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A sociological examination of the production and audiences of Veggie Tales, a popular evangelical video series for children.
Through a series of fascinating case studies of faith brands, marketing insider Mara Einstein has produced a lively account of the book in the commercialization of religion.
Religion has been on the rise in America for decades—which strikes many as a shocking new development. To the contrary, Jason Stevens asserts, the rumors of the death of God were premature. Americans have always conducted their cultural life through religious symbols, never more so than during the Cold War. In God-Fearing and Free, Stevens discloses how the nation, on top of the world and torn between grandiose self-congratulation and doubt about the future, opened the way for a new master narrative. The book shows how the American public, powered by a national religious revival, was purposefully disillusioned regarding the country’s mythical innocence and fortified for an epochal struggle with totalitarianism. Stevens reveals how the Augustinian doctrine of original sin was refurbished and then mobilized in a variety of cultural discourses that aimed to shore up democratic society against threats preying on the nation’s internal weaknesses. Suddenly, innocence no longer meant a clear conscience. Instead it became synonymous with totalitarian ideologies of the fascist right or the communist left, whose notions of perfectability were dangerously close to millenarian ideals at the heart of American Protestant tradition. As America became riddled with self-doubt, ruminations on the meaning of power and the future of the globe during the “American Century” renewed the impetus to religion. Covering a wide selection of narrative and cultural forms, Stevens shows how writers, artists, and intellectuals, the devout as well as the nonreligious, disseminated the terms of this cultural dialogue, disputing, refining, and challenging it—effectively making the conservative case against modernity as liberals floundered.
Who is the biblical Gideon? A mighty warrior, or a fearful son? Hesitant solider, clever tactician, commanding father, ruthless killer, idolater, or illegitimate king? Gideon has long challenged readers of the book of Judges. How did so many conflicting portraits become inscribed in our biblical text and its reception? What might these portraits tell us about the authors, editors, and interpreters of Gideon's story-especially their expectations for men? Rewriting Masculinity interweaves redaction criticism, reception history, and masculinity studies to explore how Gideon's image changes from a mighty warrior to a weakling, from a successful leader to a man who led Israel astray. Kelly J. Murphy first considers the ways that older traditions about Gideon were rewritten throughout ancient Israel's history, sometimes in order to align the story of Gideon with new ideas about what it meant to act like a man. At other times, she shows that the story of Gideon was used to explain why older standards of masculinity no longer worked in new contexts. Murphy then traces how some later interpreters, from the ancient to the contemporary, continually rewrote Gideon in light of their own models for men, might, and masculinity. Murphy offers an in-depth case study of how a biblical text was continuously updated. Emphasizing the importance of reading biblical stories and expansions alongside their later reception, she shows that the story of Gideon the mighty warrior is, in many ways, the story of masculinity in miniature: a constantly-transforming construct.
Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption; the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences. This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.
Post-Secular Society argues for several characteristics of the secular: the experience of living in a secular age and the experience of living without religion as a normal condition. Religion in the West is often seen as marked by both innovation and disarray. In spite of differing approaches and perspectives of secularization, rational choice and de-secularization, many scholars agree that the West is experiencing a general "resurgence" of religion across most Western societies. Post-Secular Society discusses the changes in religion related to globalization and New Age forms of popular religion. The contributors review religion that is rooted in the globalized political economy and the relationship of post-secularism to popular consumer culture. Also reviewed is innovative discourse as a religious belief system, theories of the post-secular, religious, and spiritual well-being, and healing practices in Finland and environmentalism. This paperback edition includes a new preface by Peter Nynas.
Jesus is as American as baseball and apple pie. But how this came to be is a complex story - one that Stephen Nichols tells with care and ease. Beginning with the Puritans, he leads readers through the various cultural epochs of American history, showing at each stage how American notions of Jesus were shaped by the cultural sensibilities of the...
These forty field-tested guides from veteran speakers are essential tools and supplements for any youth worker. Each outline includes sidebars with key illustrations, object lessons, video or music clip suggestions, and/or speaker tips. To facilitate application of the message, each outline is followed by dozens of questions for use in small groups. All the outlines are compiled on a companion CD-ROM and are fully indexed.
An expert team of international scholars provide fifty-one essays as entry points into the sociological study and understanding of religion and in-depth surveys into its changing forms and content in the contemporary world. Issues discussed range from ecology to law, art to cognitive science, crime to health care.