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This is a book is a visual feast, an offering both for those who love fine art and those who recognize the thought behind its creation. It is in addition, a book for photographers seeking to learn how to make your own photographs more artistic. The goal of this book is to offer readers, a guide for those seeking to take fine, interpretive photographs and a joyful thought-provoking journey that the photographs in this book will inspire.
After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.
The dangerous legal loopholes facing an innocent person after a self-defense shooting are described, with solutions proposed. Calling 911 after surviving a criminal assault negates your right to remain silent, your right to have an attorney present during questioning, and compromises your 5th Amendment guarantee against self incrimination, all into a police voice recorder while you¿re still traumatized and shaking from adrenaline. Proposed solutions include changes to law and criminal procedure, suggested behavior on the phone at the scene, and the model used by police after an officer-involved shooting, along with the controversial ¿Adnarim¿ statement.
This book was originally born out of a frustration with my travel photography. I would take trips to amazing places and even with all the inspiration, the work I brought back was more of a snapshot quality than good photography.The best way for me to learn is to teach others. I sat down an analyzed what was going wrong and I wrote the original book. Now, several years later, I have learned more and expanded my vision.The principles I teach here are those I practice. And with time, they become almost automatic when I am shooting. My photography has changed for the better and I hope the book with give you new approaches to how you think about yours.
Think/Point/Shoot gives students a thorough overview of the role of ethics in modern media creation. Case studies emphasize the critical issues in global media ethics today in all stages of media creation from preproduction research and development, to production and post production. This volume features practicing filmmakers, journalists, and media creators who provide insight into dealing with real-world ethical dilemmas. For this era, digital imagery, sounds, and web communication have opened doors to sharing thoughts and ideas instantaneously to potentially vast audiences. This presents exciting opportunities, but also serious ethical, legal, and social challenges. The cases and exercises found in this book are applicable to the current media field while still remaining grounded in strong ethical theory. Think/Point/Shoot explains the challenge of communicating a story to a worldwide audience while maintaining ethical standards. A companion website provides additional resources for students and instructors: media ethics game chapter summaries and case studies important forms Instructors will also find: classroom exercises PowerPoints video from the "Global Media Ethics" Conference from March 2013
A guide to successfully taking photographs of people provides tips and techniques for both indoor and outdoor locations, setting up shots, and engaging subjects.
The Lomo camera, an icon of mid-20th century design, is perceived as unable to take a bad picture, due to the unique, glass lens and capability for handling low-light levels. This antidote to all things digital and slick has found a vast international following of people who use it to document every aspect of their lives. This has spawned fan clubs and competitions the world over, culminating in the 2001 final in Cuba. This work features many images by keen lomographers, alongside facts, figures, anecdotes and ravings. It charts the visual language, history and lifestyle of this unique cult, an extraordinary camera and its global audience.
For the first time ever, world-famous photographer and fashion lighting instructor Frank Doorhof takes you behind the scenes to reveal every step of his model-photography workflow–the same workflow that has made him a hero to photographers around the world thanks to his practical, budget conscious, no-nonsense approach. In this groundbreaking book, Frank starts right at the beginning with how to find models, find great locations, work with backgrounds (you’ll be amazed at his tricks for creating stunning backgrounds for just a few bucks), and work by yourself or with a team (stylist, hair stylist, and makeup artist) to create an image that will get your photography noticed. Then, it’s on to an in-depth look at the lighting setups and looks that made Frank famous (complete with diagrams and detailed explanations). You’ll see how Frank lights his images (you’ll be shocked at how simple most of his lighting setups are and you’ll be able to create these same setups yourself), plus he covers the critical little stuff nobody else is talking about, including: how to calibrate your monitor (and why it’s so important); how to use a color target to nail your color every single time; and why (and how) to use a light meter to get consistent, reproducible lighting each and every shoot. Frank also shares his own retouching techniques through step-by-step tutorials, and he takes you from start to finish through a number of different looks so you can see exactly how it’s done, and recreate these same looks yourself. If you’ve ever wished there was one book that covers it all, the whole process of photographing models from start to finish, not leaving anything out, then this is the book for you.
What could top the #1 best-selling photography book of all time? We’re talking about the award-winning, worldwide smash hit, written by Scott Kelby, that’s been translated into dozens of different languages, because it’s the one book that really shows you how to take professional-quality shots using the same tricks today’s top digital pros use. Well, what if you took that book, created four more just like it but with even more tips, plucked out only the best tips from all five of THOSE books, updated the images, referenced all-new gear, and added a completely new chapter on how to make the transition from shooting photos with your phone to making photographs with your new DSLR? In The Best of The Digital Photography Book, you’ll find all of Scott’s favorite tips and techniques curated and updated from The Digital Photography Book, Parts 1-5, along with a brand new chapter on transitioning from your phone to a full-fledged DSLR. You’ll find everything that made the first five titles a success: Scott answering questions, giving out advice, and sharing the secrets he’s learned just like he would with a friend–without all the technical explanations and techie photo speak. This book will help you shoot dramatically better-looking, sharper, more colorful, more professional-looking photos every time.
Completely revised and updated throughout, Bryan Peterson's classic guide to creativity helps photographers visualize their work, and the world, in a whole new light by developing their photographic vision. Fully revised with all new photography, this best-selling guide takes a radical approach to creativity by explaining that it is not an inherent ability but a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that go into not only taking a particular photo, but also provides insights on how to improve upon it--helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features a complete section on color as a design element and all new photographs to illustrate Peterson's points. Learning to See Creatively is the definitive reference for any photographer looking for a fresh perspective on their work.