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This book is a compilation of lectures given to students at the Harvard Graduate School of Design on the work of contemporary architects.
Site and Composition examines design strategies and tactics in site making. It is concerned with the need for a renewed understanding of the site in the twenty-first century and the need for a critical position regarding the continued tendency to view the site as an isolated ‘fragment’ severed from its wider context. The book argues revisiting the traditional instruments or means of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Through the various examples studied here it is suggested that such instrumental means have the potential for achieving greater poetic outcomes. The book focuses on the works of twentieth century architects of wide-ranging persuasion – Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa, for example – who have strived in quite different ways to achieve deeper engagement with the physical qualities of place and context. Departing from a reconsideration of the fragment, Site and Composition emphasises the role of the ‘positive fragment’ in achieving both historical continuity and renewed wholeness. The potential of both planimetric and sectional compositional methods are explored, emphasising the importance of reciprocity between ‘inside’ and ‘outside’ – between fragment and the whole, as well as materiality. Written in a clear and accessible manner, this book makes vital reading for both researchers and students of architecture and urbanism.
This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role. The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists.
This monograph contains many designs for homes, for museums, high-rise buildings, and various applications of their PRO/con and PRO/dek prefab work.
While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Unexpected Affinities: The History of Type in the Architectural Project from Laugier to Duchamp traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.
This beautifully illustrated book provides a crucial new look at Aldo Rossi's built work in relationship to his writings, drawings, and product design, and explores his contributions to the architecture in postwar Italy.
International Conference on Architectural Research - ICAR 2015 RESEARCH THROUGH ARCHITECTURE ISSN 2393 - 4433 ISSN-L 2393 - 4433 Descrierea CIP a Bibliotecii Naţionale a României Re[search] through architecture / ed.: conferenţiar dr. arh. Andra Panait. - Bucureşti : Editura Universitară “Ion Mincu”, 2015. – (International Conference on Architectural Research - ICAR 2015, ISSN 2393-4433, ISSN L-2393-4433) ISBN 978-606-638-112-3 I. Panait, Andra (ed.) 72 Graphic design: Andra Panait We acknowledge the help in preparing this volume to the following peoples: assoc.prof. Daniel Comşa, Arch.PhD; assoc.prof. Elena-Codina Duşoiu, arch.PhD; assoc.prof. Francoise Pamfil, arch.PhD; lecturer Marina Mihăilă, Arch.PhD; assist. Daniel ARMENCIU, Arch.PhD, assist. Oana DIACONESCU, Arch.PhD; assist. Mihaela ZAMFIR, Arch.PhD; assist. Raluca BOROŞ, Arch.PhD student. © “Ion Mincu” Publishing House Bucharest Introduction Under the title theme Re[Search] through Architecture, ICAR 2015 proposes a debate of the subject defining some new principles of nowadays architectural design. In the XXI-st century, in searching of a “style”, after Postmodernism, it is considered that new architecture based on algorithms and parameters may offer new senses of space continuity and legibility. In opposite, the contextualist and phenomenologist movements consider this approach as a formal and fragile tendency, culturally un-sustained and which won’t prove its consistence in time as utopist and futurist did. Topics like new avant-garde movement, stylistic searching, anachronistically architecture, space continuities and correspondences, lived architecture or experimental manifesto projects, the evolving of geometries, urban continuities or classical defragmentation, functional zoning, social impact scenarios, space formalization, aesthetic and symbolic design values, authentically or new built archaeology, sustainable design etc. will be presented and debated under three main sections: Traditional versus Computational, Innovation and Experiment, Archive – Utopia – Events. Built / Unbuilt. Assoc.Prof. Beatrice-Gabriela JÖGER, Arch, PhD, UAUIM, Bucharest, Romania COMMITTEES General Chair Assoc.Prof. Beatrice-Gabriela JÖGER, Arch, PhD, UAUIM, Bucharest, Romania Local arrange chair Assoc.Prof. Daniel COMŞA, Arch, PhD, UAUIM, Bucharest, Romania Visual Identity, Publications Coordinator Assoc.Prof. Andra PANAIT, Arch, PhD, UAUIM, Bucharest, Romania SECTIONS 1. Traditional versus Computational Chair: Assoc.Prof. Elena Codina DUŞOIU, Arch, PhD, UAUIM, Bucharest Assistant chair: Assist.Prof. Oana DIACONESCU, Arch, PhD, UAUIM, Bucharest 2. Innovation and Experiment Chair: Assoc.Prof. Françoise PAMFIL, Arch, PhD, UAUIM, Bucharest Assistant chair: Lecturer Marina MIHĂILĂ, Arch, PhD, UAUIM, Bucharest 3. Archive – Utopia – Events. Built / Unbuilt Chair: Assoc.Prof. Daniel COMŞA, Arch, PhD, UAUIM, Bucharest Assistant chair: Assist.Prof. Mihaela ZAMFIR, Arch, PhD, UAUIM, Bucharest CONFERENCE SECRETARIAT Assist.Prof. Daniel ARMENCIU, Arch, PhD, UAUIM, Bucharest Assist.Prof. Raluca BOROŞ, Arch, PhD student, UAUIM, Bucharest SCIENTIFIC COMMITTEE Prof. Byeong-Joon KANG, Arch, PhD, INJE University -Ghimbae, South Corea Assoc.Prof. João MENEZES DE SEQUEIRA, Arch, Head of Architectural