Download Free Thinking With The South Book in PDF and EPUB Free Download. You can read online Thinking With The South and write the review.

"Dan Frost shows how, inspired by the idea of progress, these men set about transforming Southern higher education. Recognizing the north's superiority in industry and technology, they turned their own schools from a classical orientation to a new emphasis on science and engineering. These educators came to define the Southern idea of progress and passed it on to their students, thus helping to create and perpetuate an expectation for the arrival of the New South."--BOOK JACKET.
"What's a penguin to do, living at the South Pole, all dressed up with no place to go? What good is that natty tuxedo if there's no occasion to wear it? Well, these are no dumb penguins. They invite the Opera Ship from Old Vienna down for their amusement, and who are its illustrious passengers? You guessed it - none other than The Three Tenors, performing that South Pole favorite, Verdi's La Traviata, starring José Carreras as Alfredo, Placido Domingo as the disapproving father, and Luciano Pavarotti in the heartbreaking role of the tragic and tender Violetta. Some lucky penguins!
"What does it take to move forty dogs, three sleds, twenty tons of food and gear, and six men from all over the world across nearly four thousand of the coldest miles on earth? Cathy de Moll, the executive director of the 1990 International Trans-Antarctica Expedition, introduces the wild cast of characters who made it happen, on the ice and off: leaders Will Steger and Jean-Louis Etienne, who first met accidentally, on the way to the North Pole; Valery Skatchkov, the Soviet bureaucrat who supplied a "hot" Russian airplane; Yasue Okimoto, who couldn't bear to leave headquarters in Minnesota while her boyfriend was on the ice; Qin Dahe, the Chinese member of the team, who didn't know how to ski; the millions of children who followed the expedition in schools around the world, learning about the fragility and ferocity of the seventh continent; and many others. These stories of near misses and magical coincidences are as suspenseful and compelling as the expedition's headlines--and they have never been told. But they also reflect the greatest lesson of the project: the international cooperation that was needed for the expedition's success is every bit as essential for the preservation of Antarctica today. Cathy de Moll, who has been a teacher, communications executive, writer, and entrepreneur, was the executive director of the International Trans-Antarctica Expedition. Will Steger led the first confirmed dogsled expedition to the North Pole, the first and only traverse of Antarctica by dogsled, and other remarkable expeditions"--
The author of Smile When You're Lying describes his controversial road trip investigation into the cultural divide of the United States during which he met with possum-hunting conservatives, trailer park lifers and prayer warriors before concluding that both sides might benefit if former Confederacy states seceded.
The Politics of the Near offers a novel approach to social unrest in post-apartheid South Africa. Keeping the noise of demonstrations, barricades, and clashes with the police at a distance, this ethnography of a poor people’s movement traces individual commitments and the mainsprings of mobilization in the ordinary social and intimate life of activists, their relatives, and other township residents. Tournadre’s approach picks up on aspects of activists lives that are often neglected in the study of social movements that help us better understand the dynamics of protest and the attachment of activists to their organization and its cause. What Tournadre calls a “politics of the near” takes shape, through sometimes innocuous actions and beyond the separation between public and domestic spheres. By mapping the daily life of Black and low-income neighborhoods and the intimate domain where expectations and disappointments surface, The Politics of the Near offers a different perspective on the “rainbow nation”—a perspective more sensitive to the fact that, three decades after the end of apartheid, poverty and race are still as tightly interwoven as ever.
Do you know how to think about the future? All our decisions are about the future, whether it’s tomorrow, next year or the next decade, yet our choices are often undermined by desires, expectations and common mental mistakes – making assumptions, worrying about things we can’t control, missing signals because we’re distracted by the noise. But if you can learn how to think, you can learn how to look ahead. Isaac Newton said: ‘If I have seen further than others, it is by standing on the shoulders of giants.’ In Thinking the Future, Clem Sunter and Mitch Ilbury teach us the futurist’s art of decision-making by reimagining seminal concepts from some of history’s greatest thinkers. They encourage foxy, flexible mindsets and reject the popular but misleading self-help tenet that you can decide your fate through the relentless pursuit of a single goal. An uncertain world demands a more dynamic approach. The point is not to forecast one outcome but to plot multiple scenarios of what could happen. Using scenario-planning techniques, we can all harness the power to work towards the future we want, avoid the ones we don’t, and prepare ourselves for the possible risks and opportunities no matter what transpires.
This book promotes constructive and nuanced transdisciplinary understandings of some of the critical problems that we face on a global scale today by thinking with and from the Global South. It is engaged in transmodernising, pluriversalising, decolonising, queering, and/or posthumanising thinking and practice. The book aims to contribute to and challenge current debates regarding knowledge, diversity, and change. This is achieved through the application of transdisciplinary and indisciplined perspectives to the Himalayan Anthropocene; transport services in Mexico City; the EU-Turkey border regimes and policy; egoism and the decolonisation of whiteness; the Witch and the decolonisation of the gender binary; Nepalese students in Denmark; and the decolonisation of global health promotion. The book thereby provides the reader a multiplicity of pathways of knowledges and practices that address current problems co-produced by the dominant Western colonial onto-epistemic outset, giving way to ‘other’ knowledge-practices, towards a pluriversal approach. This book will be of interest to upper-level undergraduate and graduate students in disciplines such as human geography, development studies, politics, international relations, sociology, anthropology, cultural studies, planning, and philosophy. It is also relevant to researchers, development workers and human rights/environmental activists, and other intellectual practitioners.
U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.