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The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.
A Boston Globe Best Nonfiction Book of 2011 Celebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay.
An exquisite middle grade debut about a girl who befriends ghosts from acclaimed New York Times bestselling author Lauren DeStefano, perfect for fans of Neil Gaiman and Sheila Turnage.
Following her prize–winning collection Break Any Woman Down, Dana Johnson returns with a collection of bold stories set mostly in downtown Los Angeles that examine large issues –love, class, race – and how they influence and define our most intimate moments. In "The Liberace Museum," a mixed–race couple leave the South toward the destination of Vegas, crossing miles of road and history to the promised land of consumption; in "Rogues," a young man on break from college lands in his brother's Inland Empire neighborhood during a rash of unexplained robberies; in "She Deserves Everything She Gets," a woman listens to the strict advice given to her spoiled niece about going away to college, reflecting on her own experience and the night she lost her best friend; and in the collection's title story, a man setting down roots in downtown L.A. is haunted by the specter of both gentrification and a young female tourist, whose body was found in the water tower of a neighboring building. With deep insight into character, intimate relationships, and the modern search for personal freedom, In the Not Quite Dark is powerful new work that feels both urgent and timeless.
PEN/Hemingway Award For Debut Novel Finalist​ Shortlisted for the 2020 Center for Fiction First Novel Prize A “rich, ambitious debut novel” (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi. Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead. These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whose lives might have taken different courses if not for Abel Paisley’s actions. This “rich and layered story” (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a “beguiling…vividly drawn, and compelling” (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.
THE GREATEST WESTERN WRITER OF THE 21ST CENTURY William Johnstone single-handedly shaped the landscape of frontier fiction with his classic Mountain Man series. Now he returns to the West with a gritty, realistic tale of blood struggles, revenge, and honor—the saga of a man whose legend would spread across a brave new land. Rescue In California, Frank Morgan nearly found a home. But now he's pulled up stakes and hit the road again, aiming to reach the high desert of Arizona. For Frank, the plan changes when he steps into a saloon in a dusty boomtown called Los Angeles. That’s where he learns that his nemesis, Val Dooley, has found a new business: the selling of young women into prostitution, with the victims as young as twelve years old, and the survivors ending up drugged and beaten. Frank wastes no time tracking his enemy, traveling from California to New Mexico and West Texas. What he doesn’t know is that Val Dooley has been waiting for him all along: for one last chance to bring the last gunfighter down—in a hail of lead . . .
When Tess Livingston got off the bus at a roadside stop high in the Andes, she couldn't quite remember how she got there. She was an FBI agent, and the last thing she remembered was tracing a group of counterfeiters to Ecuador. Then she found herself at the Bodega del Cielo, waiting for the bus to Esperanza, or at least that’s where her ticket says she’s going. Ian Ritter, a journalist from Minneapolis, is also at the Bodega. He was planning a trip to the Galapagos Islands, but his limited Spanish isn’t up to explaining why he needs to change to Bus 13 to Esperanza. Their meeting changed their lives forever. For the city of Esperanza is a place out of time, partly in the material world, and partly existing on another plane. There the spiritual world can manifest. The dead can come through … and they do. A few of the dead are Chasers, beings of light who have deferred their passage to a higher plane in order to help and protect the living. But many of the dead are brujos, angry ghosts who cannot let go, who desire only to possess the bodies of the living so they can reclaim their own physical existence in the world. Brujos kill those they possess, sooner or later. Tess and Ian, and their families, have made a good life together in Esperanza, and have no desire to ever leave it. But now something unusual, even for Esperanza, is happening. Parts of the city seem to be leaving them. *** TJ MacGregor creates imaginative worlds where neither beasts, ghosts, nor humans are as they seem to be, where anything and anyone can change in a flash, where love is still worth saving, and where the most courageous act of all is simply holding on to your humanity.” -- Nancy Pickard
Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.