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Award-winning author James Alan Gardner returns to the superheroic fantasy world of All Those Explosions Were Someone Else's Fault with They Promised Me The Gun Wasn't Loaded. Only days have passed since a freak accident granted four college students superhuman powers. Now Jools and her friends (who haven’t even picked out a name for their superhero team yet) get caught up in the hunt for a Mad Genius’s misplaced super-weapon. But when Jools falls in with a modern-day Robin Hood and his band of super-powered Merry Men, she finds it hard to sort out the Good Guys from the Bad Guys—and to figure out which side she truly belongs on. Especially since nobody knows exactly what the Gun does . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When she arrived in Iraq in May 2004 as the most junior member of the Washington Post bureau staff, Jackie Spinner entered a war zone where traditional reporting had become impossible. Bombs were a daily occurrence and kidnapping an ever-present threat for American journalists. Yet "the longer I stayed, the more Iraq felt like my home," she writes. Tell Them I Didn't Cry is Jackie's vivid and intensely personal story of being a journalist in Iraq -- where for nine months she covered the war from its center in Baghdad, Fallujah, Kurdistan, and Abu Ghraib -- and of being transformed, eventually, from a rookie correspondent into a seasoned foreign reporter. As she grew accustomed to the realities of living and reporting in Iraq, Jackie found that there was as much to love as there was to fear. The frenetic and grueling pace was an exhilarating challenge, and she discovered a powerful sense of purpose in delivering the story of Iraq. Soon, the Iraqi translators, drivers, and bodyguards that the Post staff relied on to be their eyes and ears, and, more important, to keep them safe, became not only her colleagues, but also her close friends and tightly knit family. Still, security rapidly deteriorated and Jackie describes with chilling simplicity narrowly surviving a kidnapping attempt and writing her name and blood type on her flak jacket before covering the battle in Fallujah. By turns lighthearted, grave, vulnerable, and fiery, Jackie recounts the difficulties of being a woman in a country where women are marginalized and a journalist where the press are no longer safe. She eloquently chronicles what occurred behind her headlines as she struggled to preserve her sanity, and sometimes her life, while also doing the one job in which she had found true meaning. Jackie's account is punctuated by brief vignettes written by her identical twin sister, Jenny, who watched as Jackie was drawn further and further into a world increasingly fraught with danger. Every morning she looked for Jackie's byline in the Post, knowing only then that her sister had survived another day. Through it all -- the violence and fear as well as the moments of humor, camaraderie, and warmth -- Jackie Spinner brings home with brilliant intensity and candor what it is like to report on a war under exceptional circumstances.
Society is on the brink of collapse. The Old World is vanishing, the New World is taking over. There are no rules. Not now that a deadly disease is spreading that causes its victims to turn violent. Previously loving people become murderous. No-one can tell who will turn and who will not. A work of force and dark brilliance - the perfect expression of the terrors of the 21st Century
Rob McIntyre, John Hardy and Jesse Wilcox are three adventurous young boys from the town of Valdez, Alaska. We follow them through their numerous journeys and exploration trips across the American continent, often with the help of their Uncle Dick. Table of Contents: The Young Alaskans The Young Alaskans in the Rockies The Young Alaskans on the Trail Young Alaskans in the Far North The Young Alaskans on the Missouri Emerson Hough (1857–1923) was an American author best known for writing western stories, adventure tales and historical novels. His best known works include western novels The Mississippi Bubble and The Covered Wagon, The Young Alaskans series of adventure novels, and historical works The Way to the West and The Story of the Cowboy.
Examining how the discourses of youth, race, poverty and identity take shape when Push is adapted to the big screen, this book brings together valuable research to delve into representations of African-American girlhood. The book draws attention to how Black girlhood takes shape in the film under the dominant White discourses that racialise non-White bodies, and examines how these discourses inform a critical reception of the film and Precious, as a Black girl. Through a consideration of Black culture and heritage, it questions what narratives of girlhood, growth and development are afforded to the main character, in a film that is informed by neoliberal and colour-blind discourses. Highlighting the social context in which Precious was received, the book draws attention to how a discussion of Precious in the critical press gives insight into the racial politics that were dominant at the time of the film’s release. It considers whether race impacts how the film engages with, reflects and moves beyond conventions within the genre of youth film. Concise and engaging, this vital book sheds light on underrepresented areas of film studies that make it an invaluable resource for students and scholars of film, race and youth cultures.
On the eve of her hanging, Ruth Ellis wrote to a friend: 'I must close now but remember I am quite happy with the verdict, but not the way the story was told, there is so much that people don't know.' Ruth Ellis was the last woman to be hanged in Britain. This is her story. In July 1955 Ruth Ellis was sentenced to death for the shooting of her lover, motor-racing driver David Blakely. Barely three months later she was executed at Holloway prison. In this book, Robert Hancock sets the record straight. Using official documents including the transcript of her trial at the Old Bailey, he unlocks the full, secret background to the story of the last woman to be hanged in Britain. Meticulous and fair in its analysis, The Last Woman to be Hanged is an absorbing portrait of the tragic life of a young woman, a vivid snapshot of an era and a gripping account of a notorious case that shocked the nation.