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Employing innovative research and unique interpretations, these essays provide a fresh perspective on Native American history by focusing on how Indians lived and helped shape each of the United States. Native America: A State-by-State Historical Encyclopedia comprises 50 chapters offering interpretations of Native American history through the lens of the states in which Indians lived or helped shape. This organizing structure and thematic focus allows readers access to information on specific Indians and the regions they lived in while also providing a collective overview of Native American relationships with the United States as a whole. These three volumes synthesize scholarship on the Native American past to provide both an academic and indigenous perspective on the subject, covering all states and the native peoples who lived in them or were instrumental to their development. Each state is featured in its own chapter, authored by a specialist on the region and its indigenous peoples. Each essay has these main sections: Chronology, Historical Overview, Notable Indians, Cultural Contributions, and Bibliography. The chapters are interspersed with photographs and illustrations that add visual clarity to the written content, put a human face on the individuals described, and depict the peoples and environment with which they interacted.
“A rich blend of narrative history, personal recollections, and heart-wrenching oral testimonials . . . powerful.” —Imali J. Abala, author of The Dreamer With an introduction that provides a historical and theoretical overview of African immigration, the heart of this book is built around oral history interviews with forty-seven of the more than twenty-two thousand Africa-born immigrants in Kentucky. A former ambassador from Gambia, a pharmacist from South Africa, a restaurant owner from Guinea, a certified nursing assistant from the Democratic Republic of Congo—every immigrant has a unique and complex story of their life experiences and the decisions that led them to emigrate to the United States. The compelling narratives in this book reveal why and how these immigrants came to the Bluegrass state—whether it was coming voluntarily as a student or forced because of war—and how they connect with and contribute to their home countries as well as to the US. The immigrants describe their challenges—language, loneliness, cultural differences, credentials for employment, ignorance toward Africa, and racism—and positive experiences such as education, job opportunities, and helpful people. One chapter focuses on family—including interviews with the second generations—and how the immigrants identify themselves. “Compelling . . . a must read for anyone seeking the substance behind the newspaper headlines and statistics.” —Frank X Walker, author of Affrilachia
A groundbreaking study of the extraordinary photographers, writers, printmakers, and publishers who formed a flourishing modernist community in Kentucky Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photography. They captured Kentucky's dramatic natural landscape and experimented widely with different techniques, including creating double and multiple exposures or shooting deliberately out-of-focus images. In addition to compiling images by these photographers, this book examines their relationships with writers, publishers, and printmakers based in Kentucky at the time, such as Wendell Berry, Guy Davenport, Jonathan Greene, and Thomas Merton. Moreover, the publication seeks to highlight the unique contributions that the Lexington Camera Club made to 20th-century photography, thus broadening a narrative of modern art that has long focused on New York and Chicago. Featuring a wealth of new scholarship, this fascinating catalogue asserts the importance and artistic achievement of these often overlooked photographers and their circle.
This illustrated compendium by the author of Horror in the Heartland reveals macabre tales of death, hauntings and unexplained events in Kentucky’s past. Author Keven McQueen specializes in uncovering local legends, strange-but-true incidents, and outright hoaxes that newspapers of the past found fit to print. In his Kentucky Book of the Dead, McQueen resurrects creepy stories of life and death in the Bluegrass State, each presented with commentary as well as line drawing by illustrator Kyle McQueen. In these pages, readers will discover the Grim Reaper's creative side, meet the disgusting ghosts of Louisville, and find out more than they to know about old-fashioned embalming techniques. Kentucky Book of the Dead is by turns spine-tingling and entertaining, engrossing and just plain gross
This biography sheds new light on King’s development as a civil rights leader in Montgomery among activists such as Rosa Parks, E.D. Nixon, and others. In Becoming King, Troy Jackson demonstrates how Martin Luther King's early years as a pastor and activist in Montgomery, Alabama, helped shape his identity as a civil rights leader. Using the sharp lens of Montgomery's struggle for racial equality to investigate King's burgeoning leadership, Jackson explores King's ability to connect with people across racial and class divides. In particular, Jackson highlights King's alliances with Jo Ann Robinson, a young English professor at Alabama State University; E. D. Nixon, a middle-aged Pullman porter and head of the local NAACP chapter; and Virginia Durr, a courageous white woman who bailed Rosa Parks out of jail. Drawing on countless interviews and archival sources, Jackson offers a comprehensive analysis of King’s speeches before, during, and after the Montgomery bus boycott. He demonstrates how King's voice and message evolved to reflect the shared struggles, challenges, experiences, and hopes of the people with whom he worked. Jackson also reveals the internal discord that threatened the movement's hard-won momentum and compelled King to position himself as a national figure, rising above the quarrels to focus on greater goals.
