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This is an insight into the idiosyncratic flourishes which make a house into a home. Photographer Bruce Weber takes the reader around the world, looking at how creative individuals' homes reflect their own particular personalities. Here are interiors and exteriors, panoramas and details: Siegfried and Roy's tiger-striped (and tiger-filled) Las Vegas suite; Georgia O'Keefe's ghost ranch in New Mexico; Chris Isaak's childhood home in suburban California; the Duchess of Devonshire's stately home in England; Andrew Wyeth's Maine lighthouse retreat; and Weber's own Montana ranch, among others.
After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom. An intergenerational coming-of-age novel, This House Is Not a Home follows Kǫ̀, a Dene man who grew up entirely on the land before being taken to residential school. When he finally returns home, he struggles to connect with his family: his younger brother whom he has never met, his mother because he has lost his language, and an absent father whose disappearance he is too afraid to question. The third book from acclaimed Dene, Cree and Metis writer Katłįà, This House Is Not a Home is a fictional story based on true events. Visceral and embodied, heartbreaking and spirited, this book presents a clear trajectory of how settlers dispossessed Indigenous Peoples of their land — and how Indigenous communities, with dignity and resilience, continue to live and honour their culture, values, inherent knowledge systems, and Indigenous rights towards re-establishing sovereignty. Fierce and unflinching, this story is a call for land back.
Badger offers to help the other animals build a house to keep them warm and cosy for the coming winter, but his attitude of perfection drives them away, causing him to change his ways.
Throughout the Western world, a whole generation is being priced out of the housing market. For millions of people, particularly millennials, the basic goal of acquiring decent, affordable accommodation is a distant dream. Leading economist Josh Ryan-Collins argues that to understand this crisis, we must examine a crucial paradox at the heart of modern capitalism. The interaction of private home ownership and a lightly regulated commercial banking system leads to a feedback cycle. Unlimited credit and money flows into an inherently finite supply of property, which causes rising house prices, declining home ownership, rising inequality and debt, stagnant growth and financial instability. Radical reforms are needed to break the cycle. This engaging and topical book will be essential reading for anyone who wants to understand why they can’t find an affordable home, and what we can do about it.
A NEW YORK TIMES EDITORS’ CHOICE NAMED A BEST BOOK OF THE YEAR BY TIME , NPR, INSTYLE, AND GOOD HOUSEKEEPING “A sensational new book [that] tries to figure out whether it’s possible to live an ethical life in a capitalist society. . . . The results are enthralling.” —Associated Press A timely and arresting new look at affluence by the New York Times bestselling author, “one of the leading lights of the modern American essay.” —Financial Times “My adult life can be divided into two distinct parts,” Eula Biss writes, “the time before I owned a washing machine and the time after.” Having just purchased her first home, the poet and essayist now embarks on a provocative exploration of the value system she has bought into. Through a series of engaging exchanges—in libraries and laundromats, over barstools and backyard fences—she examines our assumptions about class and property and the ways we internalize the demands of capitalism. Described by the New York Times as a writer who “advances from all sides, like a chess player,” Biss offers an uncommonly immersive and deeply revealing new portrait of work and luxury, of accumulation and consumption, of the value of time and how we spend it. Ranging from IKEA to Beyoncé to Pokemon, Biss asks, of both herself and her class, “In what have we invested?”
In This House is not a Home, Lisa Hellman offers the first study of European everyday life in Canton and Macao. Using the Swedish East India Company as a focus, she explores how domesticity was conditioned by the Chinese authorities.
Lisa Hellman offers the first study of European everyday life in Canton and Macao. How foreigners could live, communicate, move around – even whom they could interaction with – were all things strictly regulated by the Chinese authorities. The Europeans sometimes adapted to, and sometimes subverted, these rules. Focusing on this conditional domesticity shows the importance of gender relations, especially the construction of masculinity. Using the Swedish East India Company, a minor European actor in an expanding Asian empire, as a point of entry highlights the multiplicity of actors taking part in local negotiations of power. The European attempts at making a home in China contributes to a global turn in everyday history, but also to an everyday turn in global history.
In Frederic Voss's wonderful memoir, My House Was Not a Home, the author describes life on the farm with an abusive grandmother. His priority was finding other places to be than at "home," a place never referred to as such in the book. Voss's book is, however, not about abuse, but rather the friends that helped him avoid it. There were many characters, good and not so good. In chapter 4, we meet Reg Keetering, the king of the tall-tale spinners, as he conjures "The Man Who Invented Dinosaurs." In chapter 5, Darrell (pronounced Duryl) Campbell regales the boys in the barbershop with the origins of the "Greatest Camel and Goat Herd Dog Y'all Ever Saw." Readers meet the author's best friend, Jimmy, Tehama County's answer to Will Rogers. They'll begin to hate the school bully, Stanley Bater, who picks on only kids smaller than him. Once referred to as "Master Bater," he couldn't figure out why they were all laughing. Among the author's many friends were abandoned dogs that came to the house from the highway. They were taken in and fed and loved. Many were reclaimed by the highway or wandered off or killed in mysterious ways. There is room for their stories too.
Where does everyone and everything live? A House Is a House for Me is a rollicking rhyme about houses. Some of the houses are familiar, such as an anthill and a dog kennel, while others are surprising, such as a corn husk and a pea pod. This longtime favorite is filled with pictures that parents and children will want to look at again and again in a beautifully produced, deluxe full-sized edition.