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Walter Rosenblum Witnessing war with a humanist eye
"YouTube War" is a book by Cori E. Dauber, an Associate Professor of Communication at the University of North Carolina. It presents a scientific monograph of its own kind researching an influence of new technologies of communication and information in the hands of private citizen and the surroundings in which they will be forced.
The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd’s The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.
The first rule about fight club is you don't talk about fight club. Chuck Palahniuk showed himself to be his generation’s most visionary satirist in this, his first book. Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
Books about war and the pictures that came out of conflict usually concentrate on the picture content. But behind every picture there is a camera – and that’s what this book is about. Profusely illustrated throughout with pictures of the cameras, rather than the pictures they took, it looks at 100 years of conflict from the Crimean War to the Korean War. It begins in the days when a photographer needed to be more of a scientist than an artist, such were the difficulties of shooting and processing any photograph. It ends with the cameras whose compact dimensions, versatility and ease of use meant that photographers could largely forget the science and concentrate on the art. Some cameras simply recorded events. Others defined and changed the way those events proceeded. These were the cameras that went to war, and this is their story.
In life, Rebecca had no opportunity to be anything but a servant. In death, she became more than just a creature of the night. Even in this new, dark world, there are those who are trying to manipulate her destiny, but she is no longer the helpless girl of her youth. As she journeys from the world of light and color to the world of blackness, she learns to take control of her own destiny. It is a long and treacherous trek from color and light to black.
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