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A girl's coming-of-age in 1950s Los Angeles in a family dominated by men. She is Jorie, daughter of a widowed doctor and sister of two boys. She discovers that the secret of success in her situation is knowing when to keep silent.
Our children, spouses, parents, and friends may know we love them, but how often do they hear it from us? Through letters to his daughters that feel personal to all of us, John Sowers encourages us to release these unspoken words of love so there are no doubts in our relationships nor regrets in our lives. "Many of us go through life with words and feelings stranded in our hearts. Words we deeply feel but never say. Sometimes we never have the chance. We don't always get to say goodbye. We don't always know when it will be our last hug, high five, smile, laugh, or 'I love you.' All we have is today, now, and what we do in this one, shining moment." So many of us rarely share our hearts or speak those deep, hidden sentiments—but why? John Sowers began writing letters to his three daughters to show how much he loved them and to encourage them in their daily lives. These moving and eloquent letters remind all of us how important it is to share the contents of our heart now. Say All the Unspoken Things: Covers the topics of bravery, wonder, beauty, kindness, romance, and God's patient love Helps us find our stranded words to speak more freely to those whom we love Moves us from a shallow life to one with deeper meaning and fulfilling relationships While John wrote these letters to his daughters, this beautiful book often feels as though he is speaking directly to readers. These love letters will echo in your own heart, reminding you of your Father in heaven, who loves you and is for you. A treasure for anyone seeking to create a legacy of love in their relationships, you can seize every precious moment you have to say all the unspoken things.
The story of the raped and murdered woman of Judges 19 and the civil war and mass marriage that ensue in chapters 20–21 are hardly favorite tales of the Hebrew Bible. The chapters have often been dismissed as little more than an anachronistic epilogue, an awkward amalgamation of earlier stories or a “text of terror,” proof of patriarchal oppression. This book argues that, far from being a clumsy collage, Judges 19–21 is a carefully narrated tale that chronicles the descent of a nation into extreme individualism and fragmentation. In dialogue with continental philosopher Luce Irigaray, it will uncover the dynamics of identity formation and how differential constructions of identity of the One and the Other yield patterns of victimization and justification of violence. This literary-philosophical reading will bring out silences and missed possibilities for the subjectivity of women, whilst also shedding light on the victimization of men within the logic of totalitarian identity constructions. The end of Judges therefore offers a theological conclusion to the book as a whole and opens up avenues for thought on theological anthropology, understandings of identity and gender, and a theological commentary on violence.
Lissa Randall's future was bright with academic promise until the tragic accident that took her mother's life--and brought her own plans to a screeching halt. Eighteen months later Lissa is still unable to get back behind the wheel. Ev McAllistair's driving school looks like Lissa's best hope for getting her life back on the road again. His patience and fatherly wisdom seem to transcend the driving experience. But Ev's own complicated past is about to resurface, with consequences for everyone in his orbit....
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
A modern, magical twist on the Gothic Romance and Girl Detective genres, this book will appeal to fans of both Beautiful Creatures and the Mortal Instruments series. Reviewers have praised the take-charge heroine and the spellbinding romance. Bound together. Worlds apart. Kami Glass is in love with someone she's never met—a boy she's talked to in her head since she was born. This has made her an outsider in the sleepy English town of Sorry-in-the-Vale, but she has learned ways to turn that to her advantage. Her life seems to be in order, until disturbing events begin to occur. There has been screaming in the woods and the manor overlooking the town has lit up for the first time in 10 years. . . . The Lynburn family, who ruled the town a generation ago and who all left without warning, have returned. Now Kami can see that the town she has known and loved all her life is hiding a multitude of secrets—and a murderer. The key to it all just might be the boy in her head. The boy she thought was imaginary is real, and definitely and deliciously dangerous. "A sparkling fantasy that will make you laugh and break your heart." --Cassandra Clare, New York Times bestselling author "A darkly funny, deliciously thrilling Gothic." --Kelley Armstrong, New York Times bestselling author "Readers will laugh, shiver, and maybe even swoon over this modern Gothic novel." --Melissa Marr, New York Times bestselling author "Breathtaking--a compulsive, rocketing read."--Tamora Pierce, New York Times bestselling author "Captures the reader with true magic."--Esther Friesner, author of Nobody's Princess "A laugh-out-loud delight." --Publishers Weekly
Examines the work of Baldwin with a view toward determining which of his ideas might still contribute to the debate about current racial issues, the persistence of racial disparities, and the popularity of color blindness.
This collection of essays engages two of the most fundamental social and political issues of our time: community and identity. Wrestling with the perplexities of these two issues within the Africana world, the contributors delve into the influences of a postmodern world of globalization with outdated, crumbling forms of identity and sociality. In the wake of such an order, new forms of identity and community must be established. Birt has collected an informed group of contributors here, who lay the foundation for a new approach to finding community and identity in the Africana world.