RECOMMENDED BY DOLLY PARTON IN PEOPLE MAGAZINE! A NEW YORK TIMES BESTSELLER A USA TODAY BESTSELLER A LOS ANGELES TIMES BESTSELLER The bestselling historical fiction novel from Kim Michele Richardson, this is a novel following Cussy Mary, a packhorse librarian and her quest to bring books to the Appalachian community she loves, perfect for readers of William Kent Kreuger and Lisa Wingate. The perfect addition to your next book club! The hardscrabble folks of Troublesome Creek have to scrap for everything—everything except books, that is. Thanks to Roosevelt's Kentucky Pack Horse Library Project, Troublesome's got its very own traveling librarian, Cussy Mary Carter. Cussy's not only a book woman, however, she's also the last of her kind, her skin a shade of blue unlike most anyone else. Not everyone is keen on Cussy's family or the Library Project, and a Blue is often blamed for any whiff of trouble. If Cussy wants to bring the joy of books to the hill folks, she's going to have to confront prejudice as old as the Appalachias and suspicion as deep as the holler. Inspired by the true blue-skinned people of Kentucky and the brave and dedicated Kentucky Pack Horse library service of the 1930s, The Book Woman of Troublesome Creek is a story of raw courage, fierce strength, and one woman's belief that books can carry us anywhere—even back home. Look for The Book Woman's Daughter, the new novel from Kim Michele Richardson, out now! Other Bestselling Historical Fiction from Sourcebooks Landmark: The Mystery of Mrs. Christie by Marie Benedict The Engineer's Wife by Tracey Enerson Wood Sold on a Monday by Kristina McMorris
A sequel to the award-winning Buffalo Dance offers a dramatic and poetic reimagining of the Lewis and Clark expedition into the unexplored wilderness of the American West in a series of poems that share the narrator York's perspectives on the members of the party and the people and places they encounter along the way. Simultaneous.
Winner of the 2013 PEN/Faulkner Award for Fiction Benjamin Alire S enz's stories reveal how all borders--real, imagined, sexual, human, the line between dark and light, addict and straight--entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Ju rez two blocks south of the Rio Grande. It's a touchstone for each of S enz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. S enz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club. Benjamin Alire S enz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. S enz is the chair of the creative writing department of University of Texas at El Paso. Awards: PEN/Faulkner Award for Fiction Lambda Literary Award Southwest Book Award
"The sun shines bright in the old Kentucky home." So begins an American standard, first published as a minstrel song, that became dear to the hearts of millions and ultimately was enshrined as the Kentucky Derby's sonic centerpiece—a popular selling point for Kentucky tourism. Emily Bingham's masterful decoding of Stephen Foster's 1853 ballad reveals that the song was always about slavery and how white Americans wanted to remember it. Acknowledging her own entanglement in this legacy, Bingham takes readers on the journey of a melody, from its inception by a white northerner, to its enormous success on the blackface circuit, in recordings by Al Jolson and Bing Crosby, and on the pages of Margaret Mitchell's Gone with the Wind, to its countless screen appearances, including Shirley Temple movies, The Simpsons, and Mad Men. For almost two centuries, "My Old Kentucky Home" has never been just a song—it continues to be a resonant, changing emblem of America's original sin, whose blood-drenched shadow haunts us still. My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song investigates the tune's hidden history, lodged in the nation's cultural DNA, and ends with a startling solution for what to do with this artifact of race and slavery.