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Julian of Norwich the best-known of the medieval mystics today. The text of her Revelation has circulated continually since the fifteenth century, but the twentieth century saw a massive expansion of her popularity. Theological or literary-historical studies of Julian may remark in passing on her popularity, but none have attempted a detailed study of her reception. This collection fills that gap: it outlines the full reception history from the extant manuscripts to the present day, looking at Julian in devotional cultures, in modernist poetry and present-day popular literature, and in her iconography in Norwich, both as a pilgrimage site and a tourist attraction.
Representations of Catholic women appear with surprising frequency in the literature of post-Reformation England. Playwrights and poets from William Shakespeare to Andrew Marvell invoke the figure of the nun to powerful and often perplexing effect, and works that never directly address female Catholicism, such as Christopher Marlowe's Hero and Leander, share a discourse with contemporary debates regarding the status of recusant women. Catholic Englishwomen, whether living in convents on the European continent or as recusants in their own country, contributed to these debates, but even as their writings addressed the central religious and political issues of their time, their contributions were effaced and now are largely forgotten. Exploring the writings of Catholic women in conversation with those of Shakespeare, Marvell, Marlowe, Donne, and other canonical authors, Beyond the Cloister shows that nuns and recusants were centrally important to the development of English literature. The defining narratives of early modern England cast nuns as the relics of an unenlightened past and equated Catholic femininity with the dangerous charms of the Whore of Babylon. With careful attention to literary figurations of Catholic femininity and to the vibrant manuscript culture in the English convents, Jenna Lay reveals a far more complex reality. Through their use of tropes, figures, generic patterns, and literary allusions, Catholic women produced politically incendiary and rhetorically powerful lyrics, prayers, polemics, and hagiographies. Drawing on the insights of religious studies, historical formalism, and feminist criticism, Beyond the Cloister offers a reassessment of crucial decades in the development of English literary history.
The seventeenth century is generally acknowledged as one of the most politically tumultuous but culturally creative periods of late imperial Chinese history. Scholars have noted the profound effect on, and literary responses to, the fall of the Ming on the male literati elite. Also of great interest is the remarkable emergence beginning in the late Ming of educated women as readers and, more importantly, writers. Only recently beginning to be explored, however, are such seventeenth-century religious phenomena as "the reinvention" of Chan Buddhism—a concerted effort to revive what were believed to be the traditional teachings, texts, and practices of "classical" Chan. And, until now, the role played by women in these religious developments has hardly been noted at all. Eminent Nuns is an innovative interdisciplinary work that brings together several of these important seventeenth-century trends. Although Buddhist nuns have been a continuous presence in Chinese culture since early medieval times and the subject of numerous scholarly studies, this book is one of the first not only to provide a detailed view of their activities at one particular moment in time, but also to be based largely on the writings and self-representations of Buddhist nuns themselves. This perspective is made possible by the preservation of collections of "discourse records" (yulu) of seven officially designated female Chan masters in a seventeenth-century printing of the Chinese Buddhist Canon rarely used in English-language scholarship. The collections contain records of religious sermons and exchanges, letters, prose pieces, and poems, as well as biographical and autobiographical accounts of various kinds. Supplemental sources by Chan monks and male literati from the same region and period make a detailed re-creation of the lives of these eminent nuns possible. Beata Grant brings to her study background in Chinese literature, Chinese Buddhism, and Chinese women’s studies. She is able to place the seven women, all of whom were active in Jiangnan, in their historical, religious, and cultural contexts, while allowing them, through her skillful translations, to speak in their own voices. Together these women offer an important, but until now virtually unexplored, perspective on seventeenth-century China, the history of female monasticism in China, and the contributionof Buddhist nuns to the history of Chinese women’s writing.
What is this Secret? And how can one discover what it is and learn to use it? U. S. Andersen calls it THE SECRET OF SECRETS because, strangely enough, it is within each man and yet can set him free. It is a secret that is making itself known over the face of the earth. It has become the common meeting ground of all religions. Sri Aurobindo says "It is the one secure and all reconciling truth which is the very foundation of the universe. "It is this truth and its application to your own life that is the theme of THE SECRET OF SECRETS. There is in man, below the level of his consciousness, a vaster mind, a mind of enormous power and knowledge, a mind universal in scope, common to all men but exclusive to none. U. S. Andersen furnishes ample proof that this mind exists and that you can tap it. Wise men have learned that the human mind is a magnificent machine with an infinite reservoir of power still untapped by the mass of men. The magic moment when you learn to link with this power is the moment when the secret of abundance becomes yours . . . the spiritual equivalent of having a money tree in your own back yard.
“Riddle by riddle, a murder confession unspools” in this “delightfully macabre” literary thriller of madness, mystery, and antique books (The New York Times). Three years have passed since Gustavo, a renowned psycholinguist, last spoke to his closest friend, Daniel, who has been interned in a psychiatric ward after brutally murdering his fiancée and attempting suicide. When Daniel unexpectedly calls to confess the truth behind the crime, Gustavo’s long buried fraternal loyalty draws him into the center of a quixotic, mystifying investigation through an underground network of antiquarian dealers. While Daniel reveals his unsettling story using fragments of fables, novels, and historical allusions, Gustavo begins to retrace the past for clues: from their early college days exploring dust-filled libraries and exotic brothels to Daniel’s intimate attachment to his sickly younger sister and his dealings as a book collector. Soon, Gustavo must deduce a complex series of events from allegories that are more real than police reports and metaphors more revealing than evidence. And when a woman in the ward is found murdered, Daniel is declared the prime suspect, and Gustavo plummets deeper into the mysterious case. “An ambitious, complex novel...those who read by simultaneously working with the writer, fantasizing alongside him, capable of enjoying the subtleties and secrets of a text as rich and profound as the text of this novel, will never forget it.” —Mario Vargas Llosa
Alison Owings travelled the USA from border to border and coast to coast, to hear firsthand what waitresses think about their lives, their work and their world.