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Five years after his mother killed herself and three of his siblings, Gordie lives with his halfbrother Kevin. It is an ideal arrangement, until Gordie’s absentee father comes back into the picture, demanding a place in his life. Now the only one who can help Gordie is himself ... if he can confront the past and take back his future.
From "the queen of heartbreaking prose" (Paste) Helene Dunbar, We Are Lost and Found is a young adult realistic fiction novel in the vein of The Perks of Being a Wallflower about three friends coming-of-age against the backdrop of the AIDS crisis in the early 1980s. Michael is content to live in the shadow of his best friends, James and Becky. Plus, his brother, Connor, has already been kicked out of the house for being gay and laying low seems to be Michael's only chance at avoiding the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands. Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself. This book is perfect for: Readers who want stories centering gay boys coming of age Parents and educators looking for realistic historical fiction for teens Fans of Becky Albertalli, Adam Silvera, and Stephen Chbosky Praise for We Are Lost and Found: "Dunbar painstakingly populates the narrative with 1980s references—particularly to music—creating a vivid historical setting... A painful but ultimately empowering queer history lesson."—Kirkus Reviews "It's a certain type of magic that Helene Dunbar managed with this story... A hauntingly beautiful, yet scarring story that captures the struggles of figuring out who you are while facing the uncertainties of the world, a story that should be mandatory reading for all."—The Nerd Daily "We Are Lost and Found absolutely sparkles... she so perfectly, so evocatively captures the angst, uncertainty, and shaky self-confidence of adolescence that it might make you wince."—Echo Magazine Optioned for a major motion picture adaptation by Nikolaj Coster-Waldau's production company, Ill Kippers!
*IPPY Award Silver Medalist Young Adult Fiction - General A medium desperate to save his town, a grieving brother wanting revenge, and a girl who's decided to end ghosts once and for all, converge in the town of St. Hilaire, where the spirits of the dead roam the streets and there's no such thing as resting in peace. Russ Griffin has always wanted to be a fantastic medium. Growing up in the town of St. Hilaire, where most residents make their living by speaking to the dead, means there's a lot of competition, and he's always held his own. But Russ knows the town he loves is corrupt, and he's determined to save it before the sinister ruling body, The Guild, ruins all he's ever wanted. Willow Rogers is St. Hilaire royalty. An orphan, raised by The Guild, she's powerful and mysterious. But she has secrets that might change everyone's fate. She's done with St. Hilaire, done with helping spirits move on. She wants to end the cycle for good and rid the town of ghosts, even if that means destroying the only home she's ever known. Asher Mullen lost his sister, and his parents can't get over her death. They sought answers in St. Hilaire and were turned away. Now they want revenge. Asher is tasked with infiltrating the town, and he does that by getting to know Russ. The only problem is, he might be falling for him, which will make betraying him that much harder. Russ, Willow, and Asher all have their own agendas for St. Hilaire, but one thing's for certain, no one will be resting in peace. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily "Fantastic elements layered in with poignant, human moments of grief make this ghost story a solid sequel. "— Bulletin of the Center for Children's Books (BCCB)
After a terrible accident, Cal Ryan loses his promising baseball career and Lizzie, one of his best friends. Everyone expects him to pick up the pieces and move on, but all that remains for Cal is an overwhelming sense that her death was his fault. Cal thought he could overcome any obstacle. But grief might be the one exception.
"Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series From acclaimed author Helene Dunbar comes a spellbinding young adult book about a small town filled with spiritualists and one boy who wants out, perfect for readers who want teen ghost books and fans of Maggie Stiefvater, Maureen Johnson, and Nova Ren Suma. In the town of St. Hilaire, most make their living by talking to the dead. In the summer, the town gates open to tourists seeking answers while all activity is controlled by The Guild, a sinister ruling body that sees everything. Dec Hampton has lived there his entire life, but ever since his parents died, he's been done with it. He knows he has to leave before anyone has a chance to stop him. His best friend Russ won't be surprised when Dec leaves—but he will be heartbroken. Russ is a good medium, maybe even a great one. He's made sacrifices for his gift and will do whatever he can to gain entry to The Guild, even embracing dark forces and contacting the most elusive ghost in town. But when the train of Annie Krylova, the piano prodigy whose music has been Dec's main source of solace, breaks down outside of town, it sets off an unexpected chain of events. And in St. Hilaire, there are no such things as coincidences. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily Also by Helene Dunbar: We Are Lost and Found
Christians know that God loves them, but can easily feel that he is perpetually disappointed and frustrated, maybe even close to giving up on them. As a result, they focus a lot—and rightly so—on what Jesus has done to appease God’s wrath for sin. But how does Jesus Christ actually feel about his people amid all their sins and failures? This book draws us to Matthew 11, where Jesus describes himself as “gentle and lowly in heart,” longing for his people to find rest in him. The gospel flows from God’s deepest heart for his people, a heart of tender love for the sinful and suffering. These chapters take readers into the depths of Christ’s very heart for sinners, diving deep into Bible passages that speak of who Christ is and encouraging readers with the affections of Christ for his people. His longing heart for sinners comforts and sustains readers in their up-and-down lives.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
Michael Sterling disappeared from his Maine town five years ago. Everyone assumed he was kidnapped. The truth is worse—he ran away and found the life he always dreamed of. Now, at seventeen, he’s Sean Woodhouse. And he’s come “home,” to the last place he wants to ever be, to claim the small inheritance his grandparents promised him when he graduated high school, all so he can save Trip, the boy he developed an intense and complicated relationship with while he was away. Sean has changed, but so has his old town and everyone in it. And knowing who he is and where he belongs is more confusing than ever. As his careful plans begin to crumble, so does everything he’s believed about his idyllic other life.
“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review) “Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling “Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts “Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne “Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty.” —The New York Times “In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.” —The Washington Post “Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing “One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books “Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes “Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books “There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.
Healing in the Hurting Places is a personal experience story and outreach for victims of childhood sexual abuse, and those who want to help them. It sensitively focuses on the healing journey—how to recognize symptoms of abuse and offer help. Victims often feel alone, they don’t know where to turn or may believe no one will understand. Author Karen Riley speaks to that place of pain and takes you on the healing journey that transformed her life. “This is not about the tragic event, but about where to go now. I want them to know that they are not alone, and there is One who can heal their broken hearts,” writes the author. Others who will benefit from this story of hope and healing: those affected by alcoholism, drug abuse, domestic, and other physical or verbal abuse—and those who are involved with them. And the peace of God, which surpasses all understanding, will guard your hearts and minds through Christ Jesus (Philippians 4:7). Many victims share similar characteristics and traits as a result of abuse, which often manifest in the same behavior patterns—Healing in the Hurting Places is a springboard to empowerment and better understanding.