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"After centuries of denigration, Shakespeare's romances, in the 1950s, 1960s, and 1970s, came to be seen by many critics as among Shakespeare's most profound works - as extensions of his tragic vision, as experiments in dramatic form, as deeply significant statements about art, about nature, about life. Marco Mincoff's Things Supernatural and Causeless - a work published in Sofia, Bulgaria, in 1987, just before his death, but clearly written in the mid-1970s - sets out to show why this evaluation of the romances is wrong and to propose another way of looking at and evaluating Pericles and the plays that followed it." "For Mincoff, romance is "an inherently inferior genre" that, no matter what dramatic skills Shakespeare lavished on it, could never yield great drama. He argues that none of the romances has a profound message: whatever meaning one finds in Pericles, for instance, can be found just as readily in Apollonius of Tyre. Thus to look to these plays for greatness or for profound themes or ideas is to be inevitably disappointed or self-deluded." "What one does find in the romances, though, are plays that diverge sharply from their sources and analogues, and from other drama of the period, in the attention given to the creation of a sense of wonder. Mincoff finds, in the systematic control of language, crafting of scenes, and altering of sources in the plays, the suggestion of supernatural influence upon the play's action that exploits the "wonderful" inherent in Heliodorian romance. Mincoff suspects that "this sense of wonder really was important to Shakespeare," and finds Lafew's words (in All's Well That Ends Well) both a rather bitter commentary on Jacobean society and a clue to our better understanding of the romances:" ""They say miracles are past, and we have our philosophical persons to make modern and familiar, things supernatural and causeless. Hence it is that we make trifles of terrors, ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear."" "Mincoff can spot that which is truly unusual in the romances because of his extensive knowledge of the other drama and other literature of the period and because of his ability to place the plays within the context of their own time. He places the above quotation, for example, within contemporary responses to skepticism; he discusses such dramaturgical devices as Presenters and expository supernumeraries in the context of other plays that Shakespeare's audiences would have been seeing; he is alert to the differences between our present-day understanding of life and language and that of Shakespeare's age, showing how words like art and nature are today understood in postromantic terms that make them far different words, representing far different concepts, from those used by Shakespeare in his romances."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.
Presenting contemporary science and technology provides science museums and science centres with some of their greatest challenges. This book explores questions central to the thinking of every museum and science centre attempting to meet such challenges: What are the implications of the information technology revolution? How can objects be more effectively displayed? And what are the key issues involved in developing exhibitions and events that address contemporary material?
An authoritative, modernized edition of the complete works of the great Elizabethan dramatist offers the complete texts of every comedy, tragedy, and history play, along with key facts about each work, a plot summary, major roles, sources, textual history, glossaries, and other helpful textual notes.
Brayton Polka takes both a textual and theoretical approach to seven plays of Shakespeare: Macbeth, Othello, Twelfth Night, All's Well That Ends Well, Julius Caesar, Troilus and Cressida, and Hamlet. He calls upon the Bible and the ideas of major European thinkers, above all, Kierkegaard and Spinoza, to argue that the concept of interpretation, underlying both Shakespeare's plays and our own lives, is the golden rule of the Bible: the command to love your neighbor as yourself.
An A to Z reference guide to religious terms, concepts and references in Shakespeare.