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NEW YORK TIMES BESTSELLER Includes all-new ma-ma-material! ALL NEW CHAPTER: Baba Booey’s Afghanistan Journal! and . . . the Shvoogie Buzzer story! One of pop culture’s great enduring unsung heroes: Gary Dell’Abate, Howard Stern Show producer, miracle worker, professional good sport, and servant to the King of All Media, tells the story of his early years and reveals how his chaotic childhood and early obsessions prepared him for life at the center of the greatest show on earth. Baba Booey! Baba Booey! It was a slip of the tongue—that unfortunately was heard by a few million listeners—but in that split second a nickname, a persona, a rallying cry, and a phenomenon was born. Some would say it was the moment Gary Dell’Abate, the long-suffering heroic producer of The Howard Stern Show, for better or worse, finally came into his own. In They Call Me Baba Booey, Dell’Abate explains how his early life was the perfect training ground for the day-to-day chaos that comes with producing the most popular radio show on earth. Growing up on Long Island in the 1970s, the youngest of three boys born to a clinically depressed mother, Gary learned how to fend for himself when under attack. Obsessed with music, he listened with religious intensity to Casey Kasem's Top 40 every Sunday morning, compulsively bought 45s of his favorite songs, and nerdily copied the lyrics into a notebook. Music became an ordering principle to his life, even as the chaos at home got out of hand. Dell’Abate’s memoir sketches the trajectory from the obsessive pop-music trivia buff to the man in the beekeeper’s mask who handily defeats his opponents playing “Stump the Booey.” We learn about the memorable moments in his life that taught him to endure epic bouts of humiliation and get his unique perspective on some of his favorite Stern show episodes—such as the day he nearly killed the Mets mascot while throwing out the first pitch, or the time his mother called Howard’s mother and demanded an apology. Hilarious, painful, and eye-opening, it’s Gary as you’ve never seen him before, telling a story that even Stern show insiders can’t begin to imagine.
Have you ever wondered what it would be like to be a peer of one of your ancestors? Artie doesnt realize that a prayer is being answered when he is mysteriously transported back in time and becomes a college basketball teammate of his great grandfather. A star player in is own time, Artie has to relearn the game and the ways of the world in order to survive in his new surroundings. Along the way he finds love and learns that one person can make a world of difference.
"The two sides of Shaw…are at the center of…[this] compulsively readable biography." —Daniel Akst, Wall Street Journal During America’s Swing Era, no musician was more successful or controversial than Artie Shaw: the charismatic and opinionated clarinetist-bandleader whose dozens of hits became anthems for “the greatest generation.” But some of his most beautiful recordings were not issued until decades after he’d left the scene. He broke racial barriers by hiring African American musicians. His frequent “retirements” earned him a reputation as the Hamlet of jazz. And he quit playing for good at the height of his powers. The handsome Shaw had seven wives (including Lana Turner and Ava Gardner). Inveterate reader and author of three books, he befriended the best-known writers of his time. Tom Nolan, who interviewed Shaw between 1990 and his death in 2004 and spoke with one hundred of his colleagues and contemporaries, captures Shaw and his era with candor and sympathy, bringing the master to vivid life and restoring him to his rightful place in jazz history. Originally published in hardcover under the title Three Chords for Beauty's Sake.
An intimate, humorous look at Brian Kilrea's 60-year career in junior hockey With more wins than any coach in junior hockey history, and a personality as large as his winning record, Brian Kilrea is more than a hockey legend, he's one of the most beloved figures in the game. With veteran sportswriter, James Duthie, Kilrea gives fans a rink-side view of his twenty-nine plus seasons as head coach and now general manager of the Ottawa 67s. With stories and comments from famous NHLers who played for Killer, readers will get a taste of Kilrea's hardnosed coaching style, the gritty often humorous reality of his life as a coach, riding on buses and in the locker room, as well as the knowledge and dedication that has made him last so long. They Call Me Killer sheds light on Kilrea's early life as a centre for the Red Wings, what it was like to score the first-ever goal in the history of the L.A. Kings, and his two years with the New York Islanders. Loaded with anecdotes from a true hockey insider, the book offers fans an unvarnished look at the world of junior hockey—as it's played and lived, including its brutal practices, broken curfews, trades, and tirades. Details Kilrea's role as a coach for the Ottawa 67s, how they won the Memorial Cup twice, and how he's been a mentor to young stars of the future Includes anecdotes and interviews from coaches, trainers, and general managers, and NHLers like Bryan Trottier, Dennis Potvin, Mike Peca, Gary Roberts, Doug Wilson, Brian Campbell, Darren Pang, and many others Brian Kilrea was inducted into the Hockey Hall of Fame in 2003 James Duthie is best known for his work on TSN's The NHL on TSN and his coverage of the World Junior Championships With a Foreword by lifelong friend, Don Cherry, They Call Me Killer is a fascinating, unforgettable look at the world of junior hockey and the man known as the most successful coach in junior hockey history.
THE STORY: Self-assured and unyielding, Bart Kramer after accepting an important business position inexorably intrudes himself into the lives of his associates. Coldly and dispassionately he sets out to save it, particularly the young man who has
From an American playwright who “is in a class by himself,” two acclaimed plays linked by a character who comes of age in the sixties. (The New York Times) In John Guare’s classic play The House of Blue Leaves, winner of the New York Drama Critics Circle Award for best play, the Pope is visiting New York, and eighteen-year-old Ronnie goes AWOL from the army to come home to New York and blow up the Pope as he passes his house. In his new play, Chaucer in Rome, it is the year 2000, and Ron and his wife come to Rome to search for their son. With his inimitable wit and understanding, Guare has written two scathingly funny satires on the warping hunger for fame, and the betrayal involved in creating art. Praise for The House of Blue Leaves: “Splendid . . . a joyful affirmation of life and of John Guare’s artistry.” —The New York Times “A woozy, fragile, hilarious heartbreaker . . . the writing is lush with sad, ironic wisdom about fame, love, and deluded values.” —USA Today Praise for Chaucer in Rome: “Guare makes us become voyeurs even as we scorn voyeurism—thus offering a titillating, troubling commentary on life.” —USA Today “Guare’s most disciplined, merciless yet lovable work since Six Degrees of Separation and maybe his best yet.” —New York Newsday
When Lucy discovered that her charming, cheating husband was dying, she came home, opened up his little black book, and decided she wasn’t going through this alone. After all, Artie’s sweethearts were there for the good times—is it fair that Lucy should have to manage the hard times herself? In this wise, wickedly funny new novel, Lucy dials up the women in Artie’s black book and invites them for one last visit. The last thing she expects is that any will actually show up. But one by one, they do show up: The one who hates him. The one who owes her life to him. The one he turned into a lesbian, and the one he taught to dance. And among them is a visitor with the strangest story of all: the young man who may or may not be Artie’s long-lost son. For Lucy, the jaw-dropping procession of women is an education in the man she can’t forgive and couldn’t leave. And as the women find themselves sharing secrets and sharing tears, they start to discover kindred spirits—and even something that’s a lot like family. But Lucy knows one thing for certain: the biggest surprises are yet to come…. Full of heart, Bridget Asher’s unforgettable novel is about mothers and daughters, fathers and sons, and the deep friendships between women. It’s about sweet liars and tenderhearted cheaters—about loving those we love for reasons we can’t always fully rationalize, and about the sort of forgiveness that can change someone’s entire life in the most unexpected and extraordinary ways.
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.