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If the zombie apocalypse happens tomorrow-how would you spend your last day? All Dr. Brianna Lewis wants is a cup of coffee. Coffee, to make slaving away in her cell culture lab at Green Fields Biotech a little more bearable on a Friday afternoon when everyone is home already. What she doesn't count on is a group of terrorists blowing up all the entrances to the building and taking her and a select few others hostage. Bree soon finds herself conflicted. Not only does she know their charismatic leader. She also starts to suspect that there is a lot more to this than the hunt for an illegal bioweapon-a virus that could potentially kill millions in just a few days-particularly as there is currently a flu epidemic raging across the country, and reports about violent behavior among the afflicted are getting more and more alarming.
"The conference explores past and future approaches to managing and designing for growth, development and decline. This goes beyond debates over density, frontier development and renewal. It includes new fields of historical, policy and social research which inform discussion of heritage, growth, environmental, economic and other issues of urban life and urban form."--Page iii
A Table of Green Fields includes ten stories, variously about the painter Henry Scott Tuke, the mathematician James Joseph Sylvester, Kafka, Thoreau, along with some imaginary Frenchmen and Scandinavians, among others. Calculating the infinite in the finite, tracing geometries of desire, placing the obdurate world in an uncustomary light, each of these stories opens out its own world. Without giving up the plot or character of the traditional short story, Guy Davenport's inventions are complex events in which ideas and cultural history are a kind of music to which the characters dance. Despite the fractal, syncopated collage of his narrative style, Davenport's prose is objective, terse, and transparent. A constant theme in this book is the transmission of the past as an imaginative act; hence the title, Falstaff's dying vision of "a table of green fields," probably a mishearing of his recitation of the Twenty-third Psalm, corrected by editors to "he babbled of green fields," a symbol of all fiction, an art that must be exact about the uncertain.
Includes "An Inland Voyage," chronicling a canoe journey from Belgium to France; the title piece, a humorous account of a mountain trek; and "Forest Notes," a meditation on the French countryside.