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From Beads to Drums to Masquerades, from Grandmother to Yams, this photographic alphabet captures the rhythms of day-to-day village life in Africa. Ifeoma Onyefulu's lens reveals not only traditional crafts and customs, but also the African sense of occasion and fun, in images that will delight children the world over.
Economic growth does not demand a secret formula. Good development examples now abound in East Asia and further afield in others parts of Asia, and in Central America. But why then has Africa failed to realise its potential in half a century of independence? Why Africa is Poor demonstrates that Africa is poor not because the world has denied the continent the market and financial means to compete: far from it. It has not been because of aid per se. Nor is African poverty solely a consequence of poor infrastructure or trade access, or because the necessary development and technical expertise is unavailable internationally. Why then has the continent lagged behind other developing areas when its people work hard and the continent is blessed with abundant natural resources? Stomping across the continent and the developing world in search of the answer, Greg Mills controversially shows that the main reason why Africa's people are poor is because their leaders have made this choice.
Demonstrates the diversity of the African continent by describing daily life in some of its fifty-three nations.
From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.
The contributions in the volume question the widespread thesis that Africa is 'incurably religious' by studying both the presence and meaning of secularization in sub-Saharan Africa and among the African diaspora. This exercise requires sustained interest in the notion of secularization itself. It explores whether the understanding of secularization will need to be challenged and enlarged to properly detect and understand the secularization processes in this continent that is known for its religious fervour. The essays in the first part focus on Africa's cultural and religious traditions. Thou.
Recent seismic shifts in Congo and Rwanda have exposed the continued volatility of the state of affairs in central Africa. As African states have shaken off their postcolonial despots, new leaders with sweeping ideas about a pan-African alliance have emerged -- and yet the internecine struggles go on. What is Africa's problem? As one of the leaders expressing a broad and forceful vision for Africa's future, Uganda's Yoweri K. Museveni is perhaps better placed than anyone in the world to address the very question his book poses. In 1986, after more than a decade of armed struggle, a rebellion led by Museveni toppled the dictatorship of Idi Amin, and Museveni, at 42, became president of Uganda, a country at that time in near total disarray. Since then, Uganda has made remarkable strides in political, civic, and economic arenas, and Museveni has assumed the role of "the eminence grise of the new leadership in central Africa" (Philip Gourevitch, The New Yorker). As such, he has proven a powerful force for change, not just in Uganda but across the turbulent span of African states. This collection of Museveni's writings and speeches lays out the possibilities for social change in Africa. Working with a broad historical understanding and an intimate knowledge of the problems at hand, Museveni describes how movements can be formed to foster democracy, how class consciousness can transcend tribal differences in the development of democratic institutions, and how the politics of identity operate in postcolonial Africa. Museveni's own contributions to the overthrow of Zaire's Mobutu Sese Seko and to the political transformation of Uganda suggest the kind of change that may sweep Africa indecades to come. What Is Africa's Problem? gives a firsthand look at what those changes might be, how they might come about, and what they might mean.
In 1996, Scott Griffin left the comfortable routine of his life as a successful businessman to fly solo to Africa in his single-engine Cessna 180 to work for the Flying Doctors Service, an African organization that flies doctors and nurses to remote areas to administer medical assistance. My Heart is Africa is an engaging personal story of his two-year adventure but it is also the story of Africa -- its problems and people, its landscape and limitations, its culture and courage. Griffin's intrepid flying odyssey takes the reader on a journey across Africa and into the lives of the doctors, nurses, aid workers and eccentric characters that crossed his path along the way. All royalties from the sale of this book will be donated to the AMREF Flying Doctors Service.
This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary. By examining the multiple and competing interests in creating the legal regime of copyright law, this books attempts to map the political economy of copyright in the information age, critique the concentration of ownership that is intrinsic in the status quo, and provide an assessment of the state of the contemporary global copyright landscape and its futures. It draws upon the current narratives of copyright as produced by corporate, government, and political actors and frames these narratives as language games within a global political project to define how information and culture will be shared and exchanged in the future. The text problematizes the relationship of the state to culture, comments on the global flows of culture, and critiques the regulatory apparatus that is in place to commodify culture and align it with the contemporary nation-state. In the end, the possibility of non-commodified and more open futures are explored. The State of Copyright will be of particular interest for students and scholars of international political economy, law, political science, anthropology, sociology, cultural studies, library sciences, and communication studies. It also will appeal to a growing popular audience that has taken an interest in the issues of copyright.
What Is Africa to Me? traces the late 1950s to 1968, chronicling Condé’s life in Sékou Touré’s Guinea to her time in Kwame N’Krumah’s Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Condé’s deportation from Ghana. Settling down in Sénégal, Condé ended her African years with close friends in Dakar, including filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris. --Front flap.
Africa's heartrending picture begs the question: Is Africa cursed? In this book, the author conveys a winning message - that there can be hope for Africa. He unwraps Africa's place in the Bible, wards off superstition and advocates Christians' active engagement in transforming Africa.