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For years, Gary Smith, a Jesuit priest, led a familiar life in the Pacific Northwest. Then, one day in 2000, he left that life behind to spend six years among Sudanese refugees struggling to survive in refugee camps in northern Uganda. He traveled to this dangerous, pitiless place to be with these forsaken people out of a conviction that “Jesuits should be going where no one else goes.” Smith’s journal is a vivid, inspiring account of the deep connections he forged during his life-changing experience with the Sudanese refugees in Uganda. Along the way, he discovered a suffering people who, despite being displaced by a brutal civil war, find the strength to let go of the many and deep sorrows of the past. Ultimately, They Come Back Singing is a window to the spiritual life and growth of a priest whose generous spirit and genuine love allow him to serve—and be served—in truly extraordinary ways.
For years, Gary Smith, a Jesuit priest, led a familiar life in the Pacific Northwest. Then, one day in 2000, he left that life behind to spend six years among Sudanese refugees struggling to survive in refugee camps in northern Uganda. He traveled to this dangerous, pitiless place to be with these forsaken people out of a conviction that "Jesuits should be going where no one else goes." Smith's journal is a vivid, inspiring account of the deep connections he forged during his life-changing experience with the Sudanese refugees in Uganda. Along the way, he discovered a suffering people who, despite being displaced by a brutal civil war, find the strength to let go of the many and deep sorrows of the past. Ultimately, They Come Back Singing is a window to the spiritual life and growth of a priest whose generous spirit and genuine love allow him to serve--and be served--in truly extraordinary ways.
Life is good for Maxine McCoy. She is the producer of a popular talk show, married to a man she loves, and pregnant with their child. But her security is shattered when a call summons her back to the old neighborhood in Philadelphia she'd rather forget. Once a brilliant singing star, Maxine's grandmother, Lindy, who reared her has become a smoking, drinking, embittered woman, and the aspiring community where Maxine grew up is now a blighted, crime-infested area. Singing in the comback choir shows how faith and commitment can make any comeback possible.
A young artist forges a path of self-discovery in an enriching novel about forgiving the past and embracing second chances, from the bestselling author of An Unfinished Story. Maine, 1969. After losing her parents in a car accident, aspiring artist Annalisa Mancuso lives with her grandmother and their large Italian family in the stifling factory town of Payton Mills. Inspired by her mother, whose own artistic dreams disappeared in a damaged marriage, Annalisa is dedicated only to painting. Closed off to love, and driven as much by her innate talent as she is the disillusionment of her past, Annalisa just wants to come into her own. The first step is leaving Payton Mills and everything it represents. The next, the inspiring opportunities in the city of Portland and a thriving New England art scene where Annalisa hopes to find her voice. But she meets Thomas, an Ivy League student whose attentions--and troubled family--upend her pursuits in ways she never imagined possible. As their relationship deepens, Annalisa must balance her dreams against an unexpected love. Until the unraveling of an unforgivable lie. For Annalisa, opening herself up to life and to love is a risk. It might also be the chance she needs to finally become the person and the artist she's meant to be.
'An open door to the joyous world of singing.' - Cerys Matthews Singing is one thing, but singing together is something else. Powerful and uplifting, group singing creates deep human connections and benefits our wellbeing. And it's fun. Vocal leader James Sills believes that group singing has the power to change lives. It is a joyful expression of our humanity that gives us purpose, encourages us to be fully present, and helps foster social bonds. In Do Sing, James invites us to reflect on our own singing journey. Was there a time when you stopped singing, or were told you couldn't sing? Do certain songs trigger happy memories? With exercises to help unlock your voice, improve breathing, release tension, and a few simple songs to get started, Do Sing will help you to overcome (often deep-rooted) inhibitions and reawaken a love of singing. Do Sing is a welcome remedy to the demands of modern life – and an invitation to experience the joy of group singing for yourself.
Efforts within the past decade to address the HIV/AIDS pandemic in sub-Saharan Africa have dealt with HIV/AIDS principally as a medical concern—despite the fact that doctors continue to be confronted with the complex relationship of the disease to broader social issues. When medical and governmental institutions fail, artists step in. Contemporary performances in Uganda often focus on gender and health-related issues specific to women and youths, in which song texts warn against risky sexual environments or unprotected sexual behavior. Music, dance, and drama are principal tools of local initiatives that disseminate information, mobilize resources, and raise societal consciousness regarding issues related to HIV/AIDS. Through case studies, song texts, interviews, and testimonies, Singing for Life: HIV/AIDS and Music in Uganda examines the links between the decline in Uganda’s infection rate and grassroots efforts that make use of music, dance, and drama. Only when supported and encouraged by such performances drawing on localized musical traditions have medical initiatives taken root and flourished in local healthcare systems. Gregory Barz shows how music can be both a mode of promoting health and a force for personal therapy, presenting a cultural analysis of hope and healing.
The hydrogen test-bomb Bravo, dropped on the Marshall Islands in 1954, had enormous consequences for the Rongelap people. Anthropologists Barbara Rose Johnston and Holly Barker provide incontrovertible evidence of physical and financial damages to individuals and cultural and psycho-social damages to the community through use of declassified government documents, oral histories and ethnographic research, conducted with the Marshallese community within a unique collaborative framework. Their work helped produce a $1 billion award by the Nuclear Claims Tribunal and raises issues of bioethics, government secrecy, human rights, military testing, and academic activism. The report, reproduced here with accompanying materials, should be read by everyone concerned with the effects of nuclear war and is an essential text for courses in history, environmental studies, bioethics, human rights, and related subjects.
Driven by the desire to live a rich and meaningful life, and motivated by the understanding that the world is very much a mysterious place, a small group of truth seekers come together to pursue a path of knowledge, by following the teachings of don Juan Matus, a teacher of an ancient mystical tradition, and the spiritual guide of Carlos Castaneda. While the teachings are expansive and profound, they also provide a pragmatic approach to a new vision of reality. The seekers feel compelled to pursue The Warrior’s Way, a strategy of action designed to help them both understand and unravel the unfathomable mystery of being human. Although the power of the everyday world to capture and hold their attention can be daunting and seemingly unsurmountable, the new warriors push forward while attempting to engage with and reconcile different facets of reality that create confounding and sometimes hilarious situations. As their efforts are rewarded, the warriors become convinced they are on the right path as they move toward a life of expanding awareness. They believe a world of endless possibility and adventure is at their fingertips. In this inspiring novel, seekers of truth embark on a quest for knowledge, influenced by the works of Carlos Castaneda, leading them on a journey of discovery.
Lieutenant Barney Vance is happy to be back home from the war and pretty little Margaret Roselle welcomes him warmly. When he chooses to return to enemy territory, can Margaret withstand the chance of losing him again?
As the ubiquitous Jamaican musician Bob Marley once famously sang, "half the story has never been told." This rings particularly true for the little-known women in Jamaican music who comprise significantly less than half of the Caribbean nation's musical landscape. This book covers the female contribution to Jamaican music and its subgenres through dozens of interviews with vocalists, instrumentalists, bandleaders, producers, deejays and supporters of the arts. Relegated to marginalized spaces, these pioneering women fought for their claim to the spotlight amid oppressive conditions to help create and shape Jamaica's musical heritage.