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After thirty years of autocratic rule under "Life President" Kamuzu Banda, Malawians experienced a transition to multi-party democracy in 1994. A new constitution and several democratic institutions promised a new dawn in a country ravaged by poverty and injustice. This book presents original research on the economic, social, political and cultural consequences of the new era. A new generation of scholars, most of them from Malawi, cover virtually every issue causing debate in the New Malawi: poverty and hunger, the plight of civil servants, the role of the judiciary, political intolerance and hate speech, popular music as a form of protest, clergy activism, voluntary associations and ethnic revival, responses to the HIV/AIDS pandemic, and controversies over women's rights. Both chameleon-like leaders and the donors of Malawi's foreign aid come under critical scrutiny for supporting superficial democratization. The book ends with a rare public statement on the New Malawi by Jack Mapanje, Malawi'sinternationally acclaimed writer.
This title features a general history of Malawi, focusing mainly on the colonial period, when it was know as Nyassaland, but placing that period in the context of the pre-colonial past.
The most ambitious work ever on the fishes of Lake Malawi.
Nicknamed "The Warm Heart of Africa," "Land of the Lake," and "The Land of Smiling Faces," this small, landlocked country in southeast Africa offers travelers a true African experience. Within a single day, visitors can go on safari, enjoy sprawling tea gardens, and watch the sun sets over Lake Malawi, the third-largest lake in Africa and home to many rare species of fish. The country has nine unique national parks and wildlife reserves and has been home to many diverse African cultures, from the indigenous hunter-gathers to the incoming iron-working Bantu settlers. Dress, dance, masks, language, and traditional festivals all reflect waves of migrating tribes—those fleeing Shaka Zulu in the south, Swahili Arab slave traders in the east, and Bantu from Central Africa. Other cultural influences came through the slave trade routes, contact with Portuguese and Indian traders, and English missionaries who introduced Victorian-era buildings. This historic blend has produced a people who are strong, good-humored, conservative, traditional, yet adaptable, creative, loyal, and hard-working.
Using the political and medical history of Malawi as a fundamental example, Luke Messac explains relationship between a nation's political history and its approaches to health care.
Using the experiences of Malawi, one of the poorest countries on the African continent, to illustrate both the challenges that poverty creates, and the opportunities for change that exist. Poverty, AIDS and Hunger outlines an easily-replicable model, at modest cost, that could lift people quickly out of poverty, with sustainable benefits.
The culmination of years of fieldwork in southern Malawi, River of Blood reconstructs the beginnings of the Mbona martyr cult, follows its history to the present day, and reveals the fascinating intersections of an indigenous belief system with European Christianity. In the cult of Mbona, the central African mythology of the snake that is beheaded to make the rains come has been combined with a more spiritual interpretation: the snake has been transformed into a human martyr and redeemer. According to the cult, the rainmaker Mbona was tracked down by his enemies; they cut off his head, and his blood formed the River of Blood. Mbona returned as a storm wind and asked that a shrine be dedicated in his name. J. Matthew Schoffeleers recounts how the Portuguese presence in Zambezia in the period 1590-1622 led to more than three decades of internecine warfare and caused the people of southern Malawi tremendous suffering. In response to this political oppression and social upheaval, Schoffeleers shows, the people looked to Mbona, their "black Jesus," for redemption. Beyond reconstructing the cult's genesis, Schoffeleers traces its recent history, particularly in political context. He provides texts of seven cult myths from different historical periods in both Chimang'anja and English. His analysis presents the Mbona myth as a continuous social construction and deconstruction. Emphasizing the impact of political and spiritual oppression on the cult, he distinguishes between the differing versions of the myth preserved by the aristocracy and by the commonalty and demonstrates how these disparate views unite to preserve historical information. In so doing, he shows that cults serve as valuable repositories for historical information.