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Former WWE head writer Brian Gewirtz brings readers behind the scenes for an unprecedented look at the chaotic, surreal, unbelievable backstage world of the WWE. With untold stories from a career spanning over 15 years and featuring the biggest names and controversial moments in wrestling history, THERE'S JUST ONE PROBLEM is an honest, unflinching look on how an introverted life-long fan unexpectedly became one the most powerful men in all of professional wrestling. For decades wrestling was shrouded in secrecy. It had larger than life personalities, bone crunching physicality and jaw-dropping theatrics but backstage it was an industry devoid of outsiders. Then in 1999, after working together on a special for MTV, Dwayne “The Rock” Johnson turned to 26-year old television writer Brian Gewirtz and asked “You ever consider writing for WWE?” That question, and its answer, would have a profound effect on both of their lives for years to come. THERE'S JUST ONE PROBLEM is a story about perseverance, tenacity, and steel chairs. Most writers in the WWE last for a matter of months; Gewirtz was there for over 15 years, writing some of most memorable and infamous storylines in WWE history (covering the “Attitude Era”, the “Ruthless Aggression Era” and into the “PG” and “Reality” eras). Throughout this journey Gewirtz found himself becoming both friend and antagonist to some of the biggest names in WWE history – Stone Cold Steve Austin, John Cena, Stephanie McMahon, Bill Goldberg, Paul Heyman, Chris Jericho, Shawn Michaels, and the two men who he worked the most closely with WWE Chairman Vince McMahon and Dwayne “The Rock” Johnson. These men not only shaped his life professionally but also personally, forcing him to grow and change both as a writer and a human being. So how does a lifelong fan and outsider break through to become the ultimate insider? How does a low-key personality deal directly with his boss, the most brash, unpredictable “alpha male” on the planet, WWE Chairman Vince McMahon? How does one gain respect in a locker room that wants nothing more than to see him disappear? Where does one go when every year in wrestling takes you further away from the writing career you always wanted? Taking advice from his idol, the late “Rowdy” Roddy Piper, when you’re so full of fear, there’s only one way to push through: become fearless.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The writer was taken to Wrestlers Court, a tradition among the wrestlers to police themselves when someone broke an unwritten backstage rule. The charges were completely baseless, but the writer was accused of accepting gifts from the popular tag team of Edge and Christian in exchange for television airtime. #2 The idea that wrestlers and writers can’t be friends is based on the fact that the relationship is not based on friendship but rather what can they do for each other’s careers. When I started with the company in 1999, Edge and Christian were the classic great matches, no personality tag team guys. #3 I was writing Edge and Christian onto TV, and while the charges were completely baseless, there was at least some truth to why Bob was angry. Back at the arena, I made my case to Vince to avoid the trial altogether. #4 I was told that the trial would be a tribunal, not a court. It was over a hundred people, all staring at me as I walked in holding my single box of pizza and six-pack of beer. The prosecutor was John Bradshaw Layfield, one of the toughest guys in the locker room. The judge was the Undertaker.
#1 NEW YORK TIMES BESTSELLER • There's a new mystery to solve at Bayview High, and there's a whole new set of rules. The highly anticipated sequel to One of Us Is Lying! Come on, Bayview, you know you've missed this. A ton of copycat gossip apps have popped up since Simon died, but in the year since the Bayview four were cleared of his shocking death, no one's been able to fill the gossip void quite like he could. The problem is no one has the facts. Until now. This time it's not an app, though—it's a game. Truth or Dare. Phoebe's the first target. If you choose not to play, it's a truth. And hers is dark. Then comes Maeve and she should know better—always choose the dare. But by the time Knox is about to be tagged, things have gotten dangerous. The dares have become deadly, and if Maeve learned anything from Bronwyn last year, it's that they can't count on the police for help. Or protection. Simon's gone, but someone's determined to keep his legacy at Bayview High alive. And the rules have changed. Fans of the hit thriller that started it all can watch the secrets of the Bayview Four be revealed in the One of Us is Lying TV series now streaming on NBC's Peacock!
By the head of the Open Heart ICU at Columbia Presbyterian Hospital––an incredibly persuasive and revolutionary approach for lowering the risks of heart disease –– this plan links high cholesterol and Chlamydia as risk factors and lays out a program to combat both. We are on the cusp of an enormous breakthrough in preventing heart attacks – forever. We are in the same place we were just before penicillin revolutionized the treatment of infectious disease, before fluoride eradicated tooth decay, and just before the polio vaccine brought that disease under control in this country. In The Heart of the Matter, Dr. Peter Salgo, the associate director of the Open Heart ICU at New York Presbyterian Hospital, offers a simple formula to treat people before they get sick, which in turn will prevent heart attacks before they occur. For the first time in history, we know what really causes heart attack. And that knowledge has led Dr. Salgo to this amazingly simple and straightforward program that will save millions of lives. Dr. Salgo recommends using statins, antibiotics, and aspirin to prevent coronary heart disease. This groundbreaking book also offers a self–test that readers can take to assess their own personal risk for heart disease. The Heart of the Matter is the beginning of a change in the treatment of heart disease. It introduces a preventative program that includes traditional diet and exercise guidelines as well as a blanket recommendation that adults, even many young adults, incorporate medicines into the on–going pursuit for health and longevity – something that, until now, seemed impossible to many. Now, without using a lot of indecipherable medical jargon, this invaluable new guide will show you exactly how to attain that longer, healthier life that so many people wish for.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times