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Everything put down on paper creates a unique image that can be traced, analyzed and reconstructed, revealing evidence unseen by the naked eye. FBI labs specialize in the study of handwriting, typewriting, rubber stamps, seals, printing methods, obliterations, alterations and charred paper. This manual reveals the methods used to follow the elusive paper trail, drawing on FBI case files.
An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg. Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that “wisdom”—about genius, about creativity, about writer’s block, topic sentences, and outline—and understand that writing is just as much about thinking, noticing, and learning what it means to be involved in the act of writing. There is no gospel, no orthodoxy, no dogma in this book. Instead it is a gathering of starting points in a journey toward lively, lucid, satisfying self-expression.
"In Artful Sentences: Syntax as Style, Virginia Tufte shows how standard sentence patterns and forms contribute to meaning and art in more than a thousand wonderful sentences from the twentieth and twenty-first centuries. The book has special interest for aspiring writers, students of literature and language, and anyone who finds joy in reading and writing."--Publisher's description.
Some teachers love grammar and some hate it, but nearly all struggle to find ways of making the mechanics of English meaningful to kids. As a middle school teacher, Jeff Anderson also discovered that his students were not grasping the basics, and that it was preventing them from reaching their potential as writers. Jeff readily admits, “I am not a grammarian, nor am I punctilious about anything,” so he began researching and testing the ideas of scores of grammar experts in his classroom, gradually finding successful ways of integrating grammar instruction into writer's workshop. Mechanically Inclined is the culmination of years of experimentation that merges the best of writer's workshop elements with relevant theory about how and why skills should be taught. It connects theory about using grammar in context with practical instructional strategies, explains why kids often don't understand or apply grammar and mechanics correctly, focuses on attending to the “high payoff,” or most common errors in student writing, and shows how to carefully construct a workshop environment that can best support grammar and mechanics concepts. Jeff emphasizes four key elements in his teaching:short daily instruction in grammar and mechanics within writer's workshop;using high-quality mentor texts to teach grammar and mechanics in context;visual scaffolds, including wall charts, and visual cues that can be pasted into writer's notebooks;regular, short routines, like “express-lane edits,” that help students spot and correct errors automatically.Comprising an overview of the research-based context for grammar instruction, a series of over thirty detailed lessons, and an appendix of helpful forms and instructional tools, Mechanically Inclined is a boon to teachers regardless of their level of grammar-phobia. It shifts the negative, rule-plagued emphasis of much grammar instruction into one which celebrates the power and beauty these tools have in shaping all forms of writing.
“Do you want to write clearer, livelier prose? This witty primer will help.” —The New York Times Book Review An exploration of how the most ordinary words can be turned into verbal constellations of extraordinary grace through the art of building sentences The sentence is the common ground where every writer walks. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Using minimal technical terms and sources ranging from the Bible and Shakespeare to George Orwell and Maggie Nelson, as well as scientific studies of what can best fire the reader's mind, author Joe Moran shows how we can all write in a way that is clear, compelling and alive. Whether dealing with finding the ideal word, building a sentence, or constructing a paragraph, First You Write a Sentence informs by light example: much richer than a style guide, it can be read not only for instruction but for pleasure and delight. And along the way, it shows how good writing can help us notice the world, make ourselves known to others, and live more meaningful lives. It's an elegant gem in praise of the English sentence.
Literary Nonfiction. Writing. Composition. You've got a great story, but do you have great sentences? Stylish sentences have their own powerful energy that mesmerizes and even rearranges a reader's world. Think of this book as a private lesson with Nina Schuyler--award-winning author and professor of creative writing at the University of San Francisco--featuring guest appearances by the masters, including James Baldwin, Grace Paley, John Updike, Saul Bellow, and Toni Morrison. They've arrived to show you the mechanics of their magic. With 25 essays and over 100 writing prompts, HOW TO WRITE STUNNING SENTENCES is the best way to expand your writing style. "Nina Schuyler's HOW TO WRITE STUNNING SENTENCES is like a Kama Sutra for sentences: it describes the positions and passions of her artful love, and through sharp analyses and generous prompts suggests how you too, writer, may become such an artful lover...Read it and the pleasure will be yours."--Aaron Shurin "With its elegantly curated examples of stunning prose, HOW TO WRITE STUNNING SENTENCES offers luminous insight into the elements of language as they relate intimately to content. Reading this book can transform your awareness and your practice, line by line and page by page, with glorious results."--Elizabeth Rosner "Passionately intense and exquisitely precise, Nina Schuyler's brilliant readings of gorgeously disparate sentences by a wide spectrum of innovative writers illuminate the subversive pleasures of suspension and subordination, the joys of complexity and extravagance, and the potent, piercing delights of language distilled to spare perfection."--Melanie Rae Thon "In this wonderful book, Nina Schuyler not only explores how syntax and diction can embody the meaning of a sentence but also how they can enrich subtext and capture the sensibility of a character. The pleasure of looking so closely at the power and intricacy of sentences is present on every page and richly evident in the plentiful writing exercises that Schuyler provides. Each chapter has the potency of a daily meditation from which any writer would benefit."--Catherine Brady "Nina Schuyler is an alchemist of style, with a brilliant eye for the secret inner workings of language. This book is a treasure trove for anyone wishing to harness the power of rhythm and syntax, meaning and music, in their own sentences or in the ones they read. This book is a fantastic contribution to the literature of craft."--Carolina de Robertis "There are books to read and then there are books to own, and Nina Schuyler's wonderful volume is of the latter category. As a writer, it offers nifty inspiration at a moment's notice. As a teacher, it offers clear proof that the blood, sweat, and tears behind beautiful writing is worth it. Even if I didn't write or teach, HOW TO WRITE STUNNING SENTENCES would still be a graceful reminder that our ability to communicate deep emotions through the art of writing is one of the best things about being human."--Tom Molanphy, Academy of Art University
Why you need a writing revolution in your classroom and how to lead it The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, The Writing Revolution can make a dramatic difference. And the method does more than improve writing skills. It also helps: Boost reading comprehension Improve organizational and study skills Enhance speaking abilities Develop analytical capabilities The Writing Revolution is as much a method of teaching content as it is a method of teaching writing. There's no separate writing block and no separate writing curriculum. Instead, teachers of all subjects adapt the TWR strategies and activities to their current curriculum and weave them into their content instruction. But perhaps what's most revolutionary about the TWR method is that it takes the mystery out of learning to write well. It breaks the writing process down into manageable chunks and then has students practice the chunks they need, repeatedly, while also learning content.
A New York Times bestseller—“Part ode, part how-to guide to the art of the well-constructed sentence” (NPR). Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language. Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play. In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time. “Both deeper and more democratic than The Elements of Style” —Adam Haslett, Financial Times “A guided tour through some of the most beautiful, arresting sentences in the English language.” —Slate
Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.
A fully revised and updated edition with writing prompts and challenges in every chapter Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone. With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to: *Distinguish between words that are “pearls” and words that are “potatoes” * Avoid “couch potato thinking” and “commitment phobia” when choosing verbs * Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing) Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax—now celebrating 20 years in print—is the guide you need to improve your command of the English language.