta Monteiro has also translated this work into English. Every story in this book is unique to the European heritage. Some of the stories are quite unusual and bizarre. Overall, the storylines in the books are fairly recognizable - sometimes the entire plot, sometimes just key phrases or scenes.
Within hours of the sinking of RMS Lusitania by a German submarine off the Cork coast in May 1915, a narrative was created which over time became the accepted truth of the incident. Many people today still believe the sinking of the Lusitania was a savage attack on an innocent vessel that brought America into the war. In this book, author and historian Michael Martin raises a series of disturbing questions that challenge this longheld perspective. Examining a raft of old and new evidence suggesting a more sinister function of RMS Lusitania, this book explores the widespread use of civilian vessels within the war effort; it shines a light on the operational response of the Royal Navy in the immediate aftermath of the incident; and it looks at the nature of the response of the United States at this crucial juncture. And, above all, this book questions the narrative that has grown up around one of the most pivotal junctures in the war to end all wars.
Reprint of the original, first published in 1874.
On May 7, 1915, toward the end of her 101st eastbound crossing, from New York to Liverpool, England, R.M.S. Lusitania-pride of the Cunard Line and one of the greatest ocean liners afloat-became the target of a terrifying new weapon and a casualty of a terrible new kind of war. Sunk off the southern coast of Ireland by a torpedo fired from the German submarine U-20, she exploded and sank in eighteen minutes, taking with her some twelve hundred people, more than half of the passengers and crew. Cold-blooded, deliberate, and unprecedented in the annals of war, the sinking of the Lusitania shocked the world. It also jolted the United States out of its neutrality and hastened the nation's entry into World War I. In her riveting account of this enormous and controversial tragedy, Diana Preston recalls both a pivotal moment in history and a remarkable human drama. The story of the Lusitania is a window on the maritime world of the early twentieth century: the heyday of the luxury liner, the first days of the modern submarine, and the climax of the decades-long German-British rivalry for supremacy of the Atlantic. Above all, it is the story of the passengers and crew on that fateful voyage-a story of terror and cowardice, of self-sacrifice and heroism, of death and miraculous survival.
One of the most dramatic seafaring tragedies ever ... Thirteen-year-old Finbar Kennedy runs away from home in Queenstown (Cobh) to follow his sea-captain father onto the Lusitania. On the return journey from New York, Finbar works as a deck-hand, and running messages gives him a lot of information. He begins to understand that something strange is happening. But what can he do? And whom can he trust? Fact is stranger than fiction: In May 1915 the huge liner, the Lusitania, sank off the Cork coast near the Old Head of Kinsale. This happened during the First World War. But, unlike the Titanic tragedy, this was no accident. The ship was torpedoed by a German submarine. Rumour had it that there were spies, arms and gold on board the Lusitania. These rumours were true.