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"So real it hurts."—David Arnold, New York Times bestselling author of Mosquitoland. A summer of basketball, first love, and the friends who've got your back when life gets crazy, set in a trailer park in small town America. Travis never gives up. Not when his mom takes off. Not when he gets suspended from basketball. Not when he cracks four ribs jumping off a bridge to impress a girl. Not when he and his best friend Creature get into trouble deeper than they know how to handle. From acclaimed author Peter Brown Hoffmeister comes a painfully-funny, sometimes-crushing story of growing up, making mistakes, and pressing on, against the odds. "In my mind the best storytellers walk that high tight wire between tragedy and comedy. This Is the Part Where You Laugh is exactly the part where you laugh. And ache. This is a really good book!"—Chris Crutcher "A courageous novel. Incandescent and unflinching." —Jeff Zentner, author of The Serpent King "A raw offbeat novel with an abundance of honesty and heart." —Publishers Weekly, starred review "Hoffmeister crushes it. There is blood and truth on every page." —Estelle Laure, author of This Raging Light
Rising sophomore Travis and his best friend, Creature, spend a summer in a Eugene, Oregon, trailer park dealing with cancer, basketball, first love, addiction, gang violence, and a reptilian infestation.
When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!
Illustrated version of a song pointing out that in spite of our differences, we are all the same in God's eyes.
Celebrate feelings in all their shapes and sizes in this New York Times bestselling picture book from the Growing Hearts series! Happiness, sadness, bravery, anger, shyness . . . our hearts can feel so many feelings! Some make us feel as light as a balloon, others as heavy as an elephant. In My Heart explores a full range of emotions, describing how they feel physically, inside, with language that is lyrical but also direct to empower readers to practice articulating and identifying their own emotions. With whimsical illustrations and an irresistible die-cut heart that extends through each spread, this gorgeously packaged and unique feelings book is sure to become a storytime favorite.
Everyone has a brain. But it doesn't come with a user's manual! Level 3 of the FIND SOMETHING AWESOME! book series teaches boys and girls how to realize the power of their brains to be happy and successful. Did you know that you can turn around negative feelings? You can! This book teaches kids how to turn negative feelings OFF with positive and confident self-talk such as: "I am awesome! I can do this!" Kids will learn how to recognize and avoid the pitfalls of negative thinking and turn it around before it spirals downward.
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
A collection of more than 100 humorous poems on such topics as ogres, pizza, fear, school, dragons, trees, and hair.
Part road-trip comedy and part social science experiment, a scientist and a journalist travel the globe to discover the secret behind what makes things funny, questioning countless experts, including Louis C.K., along the way.
A powerful memoir “about a difficult childhood . . . tough stuff, honest and real”—The Oregonian Peter Hoffmeister was a nervous child who ran away repeatedly and bit his fingernails until they bled. Home-schooled until the age of fourteen, he had only to deal with his parents and siblings on a daily basis, yet even that sometimes proved too much for him. Over the years, he watched his mother disintegrate into her own form of mania, while his father—a scholar and doctor who had once played semi-pro baseball—was strict and pushed Peter particularly hard. He wanted only the best from his son, but in the process taught Peter to expect only the worst from himself. In the midst of his chaotic home life, Peter began to hear a voice—an insistent, monotone that would periodically dictate his actions. When Peter finally entered public school he started to break free from his father’s control—only to fall sway to the voice more and more. His obsessive-compulsive behavior morphed into ruthless competition in sports and, ultimately, into lies, violence, and drugs. The End of Boys follows Hoffmeister to the very brink of sanity and back, in a harrowing and heartbreaking account of the trauma of adolescence and the redemption available to us all, if only we choose to find it. “Peter Brown Hoffmeister calls every sense into play, providing rich imagery, grounded reflection, and the tension inherent in a coming-of-age tale in which drugs, violence, and a genetic tendency toward OCD conspire.” —Los Angeles Review “The End of Boys takes no prisoners with its gritty, entrancing realism . . . a chilling and captivating read . . . a voice that is refreshingly new.” —Eugene Weekly