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Shape is a concept widely used in talk about music. Musicians in classical, popular, jazz and world musics use it to help them rehearse, teach and think about what they do. Yet why is a word that seems to require something to see or to touch so useful to describe something that sounds? Music and Shape examines numerous aspects of this surprisingly close relationship, with contributions from scholars and musicians, artists, dancers, filmmakers, and synaesthetes. The main chapters are provided by leading scholars from music psychology, music analysis, music therapy, dance, classical, jazz and popular music who examine how shape makes sense in music from their varied points of view. Here we see shape providing a key notion for the teaching and practice of performance nuance or prosody; as a way of making relationships between sound and body movement; as a link between improvisational as well as compositional design and listener response, and between notation, sound and cognition; and as a unimodal quality linked to vitality affects. Reflections from practitioners, between the chapters, offer complementary insights, embracing musical form, performance and composition styles, body movement, rhythm, harmony, timbre, narrative, emotions and feelings, and beginnings and endings. Music and Shape opens up new perspectives on musical performance, music psychology and music analysis, making explicit and open to investigation a vital factor in musical thinking and experience previously viewed merely as a metaphor.
The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!
The fifth volume in this study of the music of the Tang Court.
Surprisingly, few studies have been made that address the possibilities of musical scales. This book is, to the best of my knowledge, the first of its kind to establish and examine a complete system of all conceivable scales. My intention is that this book be used as a reference tool for all musicians, as it provides a complete dictionary of all possible scale configurations.
This book gives a music student rhythm exercises with sixteenth notes in a 3/4 time signature. Although there are many books out that help you learn your rhythms the rhythm series of books from muse-eek.com is unique in that each example is accompanied by an audio example. These audio examples can be from our Member's Area which is free to join at http://www.muse-eek.com. These audio files are midifiles which can be played on a Mac or Windows based computer by using a midifile player or any sequencer program. Midifile players are available for free at many sites on the internet. This book is part of a sight reading series aimed at getting a student profi cient at recognizing and playing rhythms. Other volumes in this series will introduce melodic shapes in different stylistic contexts. See the final pages of this book for a complete listing and description of current music related publications.
"Presents a clear and practical step-by-step approach to chromaticism, line playing and voice leading ... Chord changes are included for C concert, B and E instruments."--Back cover