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In This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself—screenplay dialogue—as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on both classic and contemporary film examples, the book also offers a quasihistory of film genres, including science fiction, the western, film noir, and screwball comedy, emphasizing how these genres have been shaken up, recontextualized, recombined, turned self-reflexive, and parodied over the past couple of decades. Taken together, these satirical parodies of screenplays and blogs reveal and perform how our very gaze has shifted from modern to postmodern, from a direct view of the world to a filtered one.
The first major biblical commentary from the pen of N. T. Wright While full of theological import, Paul’s letter to the Galatians also captures and memorializes a significant moment in the early history of Christianity. This commentary from N. T. Wright—the inaugural volume of the CCF series—offers a theological interpretation of Galatians that never loses sight of the political concerns of its historical context. With these two elements of the letter in dialogue with each other, readers can understand both what Paul originally meant and how his writing might be faithfully used to respond to present questions. Each section of verse-by-verse commentary in this volume is followed by Wright’s reflections on what the text says about Christian formation today, making this an excellent resource for individual readers and those preparing to teach or preach on Galatians. The focus on formation is especially appropriate for this biblical letter, in which Paul wrote to his fellow early Christians, “My children—I seem to be in labor with you all over again, until the Messiah is fully formed in you!”
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.
The world is entering a new technological, social and global age and it is our ability to create meaning which will decide whether we face a bright future or a tragic decline. We are living in an unsustainable state of cultural tension. Stress and depression are becoming more common, we are destroying our environment and while the rich become richer, inequality has spread both domestically and globally. The world's entire democratic system is strained and the only 'meaningful' story left is our role as consumers. We flee to and are trapped by the gilded illusion of happiness that is dictated to us by consumerism. In The World We Create, Tomas Björkman takes readers on a journey through history, economics, sociology, developmental psychology and philosophy, to illuminate where we have come from and how we have reached this breaking point. He offers new perspectives on the world we have created and suggests how we can achieve a more meaningful, sustainable world in the future.
A young boy's understanding of his autistic brother, David, improves as a therapist works with the family to better interpret David's behavior, and with David to communicate through words.
Christians ought to be leading the way in creativity, but we rarely do. God is the Creator of all things, and He created us in His image. Creativity is woven into the very fabric of our humanity. Therefore, Christians should value and champion creativity as a vital part of our image-bearing role. Instead Christians often don’t know what to do with creatives and creatives don’t know what to do with Christianity. On one side you have Christians who neglect or discount art, imagination, and beauty altogether. On the other, you have artists who make idols out of each of these good things. Ryan Lister, a theology professor, and Thomas Terry, a spoken word artist and founder of Humble Beast, team up to help restore the connection between creativity and theology. Images & Idols is a theological and artistic exploration of creativity in the Christian life. It will help creatives build a strong theological foundation for their art, while challenging the church to embrace a theology of beauty and creativity.
This annotated resource by veteran children's book reviewer Isaacs surveys the best 250 nonfiction/informational titles for ages 3 through 10, helping librarians make informed collection development and purchasing decisions.
The riotously funny Lilly, last seen in Chester's Way (Greenwillow), thinks her new baby brother, Julius, is disgusting -- if he was a number, he would be zero. But when Cousin Garland dares to criticize Julius, Lilly bullies her into loudly admiring Julius as the baby of the world.Lilly knows her baby brother is nothing but dreadful -- until she claims him for her own. "Henkes displays a deep understanding of sibling rivalry and a child's fragile self-esteem....Lilly is a superb and timely heroine." -- Publishers Weekly. "