Department, Ulusofona, Lisbon, Portugal Prof. Antonino SAGGIO, Arch, PhD, Sapienza University, Rome, Italy Assoc.Prof. Maria VOYATZAKI, Arch, PhD, School of Architecture of Aristotle Univer¬sity of Thessaloniki, Greece Assoc.Prof. Cosmin CACIUC, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Daniel COMŞA, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Codina DUŞOIU, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Cristina ENACHE, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Ştefan GHENCIULESCU, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Celia GHYKA, Arch, PhD, UAUIM, Bucharest, Romania Prof. Augustin IOAN, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Beatrice-Gabriela JÖGER, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Zina MACRI, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Anca MITRACHE, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Françoise PAMFIL, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Gabriel PASCARIU, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Alexandru PETRIŞOR, Ecol., PhD, UAUIM, Bucharest, Romania Assoc.Prof. Monica RĂDULESCU, Arch, PhD, UAUIM, Bucharest, Romania Assoc.Prof. Claudiu RUNCEANU, Arch, PhD, UAUIM, Bucharest, Romania Prof. Ana Maria ZAHARIADE, Arch, PhD, UAUIM, Bucharest, Romania KEYNOTE SPEAKERS Juan P. HINESTROZA, Assoc.Prof., Director of The Textiles Nanotechnology Laboratory, College of Human Ecology of Cornell University, USA. Karin HOFERT FEIX, Arch., Profesor Titular E.U., Department of Architectural Design, Barcelona School of Architecture ETSAB, Politechnical University of Catalunya UPC, Spain Romolo MARTEMUCCI, Arch., PhD, Professor of Architecture, Pennsylvania State University, USA; Director of Pennsylvania State University - Sede di Roma; President of Pantheon Institute, Rome; President of Accademia Adrianea di Architettura e Archeologia, Rome, Italy João MENEZES DE SEQUEIRA, Arch, PhD, MsC, Assoc.Prof., Head of Architectural Department, Universidade Lusófona, Lisbon, Portugal Zuhal ULUSOY, Arch., PhD, Professor, Dean of Faculty of Art and Design, Kadir Has University, Istanbul, Turkey Maria VOYATZAKI, Arch, PhD, Assoc.Prof., School of Architecture of Aristotle University of Thessaloniki, Greece
Judging from the debates taking place in both education and practice, it appears that architecture is deeply in crisis. New design and production techniques, together with the globalization of capital and even skilled-labour, have reduced architecture to a commodified object, its aesthetic qualities tapping into the current pervasive desire for the spectacular. These developments have changed the architect’s role in the design and production processes of architecture. Moreover, critical architectural theories, including those of Breton, Heidegger and Benjamin, which explored the concepts of technology, modernism, labour and capital and how technology informed the cultural, along with later theories from the 1960s, which focused more on the architect’s theorization of his/her own design strategies, seem increasingly irrelevant. In an age of digital reproduction and commodification, these theoretical approaches need to be reassessed. Bringing together essays and interviews from leading scholars such as Kenneth Frampton, Peggy Deamer, Bernard Tschumi, Donald Kunze and Marco Biraghi, this volume investigates and critically addresses various dimensions of the present crisis of architecture. It poses questions such as: Is architecture a conservative cultural product servicing a given producer/consumer system? Should architecture’s affiliative ties with capitalism be subjected to a measure of criticism that can be expanded to the entirety of the cultural realm? Is architecture’s infusion into the cultural the reason for the visibility of architecture today? What room does the city leave for architecture beyond the present delirium of spectacle? Should the thematic of various New Left criticisms of capitalism be taken as the premise of architectural criticism? Or alternatively, putting the notion of criticality aside is it enough to confine criticism to the production of insightful and pleasurable texts?
This handbook, representing the collaboration of 40 scholars, provides a multi-faceted exploration of roughly 6,000 years of Chinese architecture, from ancient times to the present. This volume combines a broad-spectrum approach with a thematic framework for investigating Chinese architecture, integrating previously fragmented topics and combining the scholarship of all major periods of Chinese history. By organizing its approach into five parts, this handbook: Traces the practices and traditions of ancient China from imperial authority to folk culture Unveils a rich picture of early modern and republican China, revealing that modernization was already beginning to emerge Describes the social, intellectual, ideological, and formal enterprises of socialist architecture Frames a window on a complex and changing contemporary China by focusing on autonomy, state practices, and geopolitics of design, ultimately identifying its still evolving position on the world stage Examines the existing cultural and political theories to highlight potential avenues for future transformations in Chinese architecture that also retain Chinese identity Providing a pioneering combination of ancient and modern Chinese architecture in one coherent study, this book is a must-read for scholars, students, and educators of Chinese architecture, architectural history and theory, and the architecture of Asia.