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This is the first extended study in English of Theophrastus' Characters, one of the briefest but also most influential works to survive from classical antiquity. Since the seventeenth century, the Characters has served as a model and an inspiration for authors as diverse as La Bruyère, Thackeray, George Eliot and Elias Canetti. This study aims to locate Theophrastus and his Characters with respect to the political and philosophical worlds of Athens in the late fourth century, focusing on later imitators in order to provide clues to reading the Theophrastan original. Special attention is paid to the problems and possibilities of the Characters as testimony to the culture and society of contemporary Athens, integrating the text into the extensive fragments and testimonies of Theophrastus' other writings. The implications for the historian of the elusive humour of the Characters, dependent in large measure on the device of caricature, are explored in detail. What emerges is a picture of the complex etiquette appropriate for upper-class citizens in the home, the streets and other public places in Athens where individuals were on display. Through their resolutely shaming behaviour, the Characters illuminate the honour for which citizens should, by implication, be striving. A key theme of the study is Theophrastus' ambivalent position in Athens: a distinguished philosopher and head of the Lyceum, yet still subject to the disabilities of his metic status.
This is the first extended study in English of Theophrastus' Characters , one of the briefest but also most influential works to survive from classical antiquity. Since the seventeenth century, the Characters has served as a model and an inspiration for authors as diverse as La Bruyère, Thackeray, George Eliot and Elias Canetti. This study aims to locate Theophrastus and his Characters with respect to the political and philosophical worlds of Athens in the late fourth century, focusing on later imitators in order to provide clues to reading the Theophrastan original. Special attention is paid to the problems and possibilities of the Characters as testimony to the culture and society of contemporary Athens, integrating the text into the extensive fragments and testimonia of Theophrastus' other writings. The implications for the historian of the elusive humour of the Characters , dependent in large measure on the device of caricature, are explored in detail. What emerges is a picture of the complex etiquette appropriate for upper-class citizens in the home, the streets and other public places in Athens where individuals were on display. Through their resolutely shaming behaviour, the Characters illuminate the honour for which citizens should, by implication, be striving. A key theme of the study is Theophrastus' ambivalent position in Athens: a distinguished philosopher and head of the Lyceum, yet still subject to the disabilities of his metic status.
A strange, wild, brilliant personal journey - across land and through time - in which Laura Beatty travels back two thousand years to rescue from obscurity Aristotle's friend and Chaucer's inspiration, the forgotten philosopher who grandfathered botany and the English novel.
This book presents an introduction to the Characters, a collection of thirty amusing descriptions of character types who lived in Athens in the fourth century BCE. The author of the work, Theophrastus, was Aristotle's colleague, his immediate successor and head of his philosophical school for thirty-five years. Pertsinidis' lively, original and scholarly monograph introduces Theophrastus as a Greek philosopher. It also outlines the remarkable influence of the Characters as a literary work and provides a detailed discussion of the work's purpose and its connection with comedy, ethics and rhetoric.
In Theophrastus of Eresus: On Winds, Robert Mayhew provides a critical edition of the Greek text with English translation and commentary on the sole Peripatetic treatise devoted specifically to winds, by Aristotle’s successor in the Lyceum. This is the first edition of this text to appear in over forty years, and the first ever to make use not only of the twelve medieval manuscripts but also of the Oxyrhynchus papyrus fragment of this work (first published in 1986). The lengthy commentary attempts to explain this difficult (and often corrupt) text and its relationship to Aristotle’s meteorological theory and scientific methodology.
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Philippus Aureolus Theophrastus Bombast von Hohenheim, who called himself Paracelsus, stands at the cusp of medieval and modern times. A contemporary of Luther, an enemy of the medical establishment, a scourge of the universities, an alchemist, an army surgeon, and a radical theologian, he attracted myths even before he died. His fantastic journeys across Europe and beyond were said to be made on a magical white horse, and he was rumored to carry the elixir of life in the pommel of his great broadsword. His name was linked with Faust, who bargained with the devil. Who was the man behind these stories? Some have accused him of being a charlatan, a windbag who filled his books with wild speculations and invented words. Others claim him as the father of modern medicine. Philip Ball exposes a more complex truth in The Devil's Doctor—one that emerges only by entering into Paracelsus's time. He explores the intellectual, political, and religious undercurrents of the sixteenth century and looks at how doctors really practiced, at how people traveled, and at how wars were fought. For Paracelsus was a product of an age of change and strife, of renaissance and reformation. And yet by uniting the diverse disciplines of medicine, biology, and alchemy, he assisted, almost in spite of himself, in the birth of science and the emergence of the age of rationalism. "Ball produces a vibrant, original portrait of a man of contradictions:" - Publishers Weekly
Draws on primary sources such as Homer, Herodotus, and Plato, and on many later works on botany, history, philology, and archaeology to explore how the ancient Greeks perceived and used plants. Considers the landscape, cults and myths, medicine and magic, dyes and textiles, food, and other uses. Highly illustrated, mostly in color. First published in German in 1982 and translated from the third edition. Annotation copyright by Book News, Inc., Portland, OR
The Sixth International Conference on Mediterranean Climate ecosystems was held at Maleme (Crete), Greece, from September 23 to September 27, 1991. This conference had as its theme 'Plant-Animal Interactions in Mediterranean-type Ecosystems'. Most of the papers presented to that meeting have already been published (see Thanos, C.A. ed., 1992, Proceedings of the VI International Conference on Mediterranean Climate Ecosystems, Athens, 389 pp.). These 57 papers were all necessarily short. But the theme of plant-animal interactions was considered by the Organizing Committee to be so important to a fundamental understanding of the ecology of Mediterranean-climate ecosystems and to an enhanced management ·of those systems that various international research scientists were invited to prepare longer contributions on major aspects of the overall theme. The Book that follows represents the result of those invitations. All five regions of Mediterranean climate are represented - Chile, California, southern Australia and the Cape Province of South Africa, as well as the Mediterranean Basin itself.