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Tender, angry, moving poems that speak to anyone who has ever cared for and lost a loved one.
An honest, irreverent, laugh-out-loud guide to coping with death and dying from Emmy-nominated writer and New York Times bestselling co-author of Sh*tty Mom Laurie Kilmartin. Death is not for the faint of heart, and sometimes the best way to cope is through humor. No one knows this better than comedian Laurie Kilmartin. She made headlines by live-tweeting her father’s time in hospice and her grieving process after he passed, and channeled her experience into a comedy special, 45 Jokes About My Dead Dad. Dead People Suck is her hilarious guide to surviving (sometimes) death, dying, and grief without losing your mind. If you are old and about to die, sick and about to die, or with a loved one who is about to pass away or who has passed away, there’s something for you. With chapters like “Are You An Old Man With Daughters? Please Shred Your Porn,” “If Cancer was an STD, It Would Be Cured By Now,” and “Unsubscribing Your Dead Parent from Tea Party Emails,” Laurie Kilmartin guides you through some of life’s most complicated moments with equal parts heart and sarcasm.
First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.
Robert Willie, the death-row prisoner in Dead Man Walking, was convicted of raping a woman who tells her story here.
After his young daughter is killed during a bank robbery, Septemus Ryan is out of his mind with grief. Her voice haunts him from the grave, urging him to seek justice above the law. In August 1898, James Hogan celebrates his birthday by accompanying his uncle Septemus on a trip to the agricultural fair. But early on in the trip it becomes apparent to young James that his uncle has other plans in mind. This is no regular trip to the fair, but a journey of revenge against the three men who killed Clarice. James witnesses his uncle plunge deeper and deeper into despair and madness while encountering more than his share of gunslingers, executioners, and ladies of the night in this taut, powerful tale of grief and vengeance, and coming of age.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.
Drawing from her experience as a young widow and from others who have shared--and survived--the loss of a loved one, this invaluable guide offers simple, yet profound advice on what to do and say. "An extraordinarily helpful little book".--Jane Brody, "The New York Times".
Wrongly convicted of murder and punished by being sealed in the tomb with the dead man, seventeen-year-old Selwyn enlists the help of a witch and the resurrected victim to find the true killer.
Retired after thirty-plus years in law enforcement, Tony DiGiusto, newly licensed private investigator, was looking forward to a quiet and uneventful retirement investigating simple everyday civil cases for local attorneys from an office in the sleepy and affluent hamlet of Sausalito, just across the Golden Gate Bridge from San Francisco. Little did Tony know that his first major clients-a pair of twins who had hired his uncle, a well-known San Francisco attorney, to investigate a property ownership dispute-would lead him to investigate the sudden and unexplained death of his uncle in a small Northern California town. Tony becomes entangled in a complex and horrendous investigation that will lead him from San Francisco to the charming and picturesque towns of the Sierra Gold Rush areas. The investigation into his uncle's death leads Tony and his live-in girlfriend, Gina Rosetti, into a nightmarish web of terror and murder involving long-forgotten Nazi activities in California and almost costs Tony and Gina their lives. California's colorful capital, Sacramento, and its legislative bodies play an unwitting part in this fast-paced and intriguing glimpse into a madman's plan for a new Third Reich.