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Stage fright takes on a whole new meaning as Willow joins a theatre group and finds herself taking part in a truly hellish drama... The past couple of years have seen Willow's Wiccan powers develop to an impressive -- and potentially dangerous -- level, as viewers of Buffy Season Six will know. But even the most confident of witches has her deepest secret fears, and Willow's have always involved performing on stage in front of an audience. In her near-fatal dream sequence in the crucial Season Five episode 'Restless', it was this fear that enabled the Primal Slayer to enter her consciousness in order to destroy her as she slept. So when Willow decides to join the UC Sunnydale Drama Group in order to master her fear, it's a major step for her to take. But forgetting her lines or corpsing on stage soon turn out to be the least of her worries, as the drama that's being enacted on the hellmouth is most emphatically no play. With Spike as her unexpected ally, can Willow take a leading role or will she die -- for real?
Theatrical Genealogy Of Two Acting Families, The Chapmans And The Drakes, Who Played On English And American Stages From 1705-1944.
Volumes three and four of this monumen­tal work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this dis­tinguished series, the accompanying illus­trations include at least one picture of each subject for whom a portrait exists.
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
First published in 1946. In this study of Russian theatre, the author explores the developments of drama and the theatre throughout the nineteenth-century. Macleod examines imperial and serf theatres, the impact of Russian drama on the east and west, and the regeneration of theatre at the start of the twentieth-century. This title will be of great interest to students of Theatre Studies and Russian History.