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This is VII in a series of ten volumes on the Theory in Anthropology. Originally published in 1968, this is a sourcebook that was created by the authors’ need for making accessible in a single volume a sample of those important pieces which are presently scattered in numerous publications, some of which are difficult for the student to obtain. Our second reason had to do with certain convictions they hold about the aims and methods of anthropology.
The field of cultural anthropology describes and interprets the thought and behavior of contemporary and near-contemporary societies. Inherently pluralistic, it offers a framework in which the distinctive perspectives of each cultural world can be appreciated. Robert Winthrop's dictionary describes the major concepts that have shaped the discipline, both historically and theoretically. It sets modern anthropology in its proper context within the broader intellectual tradition. Eighty entries review the key concepts--culture, race, nature, symbolism, adaptation, the primitive, etc.--that have established the fundamental problems and issues, guided research, and served as the focus for debate in key areas of the discipline. The entries which range from 2,000 to 6,000 words in length, are both thorough in treatment and contemporary in relevance. Some entries are primarily of historical significance while others describe recent developments. Each entry contains an annotated bibliography and a guide to additional reading on the subject. While this is not primarily a technical lexicon, many terms have been glossed and explained. Designed to be useful to students of anthropology, this dictionary will assist those in other disciplines to find their way through the anthropological labyrinth.
In Collaboration in Archaeological Practice, prominent archaeologists reflect on their experiences collaborating with descendant communities (peoples whose ancestors are the subject of archaeological research). They offer philosophical and practical advice on how to improve the practice of archaeology by actively involving native peoples and other interested groups in research.
1. INTRODUCTION This book describes a new interdisciplinary theory for explaining cultural change. In contrast to traditional evolutionist theories, the present theory stresses the fact that a culture can evolve in different directions depending on its life conditions. Cultural selection theory explains why certain cultures or cultural ele ments spread, possibly at the expense of other cultures or cultural elements which then disappear. Cultural elements include social structure, traditions, religion, rituals, art, norms, morals, ideologies, ideas, inventions, knowledge, technology, etc. This theory is inspired by Charles Darwin's idea of natural selection, because cultural elements are seen as analogous to genes in the sense that they may be reproduced from generation to generation and they may undergo change. A culture may evolve because certain cultural elements are more likely to spread and be reproduced than others, analogously to a species evolving because individuals possessing certain traits are more fit than others to reproduce and transmit these traits to their offspring.
For courses in ethnomusicological theory. This book covers ethnomusicological theory, exploring some of the underpinnings of different approaches and analyzing differences and commonalities in these orientations. This text addresses how ethnomusicologists have used and applied these theories in ethnographic research.