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Deleuze's relationship with theology is a complex one. Indeed, there seem to be many possible objections to such an 'assemblage' taking place. In the first book of its kind to engage with this seemingly problematic dialogue, Kristien Justaert shows the ways in which Deleuze's thought can in fact advance issues in political and liberation theology in particular, while also exploring the important theological and spiritual aspirations contained in Deleuze's philosophy itself, as part of his lifelong quest for the 'Absolute'. Justaert examines the theological components in Deleuze's writings, investigating the theological potential of four notions that circle around the central Deleuzian concept of 'Life': immanence, spirituality, creativity and politics. The book goes on to connect Deleuze with both established theologies and possible theologies for the future, identifying areas in which Deleuze can contribute to the dynamics of contemporary theology, and argues that aspects of Deleuze's philosophy can enable theology to become more meaningful in a globalised world. This is the ideal introduction to Deleuzian theologies, and Deleuze's own theology, for advanced undergraduate and postgraduate students.
The debate between faith and reason has been a dominant feature of Western thought for more than two millennia. This book takes up the problem of the relation between philosophy and theology and proposes that this relation can be reconceived if both philosophy and theology are seen as different ways of organising affects. Brent Adkins and Paul R. Hinlicky break new ground in this timely debate in two ways. Firstly, they lay bare the contemporary dependence on Kant and propose that our Kantian inheritance leaves us with an insuperable dualism. Secondly, the authors argue that the philosophy of Gilles Deleuze provides a way of resolving the debate between faith and reason that does justice to philosophy and theology by reconceiving of both as assemblages. Deleuze's philosophy differentiates domains of thought in terms of what they create. This seems like a particularly fruitful way to pursue the problem of the relations among philosophy and theology because it allows their distinction without at the same time placing them in opposition to one another.
An exploration of the thought of Gilles Deleuze and its relevance to theology.
Recent political theory has shifted decidedly towards ontology, the 'science of being', and thus towards examining fundamental concepts of identity, difference, space, and time. This new focus has reinvigorated questions concerning the nature of power, meaning, truth and agency, inspiring novel approaches to individual and collective subjectivity, the emergence of political events and the relationship between desire and politics. In this new study, Nathan Widder shows how Deleuze's philosophy both inspires and presses beyond political theory's 'ontological turn'. Linking his thought to current political theory debates, Widder explains how Deleuze's philosophy and ontology of difference are cashed out through a micropolitics of creative and critical experimentation. He further demonstrates how Deleuze challenges ideas of identity and the subject that still dominate both political thought and practice today. Connecting Deleuze to key figures in both classical and contemporary political philosophy, from Plato and Aristotle to Hegel, Nietzsche, Lacan, and Foucault, this book will be of interest to students and scholars in political theory, philosophy, and related disciplines, looking to engage the emerging field of Deleuze studies.
Deleuze and the Naming of God addresses the intersection between Deleuze's thought and the notion of religion to proposes an alliance between immanence and the act of naming God. In doing so, Barber gives us a way out of the paralysing debate between reli
Despite the ever-expanding body of Deleuzian scholarship, single volume has explored the religious dimensions of Delueze's writing. Now, Mary Bryden has assembled a team of international scholars to do just that. Their essays illustrate the ways in which Deleuzian thought is antithetical to religious debate, as well as the ways in which it contributes to those debates. This volume will be invaluable for researchers, teachers and students of theology, philosophy, critical theory, cultural studies and literary criticism as well as to students of French who read Deleuze's work in its original language.
In this book, Joshua Ramey examines the extent to which Gilles Deleuze's ethics, metaphysics, and politics were informed by, and can only be fully understood through, this hermetic tradition.
F. LeRon Shults explores DeleuzeOCOs fascination with theological themes and shows how his entire corpus can be understood as a creative atheist machine that liberates thinking, acting and feeling."e;
First published in 1997, Alain Badiou's Deleuze: The Clamor of Being cast Gilles Deleuze as a secret philosopher of the One. In this work, Clayton Crockett rehabilitates Deleuze's position within contemporary political and philosophical thought, advancing an original reading of the thinker's major works and a constructive conception of his philosophical ontology. Through close readings of Deleuze's Difference and Repetition, Capitalism and Schizophrenia (with Felix Guattari), and Cinema 2, Crockett argues that Deleuze is anything but the austere, quietistic, and aristocratic intellectual Badiou had portrayed. Instead, Crockett underscores Deleuze's radical aesthetics and innovative scientific, political, and mathematical forms of thought. He also refutes the notion Deleuze retreated from politics toward the end of his life. Using Badiou's critique as a foil, Crockett maintains the profound continuity of Deleuze's work and builds a general interpretation of his more obscure formulations.
Music After Deleuze explores how Deleuzian concepts offer interesting ways of thinking about a wide range of musics. The concepts of difference, identity and repetition offer novel approaches to Western art music from Beethoven to Boulez and Bernhard Lang as well as jazz improvisation, popular and sacred music. The concepts of the 'rhizome', the 'assemblage' and the 'refrain' enable us to think of the specificity of musical works as the meeting of productive forces, for example in the contemporary opera of Dusapin and the experimental music theatre of Aperghis. The concepts of smooth and striated space form the starting point for musical and political reflections on pitch in Western and Eastern music. Deleuze's notion of time as multiple illumines the distinctive conceptions of musical time found in Debussy, Messiaen, Boulez, Carter and Grisey. Finally, the innovative semiotic theory forged in Deleuze-Guattarian philosophy offers valuable insights for a semiotics capable of engaging with the innovative, molecular music of Lachenmann, Aperghis and Levinas.