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A new performing version of Gilbert and Sullivan's lost first collaboration "Thespis" by Anthony Baker and Timothy Henty. Complete vocal score including dialogue. This is the version which premiered to critical acclaim at the Normansfield Theatre in 2008 and represented the first fully professional performances of the work since 1872.
An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.
Most books written on Gilbert and Sullivan have focused on the authors rather than on their work. Examining all 14 operas in detail, this book offers a fresh look at the works themselves.
Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
Sir William Schwenk Gilbert and Sir Arthur Sullivan created fourteen comic operas - witty satires set to sparkling music - that instantly won a large and enthusiastic audience and remain immensely popular today. Their talents brought the two men together and their temperaments finally drove them apart. Here, in forty interviews and recollections, is a record of what was said about them during and shortly after their lifetimes by friends, musicians, theatrical managers, singers, actors, and actresses, journalists and authors. For Gilbert and Sullivan devotees everywhere, this entertaining collection will provide fresh insights into the careers and collaborative achievements of one of the most successful - and enduring - enterprises of Victorian theatre.
Gilbert and Sullivan’s operas are some of the world’s best-loved musical works, delighting audiences with their joyous wit, topsy-turvy logic and extravagant wordplay. This glorious treasury is the definitive annotated edition of all fourteen of their operas. From the partially lost work Thespis, the first collaboration between W. S. Gilbert and Arthur Sullivan, through the triumphant comic romps The Pirates of Penzance and The Mikado, to lesser-performed gems such as the fanciful The Sorcerer and the acerbic lampoon Patience, Gilbert’s libretti are collected here in their most accurate and faithful form. There is a fascinating commentary on each work, telling the extraordinary stories behind the inspiration for the opera and its performance history, and giving plot summaries and original cast lists.