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These are all the poems written and posted by Jason Tomlinson on his 37th trip around the sun.
The Survivors, their members known only by the order in which they joined, live alone in a rural Colorado mansion. They believe that sickness bears honesty, and that honesty bears change. Fueled by the ritualized Cytoxan treatments that leave them on the verge of death, they instigate the Day of Gifts, a day that spells shocking violence and the group's demise. Enter Mason Hues, formerly known as Thirty-Seven, the group's final member and the only one both alive and free. Eighteen years old and living in a spartan apartment after his release from a year of intensive mental health counseling, he takes a job at a thrift shop and expects to while away his days as quietly and unobtrusively as possible. But when his enigmatic boss Talley learns his secret, she comes to believe that there is still hope in the Survivor philosophy. She pushes Mason to start the group over again--this time with himself as One. PartFight Club, partThe Girls, and entirely unlike anything you've ever experienced, Peter Stenson's Thirty-Seven is an audacious and austere novel that explores our need to belong. Our need to be loved. Our need to believe in something greater than ourselves, and ultimately our capacity for self-delusion.
For the past several years, Jan Zwicky has been developing a definition and working examples of the word "lyric." Her writing has taken the shape of poetry and philosophy, neither necessarily confined to the traditions of those genres. Thirty-seven Small Songs & Thirteen Silences is the latest in this ongoing focus, previously explored in collections like Songs for Relinquishing the Earth (1998) and in her philosophic works, including Lyric Philosophy (1992) and Wisdom & Metaphor (Gaspereau Press, 2003). The songs in this collection are odes, addresses and apostrophes, to household fixtures, human emotions, shades of light, seasons, stretches of land, departures, sounds and solitude. Working with the most associative details, Zwicky has whittled encounters with her subjects down to their integral and resounding notes. A single light shining from a house in the winter is the bathtub's call to its tired owner. Dew on the grass is the long note of calm in a hurried departure. Every presence contains absence, every pause embodies continuation, every house has "one chink open to the wind." These are songs to the negative space around solid shapes. Wild grape, nuthatch and August are in part defined by the time around their existence. Bath, laundry and grate have a life both for and beyond their owner, and it is upon these tensions that the poet's fondness develops. Zwicky's musical sensibilities give these poems their resolve. The precise lilt of her verse amounts to a resonating frequency for each of her subjects, with the O of each address sounding the driving note. In music Zwicky has captured the energy and suddenness of realizations like homecoming, departure, familiarity and alienation. Her songs walk the tightrope between thinking and being, steadying and strengthening the act of imagination that maintains contact between past, present and future. The seven studies in this collection signal a slower tempo, a downshift into the clipped stillness of memory. Summer months, garden gate, childhood house and silent afternoons are summoned to the surface for a look. These give way to six silences: three-line moments of pause or hush that request careful entrance and exit. Like still lifes or haikus, these silences suspend time within time. Basil springs motionless, grass ripens, pollen settles. As with the absences contained in her songs, Zwicky's silences embody the tenuous balance between thought and experience. Thirty-seven Small Songs & Thirteen Silences is a vital addition to a remarkable body of work. Zwicky's lyricism proves to the senses what lies within the parameters set by her prose. The trade edition of this book is a 5 x 8-inch, smyth-sewn paperback bound in card stock with a letterpress-printed jacket. The text is printed offset on laid paper.
In this delicious companion volume to If You’re Not Here, Please Raise Your Hand, thirty-seven poems and miniplays celebrate elementary school life and the funny, poignant, wondrous, and telling moments that can happen only in a classroom.
Winner of the Omnidawn Open Poetry Book Prize
“Rejoice, readers, as you receive the generosity of Luci Shaw's 76 new grace-infused parable poems. Autobiography once more merges with theology as these poems illuminate in splendored natural detail how the seasons of creation parallel and explain the seasons of her life as a poet. Again and again, these poems shower us with glorious epiphanies from the natural world as it reflects God's generosity at work such as “spring's impossible news of green.” These poems confirm that in poetry as in faith “ripeness is all.” Like Wordsworth, Luci is celebrated for being a highly gifted landscape poet whose works are rich in imagery from the physical world—meadows filled with seeds, flowers, and also poems which are like "shoots" in Luci's writing life. Animals, too, great and small (beetles, cricket, and voles to bears and whales) play a major role in Luci's poetics of creation; God is likened to a great bear who leaves paw tracks for us to follow. In their deep faith and vibrant colors and designs, the poems in Generosity might be considered Luci's Book of Kells. We need to be like Luci's father who carried her poems in his briefcase to show his friends.” —Philip C. Kolin, Author, Reaching Forever: Poems; Distinguished Professor of English (Emeritus), University of Southern Mississippi
Ten Poems to Open Your Heart is a book devoted to love: to the intimacy of personal love and lovemaking, to a loving compassion for others, and to the love that embraces both this world and the next. This new volume from Roger Housden features a few of the same poets as his extraordinarily moving Ten Poems to Change Your Life, such as Mary Oliver and Pablo Neruda, along with contributions from Sharon Olds, Wislawa Szymborska, Czeslaw Milosz, Denise Levertov, and others. Any one of the ten poems and, indeed, any one of Housden’s reflections on them, can open, gladden, or pierce your heart. Through the voices of these ten inspiring poets, and through illustrations from his own life, Housden expresses the tenderness, beauty, joys, and sorrows of love, the presence of which, more than anything else, gives human existence its meaning. As Housden says in his eloquent introduction, “Great poetry happens when the mind is looking the other way and words fall from the sky to shape a moment that would normally be untranslatable. . . . When the heart opens, we forget ourselves and the world pours in: this world, and also the invisible world of meaning that sustains everything that was and ever shall be.” From the Hardcover edition.