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The Survivors, their members known only by the order in which they joined, live alone in a rural Colorado mansion. They believe that sickness bears honesty, and that honesty bears change. Fueled by the ritualized Cytoxan treatments that leave them on the verge of death, they instigate the Day of Gifts, a day that spells shocking violence and the group's demise. Enter Mason Hues, formerly known as Thirty-Seven, the group's final member and the only one both alive and free. Eighteen years old and living in a spartan apartment after his release from a year of intensive mental health counseling, he takes a job at a thrift shop and expects to while away his days as quietly and unobtrusively as possible. But when his enigmatic boss Talley learns his secret, she comes to believe that there is still hope in the Survivor philosophy. She pushes Mason to start the group over again--this time with himself as One. PartFight Club, partThe Girls, and entirely unlike anything you've ever experienced, Peter Stenson's Thirty-Seven is an audacious and austere novel that explores our need to belong. Our need to be loved. Our need to believe in something greater than ourselves, and ultimately our capacity for self-delusion.
A fresh translation and commentary to Tibet's most famous text on living like a bodhisattva Who are bodhisattvas and what do they practice? In the fourteenth century, the Tibetan Buddhist master Gyalse Tokmé Zangpo answered these questions in a now classic teaching called the Thirty-Seven Practices of a Bodhisattva. This text, consisting of inspiring verses distilling the entire Mahayana path of compassion, continues to inspire modern-day Buddhist masters, including His Holiness the Dalai Lama. One of the most important commentaries on the Thirty-Seven Practices is by the twentieth-century master Dzatrul Ngawang Tenzin Norbu, known as the Buddha of Dza Rongphu, and is translated here along with associated meditation instructions for the first time. Dzogchen Ponlop Rinpoche, who requested this translation by Christopher Stagg, provides an informative overview to the history of the text and commentary, introducing the reader to the world of one of Tibet's most widely studied texts.
Jerry Rubin, co-founder of the Yippie movement and a member of the Chicago Seven, traces his personal odyssey from radical activist of the 60’s to a practitioner in the growth potential movements of the 70’s—'Working to change in me the things I opposed externally in the streets.' Finding himself categorized by the press as ‘erstwhile’ and ‘aging’ at thirty-four and oppressed by his own lack of inner peace, Jerry Rubin turned his energy inward, seeking a self redefinition through various forms of New Consciousness. Growing (Up) at Thirty-Seven is a very personal and candid account of his experiences with est, rolfing, acupuncture and other forms of therapy—a unique journey to self awareness in which he tells of the person he was and the person he has become; how the originator of the slogan ‘Kill Your Parents!’ finally learned to love his own parents; and how his new personal philosophy relates to his political views. This is a sensitive psychological self-evaluation—a male confessional that lays bare Jerry Rubin’s struggle to find himself as a man in the aftermath of the aborted Youth Revolution.
Quintus Curtius is an attorney, writer, translator, and former Marine officer. Expertly blending history, biography, philosophy, and the author's personal experience, this penetrating collection of essays achieves what one reviewer called “a perfect fluency in [a] dialogue with truth.” The unifying theme of the book is the nature of masculine identity, and how that identity has been manifested. The range of topics explored is diverse: the nature of human wisdom, courage in adversity, redemption through suffering, the endurance of hardships, educational development, character in history, the mystical experience, the fickleness of Fate, and the necessity of myths. Drawing on examples from history and using sources in their original languages, Quintus Curtius's soaring vision combines lucid explanation with a passionate intensity like few other writers. Erudite, thoughtful, and frequently moving, this unique book has been described as "inexplicably inspiring."
We are pleased to present a bi-lingual rendering of The Thirty-Seven practices of All Buddha’s’ Sons (Rgyal-sras lag-len so-bdun-ma) by Thogme Zangpo (Thogs-med bzang-po, 1295-1369) in response to persistent demand. The first English translation of this pithy Mahayana Text was published by us in 1975, and a revised edition was published in 1985 and reprinted in 1989. In this edition we have retained the original translation which is more a commentary in the form of poetry than a literal rendition for the benefit of the general readers.
Conveys the quintessence of the Mahayana path to perfection.
A unique presentation of the Buddhist path by Chökyi Dragpa, the foremost Gelug disciple of the famed nineteenth-century Tibetan master Patrul Rinpoche. Illuminating the Thirty-Seven Practices of a Bodhisattva's quotations and direct instructions from realized sages of the past reinforce one another, subtly penetrating the mind and preparing it for meditation. This book, while fully accessible to newcomers, is especially powerful for serious, established practitioners. Illuminating the Thirty-Seven Practices of a Bodhisattva was previous published under the title Uniting Wisdom and Compassion.
The book consists of excerpts from interviews of senior members of State College Friends Meeting. The narrators who lived through the Great Depression tell of their difficult childhoodand yet in most cases one they regarded as happy. Some of the conscientious objectors during WWII tell of life in CPS camps; others speak of using nonviolent methods with mental patients, while still others relate the story of the human guinea experiments some of them participated in. Of those who did relief work after the war overseas, probably the most exciting tales are told by the four who worked with the Friends Ambulance Unit in China. They happened to be located close to where the Nationalists and the Communists were fighting.
For the past several years, Jan Zwicky has been developing a definition and working examples of the word "lyric." Her writing has taken the shape of poetry and philosophy, neither necessarily confined to the traditions of those genres. Thirty-seven Small Songs & Thirteen Silences is the latest in this ongoing focus, previously explored in collections like Songs for Relinquishing the Earth (1998) and in her philosophic works, including Lyric Philosophy (1992) and Wisdom & Metaphor (Gaspereau Press, 2003). The songs in this collection are odes, addresses and apostrophes, to household fixtures, human emotions, shades of light, seasons, stretches of land, departures, sounds and solitude. Working with the most associative details, Zwicky has whittled encounters with her subjects down to their integral and resounding notes. A single light shining from a house in the winter is the bathtub's call to its tired owner. Dew on the grass is the long note of calm in a hurried departure. Every presence contains absence, every pause embodies continuation, every house has "one chink open to the wind." These are songs to the negative space around solid shapes. Wild grape, nuthatch and August are in part defined by the time around their existence. Bath, laundry and grate have a life both for and beyond their owner, and it is upon these tensions that the poet's fondness develops. Zwicky's musical sensibilities give these poems their resolve. The precise lilt of her verse amounts to a resonating frequency for each of her subjects, with the O of each address sounding the driving note. In music Zwicky has captured the energy and suddenness of realizations like homecoming, departure, familiarity and alienation. Her songs walk the tightrope between thinking and being, steadying and strengthening the act of imagination that maintains contact between past, present and future. The seven studies in this collection signal a slower tempo, a downshift into the clipped stillness of memory. Summer months, garden gate, childhood house and silent afternoons are summoned to the surface for a look. These give way to six silences: three-line moments of pause or hush that request careful entrance and exit. Like still lifes or haikus, these silences suspend time within time. Basil springs motionless, grass ripens, pollen settles. As with the absences contained in her songs, Zwicky's silences embody the tenuous balance between thought and experience. Thirty-seven Small Songs & Thirteen Silences is a vital addition to a remarkable body of work. Zwicky's lyricism proves to the senses what lies within the parameters set by her prose. The trade edition of this book is a 5 x 8-inch, smyth-sewn paperback bound in card stock with a letterpress-printed jacket. The text is printed offset on laid paper.