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"The setting is a dreary, empty laundromat at 3 a.m. Alberta, a rather formal older woman, enters and begins to sort her laundry. She is soon joined by Deedee, a brash and rough spoken young woman who, at first glance, seems to be the complete opposite of the reserved, carefully spoken Alberta. As they go about their chores a conversation begins, and it becomes apparent that Alberta might prefer to be alone. As for Deedee, her natural ebullience leads her to reveal more than Alberta cares to know about her childhood and, although she makes light of it, the heartache she feels now that her husband is cheating on her. In time Alberta unbends, confessing that her own life is not as tidy as Deedee had assumed. In the end, the two hear each other out and come to a better understanding of how to deal with the isolation and rejection that life can inflict"--Page 4 of cover.
Best known for her Pulitzer Prize–winning play 'night, Mother and her acclaimed adaptations of The Secret Garden and The Color Purple for musical theater, Marsha Norman has produced an impressive oeuvre that includes not only works for the stage but also a novel and several television screenplays. The first book on the Louisville-born writer in twenty years, Understanding Marsha Norman introduces readers to her life and work while making a persuasive case for her preeminence among America's leading dramatic artists. Following a biographical introduction, the book examines such early plays as Getting Out, Third and Oak, and Circus Valentine, which, according to the playwright herself, taught her the skills she needed to write her more successful works—most notably the much-lauded two-character drama 'night, Mother, which centers around an apparently rational young woman's choice to commit suicide. Subsequent chapters examine Norman's underrated novel The Fortune Teller and three mid-career plays that rewrite the traditions of the Western, the biblical story of Sarah and Abraham, and the legend of Daniel Boone. Her more recent plays, including Trudy Blue, 140, and Last Dance, acknowledge the limitations of romantic relationships, while her forays into musical theater and television, including scripts for such programs as Law and Order: Criminal Intent and the Peabody-winning HBO series In Treatment, signal a dramatist who is ever willing to take risks and venture into new genres. At her best when writing about interesting and troubled women and their relationships with each other, Norman has received much less critical attention than male contemporaries such as Sam Shepard and David Mamet. This engaging and edifying book helps rectify that disparity.
This collection of ten original (and one reprinted) essays provides an in-depth examination of one of America's foremost contemporary playwrights. Established critics as well as younger scholars examine well-known works such as Getting Out, 'night, Mother, The Laundromat, and the adaptation of The Secret Garden. Lesser known plays such as The Holdup, Sarah and Abraham, Traveler in the Dark, and Loving Daniel Boone are also discussed. This casebook includes an interview with Norman commenting on her work and her place in American theater as well as a review of 'night, Mother by drama critic Robert Brustein. The essays analyze Norman's works in comparison to the works of other playwrights and examine the mother/daughter relationships of the characters as well as Norman's sense of a woman's place within a patriarchal culture.
A Study Guide for Marsha Norman's "Night, Mother ('Night, Mother)," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
All of us have immense inner resources for dealing with what life throws at us - but we have to learn how to release those resources. We can't always control what life sends us, but we can choose how we respond. And that, Easwaran tells us, is mainly a matter of quieting the agitation in the mind. It's a simple idea, but one that goes deep - a truly calm mind can weather any storm. And we learn to calm the mind through practice - there's no magic about it. This book offers insights, stories, practical techniques, and exercises that will help us release the energy, compassion, and wisdom we need to ride the waves of life minute by minute, day by day.
Jeffrey Hatcher knows the nuts and bolts of writing for the theater. Here, he shares his views on it all--from building tension and plotting a scene, right down to moving a character from one side of the stage to the other. From crafting an intriguing beginning to delivering a satisfying ending. In Hatcher's one-on-one discussions with acclaimed American playwrights Lee Blessing, Marsha Norman and Jose Rivera, you'll find a wealth of practical advice, tricks of the trade and insight that will help you in your own creative efforts.
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.