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Part slave narrative, part memoir, and part sentimental fiction Behind the Scenes depicts Elizabeth Keckley's years as a salve and subsequent four years in Abraham Lincoln's White House during the Civil War. Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.
The testimony that the author has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC's treatment of artists, intellectuals, and performers. This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe. This book serves as a warning for the future and creates living history from the documentary record. "The basic document with which all future studies of the [House Un-American Activities] Committee will have to begin." —Dalton Trumbo "...what he has done is give us HUAC as spectacle, and the perspective is shattering."—Victor Navasky, The New York Times
CBGBUs influence and legacy is honored with 200 photos of some of the most celebrated artists in music history. It includes an Introduction by Hilly Kristal, an Afterword by David Byrne, and additional commentary by numerous performers and patrons.
I was born in Virginia, in 1832, near Charlottesville, in the beautiful valley of the Rivanna river. My father was a white man and my mother a negress, the slave of one John Martin. I was a mere child, probably not more than six years of age, as I remember, when my mother, two brothers and myself were sold to Dr. Louis, a practicing physician in the village of Scottsville. We remained with him about five years, when he died, and, in the settlement of his estate, I was sold to one Washington Fitzpatrick, a merchant of the village. He kept me a short time when he took me to Richmond, by way of canal-boat, expecting to sell me; but as the market was dull, he brought me back and kept me some three months longer, when he told me he had hired me out to work on a canal-boat running to Richmond, and to go to my mother and get my clothes ready to start on the trip. I went to her as directed, and, when she had made ready my bundle, she bade me good-by with tears in her eyes, saying: "My son, be a good boy; be polite to every one, and always behave yourself properly."
"Thirty years ago, I lay in the womb of a woman, conceived in a sexual act of rape, being carried during the prenatal period by an unwilling and rebellious mother, finally bursting from the womb only to be tormented in a family whose members I despised or pitied, and brought into association with people whom I should never have chosen." Shortly after its 1925 publication, Gertrude Beasley's ferociously eloquent feminist memoir was banned and she herself disappeared under mysterious circumstances. Though British Nobel Prize winner Bertrand Russell called My First Thirty Years "truthful, which is illegal" and Larry McMurtry pronounced it the finest Texas book of its era, Beasley's words have been all but inaccessible for almost a century—until now. Beasley penned one of the most brutally honest coming-of-age historical memoirs ever written, one which strips away romantic notions about frontier women's lives at the turn of the 20th century. Her mother and sisters braved male objectification and the indignities of poverty, with little if any control over their futures. With characteristic ferocity, Beasley rejected a life of dependence, persisting in her studies and becoming first a teacher, then a principal, then a college instructor, and finally a foreign correspondent. Along the way, Beasley becomes a strident activist for women's rights, socialism, and sex education, which she sees as key to restoring bodily autonomy to women like those she grew up with. She is undaunted by authority figures but secretly ashamed of her origins and yearns to be loved. My First Thirty Years is profoundly human and shockingly candid, a rallying cry that cost its author her career and her freedom. Her story deserves to be heard. Praise for My First Thirty Years: "For almost a century in Texas literary circles, Gertrude Beasley's 1925 memoir has been more a legend than a book... The tangled history of My First Thirty Years, and Beasley's horrific personal fate, are case studies in society's merciless treatment of women of her era who gave voice to socially unspeakable truths. The memoir's republication this month, which makes it widely available for the first time in 96 years, is a long-overdue moment of reckoning. It's also a rich gift to the Texas literary canon."—Texas Monthly "We should all be as fierce, loud, and convinced of our own self-worth as Gertrude Beasley was. This story of a justifiably angry woman living ahead of the world she lived in will resonate deeply today."—Soraya Chemaly, activist and award-winning author of Rage Becomes Her: The Power of Women's Anger "Gertrude Beasley's 1925 memoir grabs the reader by the arm and holds tight, speaking with a voice as compelling as if she had just put down her pen this morning. Feminist, socialist, and acute observer of both herself and the world around her, Beasley gives us stories that illuminate the costs of poverty and of being a woman. To read My First Thirty Years is to be in conversation with an extraordinary mind."—Anne Gardiner Perkins, author of Yale Needs Women
The autobiographical story of the White House doorkeeper from the Lincoln presidency to the administration of Theodore Roosevelt.
Reproduction of the original: Thirty Years in Hell by Bernard Fresenborg
Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.
The Hungarian-born historian and concert pianist shows how every time America moves away from its founding principles it moves in the direction where a fantasy of "social justice" is pursued through ever-greater government control.
The Thirty Years War: A Documentary History fills a gap in recent studies of the great pan-European conflict, providing fresh translations of thirty-eight primary documents for the student and general reader. The selections are drawn from the standard political documents, from the Apology of the Bohemian Estates for the Defenestration of Prague to the text of the Treaty of Westphalia, as well as from imperial edicts, trial records, letters, diary entries, and satirical broadsheets, all directly translated from the Early New High German, French, Swedish, and Latin. The volume contains some ten illustrations and one map . . . and on the whole is well organized and well presented with a judicious amount of footnotes and a slim For Further Reading section. A succinct introduction introduces the four sections, each with its own substantial introduction: (1) Outbreak of the Thirty Years War (1618-1623), (2) The Intervention of Denmark and Sweden (1623-1635), and (3) The Long War (1635-1648). The concluding section (4) Two Wartime Lives (1618-1648), interestingly juxtaposes the journals of a wandering mercenary and a settled townsman. The first is the diary of Peter Hagendorf, kept between the years 1624 and 1649 and only rediscovered in 1993. Hagendorf experienced the war as a common mercenary from the Baltic to Italy, from France to Pomerania. His counterpart is Hans Heberle, a shoemaker from a small town in the territory of the free imperial city of Ulm whose Zeytregister chronicled happenings both in the neighborhood and further afield. The engrossing accounts of their shifting fortunes over the three decades of the war really help to give this collection of texts, and the troublesome period itself, a human face. They are the stuff from which Grimmelshausen would craft his great novel of the war, The Adventuresome Simplicissimus (1668). Tryntje Helfferich is to be applauded for this consistently interesting and eminently useful volume. --Martin W. Walsh, University of Michigan, in Sixteenth Century Journal