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The Gap series comes to a shattering climax in a cataclysmic showdown that will mean either the survival of all humankind . . . or its absorption and annihilation. Drifting in space, sabotaged by a crewman tainted with an alien mutagen, the starship Trumpet broadcasts to any ship in range the formula of the mutagen’s antidote—a drug the United Mining Companies has suppressed for its own sinister purposes. Aboard the crippled ship, the fugitives and survivors—Morn Hyland, an ex-UMCP cop, Angus Thermopyle, a newly freed cyborg, and unwilling saboteur Ciro Vasaczk—must make a desperate gamble. Pursued by the UMCP ship Punisher, threatened by the return of an Amnion combat vessel, they will hijack the police craft by any means necessary—and take it back to Earth.
Gothic fiction's focus on the irrational and supernatural would seem to conflict with science fiction's rational foundations. However, as this novel collection demonstrates, the two categories often intersect in rich and revealing ways. Analyzing a range of works—including literature, film, graphic novels, and trading card games—from the past three decades through the lens of this hybrid genre, this volume examines their engagement with the era's dramatic changes in communication technology, medical science, and personal and global politics.
Provides an alphabetical listing of artists of the "New Wave of American Heavy Metal" (NWoAHM), including name, official World Wide Web site address, and band member line-up, followed by a biography and discography. Additional information available via the Rock & Metal database at www.rockdetector.com.
This book explores the extraordinarily violent and abusive nature of Stephen Donaldson's male protagonists. Thomas Covenant of The Chronicles is a leper, rotten and physically collapsing. In Mordant's Need and The Gap series the male characters are moral lepers. The Gap offers a Janus-faced male lead in the form of two men who are both multiple rapists. The male hero in Mordant's Need is outwardly socially acceptable but his alter egos are overly corporeal and sexually obsessed. In spite of their unappealing condition, all these protagonists yearn to be loved. Using the psychoanalytical theories of Julia Kristeva, this book identifies reasons for Donaldson's derogatory characterization and provides an insight into why these novels cannot allow their male protagonists to establish viable love relationships. This study also explains why maternal characters are jettisoned from the narratives, considers the problematic nature of father figures and examines the incipient undertow of psychosis.
The young wife of an aging marquis is found murdered in the arms of the Prince Regent. Around her neck lies a necklace said to have been worn by Druid priestesses-that is, until it was lost at sea with its last owner, Sebastian St. Cyr's mother. Now Sebastian is lured into a dangerous investigation of the marchioness's death-and his mother's uncertain fate. As he edges closer to the truth-and one murder follows another-he confronts a conspiracy that imperils those nearest him and threatens to bring down the monarchy.
The fourth and final book in the hilarious bestselling WHO LET THE GODS OUT series; perfect for fans of David Solomons! 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.' ROBIN STEVENS on book 1 'One of the funniest new voices in children's literature. The laughs come thick and fast' DAVID SOLOMONS on book 1 In the series finale of Maz Evans' bestselling Who Let the Gods Out? series, Elliot faces his darkest period yet. As well as facing up to his fears, he realises that the future of mankind - and the survival of everything he holds dear - is at stake. But can a bunch of misfit gods, a lost constellation and a mortal boy stand up to the daemon hordes?