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Selected and new poems offer glimpses of a private world in which images of horror are viewed through mirrors and prisms and in which madmen and animals inhabit a landscape of fearful natural beauty.
Solecki suggests that Ondaatje's poetry can be seen as constituting a relatively unified personal canon that has evolved with each book building on its predecessor while simultaneously preparing the groundwork for the following volume.
In The Tact of Teaching bestselling author Max van Manen offers teachers at every stage an original and inspiring interpretation of the notion of pedagogy, one that searches for its roots in the experience of in loco parentis. Using dozens of anecdotes and scenes taken directly from life in classrooms, including many from the often-neglected domain of high school, The Tact of Teaching explicates the meaning of pedagogical moments, the conditions of pedagogy, the relation between pedagogy and politics, the nature of pedagogical experience, and the practical forms of pedagogical understanding. The author: -Presents experiential analysis of the relation between pedagogical reflection and action-Explores how pedagogical tact manifests itself, what tact accomplishes, and how tact does what it does-Speaks of hope and humane practice in an era of schooling often given over to mindless technocracy or fashionable despair
Making and Seeing Modern Texts explores the poetics of texts through a close reading and analysis across the genres of poetry, drama, fiction, non-fiction travel literature and theory. This volume demonstrates that prose, as much as poetry, share the making and seeing of language, literary practice, and theory. Genre, then, is presented as a guide that crosses multiple boundaries. This volume selects different ways to examine texts, discussing Michael Ondaatje’s early poetry and examining narrative in Philip Roth’s The Human Stain. The book examines images in poetry, narrative in fiction, prefaces in non-fiction, metatheatre in drama, and attempts to see the modern and postmodern in theory, all of which show us the complexities of modernity or later modernity. One of the innovations is that the author, a literary critic/theorist, poet and historian, takes his training in practice and theory and shows, through examples of each, how language operates across genres.
Profiles in Canadian Literature is a wide-ranging series of essays on Canadian authors. Each profile acquaints the reader with the writer's work, providing insight into themes, techniques, and special characteristics, as well as a chronology of the author's life. Finally, there is a bibliography of primary works and criticism that suggests avenues for further study. "I know of no better introduction to these writers, and the studies in question are full of basic information not readily obtainable elsewhere." -U of T Quarterly.
A remarkable collection of essays and reviews on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP—from the national bestselling author of Birds of America and a master of contemporary American fiction. “The kind of book, and the kind of human, you’d want to guide you through the past few decades in letters and culture.... Moore is one of our best documentarians of everyday amazement.” —The New Yorker This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books, The New York Times, Harper’s, The Atlantic, and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.
An utterly gripping love story set in nineteenth-century Norway, about a woman rescued from the sea, the fisherman who marries her, their tiny and unusually gifted daughter, and the shapeshifter who follows their every move, perfect for fans of Alice Hoffman, Yangsze Choo, Eowyn Ivey, and Neil Gaiman. The sky opens up... I hear them laugh. They don’t feel the sadness in the air. They don’t feel the danger coming, riding in on the wind. In the hinterlands of old Norway, Leidah Pietersdatter is born blue-skinned, with webbed hands and feet. Upon every turn of season, her mother, Maeva, worries as her daughter’s peculiarities blossom—inside the root of the tiny child, a strange power is taking hold. Maeva tries to hide the girl from the suspicious townsfolk of the austere village of Ørken, just as she conceals her own magical ancestry from her daughter. And Maeva’s adoring husband, Pieter, wants nothing more than for his new family to be accepted by all. But unlike Pieter, who is blinded by love, Maeva is aware that the villagers, who profess a rigid faith to the new God and claim to have abandoned the old ways, are watching for any sign of transgression—and are eager to pounce and punish. Following both mother and daughter from the shadows and through time, an inquisitive shapeshifter waits for the Fates to spin their web, and for Maeva to finally reclaim who she once was. And as Maeva’s elusive past begins to beckon, she realizes that she must help her daughter navigate and control her own singular birthright if the child is to survive the human world. But the protective love Pieter has for his family is threatening the secure life they have slowly built and increasingly becoming a tragic obstacle. Witnessing this, Maeva comes to a drastic conclusion: she must make Leidah promise to keep a secret from Pieter—a perilous one that may eventually free them all.
The eleventh installment of Canada's annual volume of essays showcases diverse nonfiction writing from across the country. Culled from leading Canadian magazines and journals, Best Canadian Essays 2019 contains award-winning and award-nominated nonfiction articles that are topical and engaging and have their finger on the pulse of our contemporary psyches.