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Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.
This work comes at an opportune hour: a time in which many complain that contemporary theology lacks a general theory of sacraments. Chauvet charts a reorientation in sacramental theology from the scholastic treatments, which appropriated the metaphysical categories of causality and substance to develop an essentially instrumentalist appreciation of grace, in favor of an approach through the category of symbol." In this approach the subject is as much "grasped" (and transformed) by the symbolic representation as is the object being interpreted. Chauvet commands a wealth of scholarship which he deploys to powerful effect. His work in developing a foundational theology of sacramentality will remain the standard for years to come. "
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
Why, from its very beginnings, has the Church celebrated the sacraments, in particular baptism and Eucharist? Why, from its origin, has faith in Christ, which is expressed in a human, free, just, loving way of living, ruled by the gospel, also been expressed in the language of rites? The Sacraments by Louis-Marie Chauvet offers reflections on the theology, celebration, and pastoral usage of the sacraments. It is a textbook version of Chauvet's, Symbol and Sacrament published by The Liturgical Press in 1995 that was acclaimed by theologians as offering a fresh theology of the sacraments from a perspective other than scholastic theology.
"Avery Dulles's theological career has spanned one of the most creative and confusing periods in the history of the church. With the goal of integrating new information from philosophy and the sciences into a deeper understanding of the world and society, the many theological schools pursued independent agendas, with the net effect of a loss of coherence. It is Fr. Dulles's contention that theological schools have drifted so far apart that what seems false and dangerous to one school seems almost self-evident to another. Theologians lack a common language, common goals, and common norms." "Exploring the possibilities for greater consensus, The Craft of Theology illustrates how a "post-critical" theology can draw on the riches of Scripture and tradition as it reflects on the faith of the church in new contexts. Fr. Dulles discusses the freedom of theology within the university and sets forth principles for a fresh dialogue with philosophy, the sciences, and other Christian churches."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Philosophically Thinking about World Religions is different from other works in the discipline today. It deviates from the typical approaches used for the study of world religions. Its goal is to engage readers in thinking hard about world religions, not about the data surrounding those traditions. By focusing on philosophical questions, each reader should be challenged to do their own investigations that may reveal the heart of these traditions. Another stance that this project takes that distinguishes it from other texts in the discipline is that it advocates an inclusivist perspective regarding the world religions. Pluralism, which is the predominate assumption today, ends either in contradiction or in the development of a metatheory that dismisses crucial distinctions between the various traditions or eliminates some ancient religions because they do not fit the metatheory. By taking an open inclusivist approach, all religious traditions may engage at the table of dialogue. The final essay is about justice and social affairs. While that discussion is couched within the context of a particular tradition, each religious tradition must have the discussion. But it must be more than an intrareligious dialogue; it must become an interreligious dialogue.
Imagine the dangerous life of an early Christian. You've embraced your newfound faith in Christ but fear the risk of persecution or death at the hands of the pagans living around you. Then a trusted friend tells you about some of Jesus' followers who secretly meet. He whispers into your ear, "Look for a fish carved in a paving stone" by a certain home on the Via Tiburtina. You smile in gratitude. Still today, modern society recognizes those Christian symbols that kept the early Christians safely connected: they appear on churches, bumper stickers, mugs -- even mints and stuffed animals. Yet we are often ignorant of the rich meaning of these symbols: their origins in Scripture, in ancient culture, and in the preaching of the Church Fathers. In this book, noted author Mike Aquilina conducts an intriguing and insightful tour of the symbols that expressed the life and devotion of the Church through the first four centuries of its existence. He explains how Christians freely borrowed pagan and Jewish symbols, giving them new, distinctly Christian meanings. Recover the zeal of our spiritual ancestors as you learn to read their symbolic language -- and discover the impact the symbols still have on your life today. More than a hundred illustrations, reproduced by artist Lea Marie Ravotti from the ancient originals, beautifully complement the text. View a mulitmedia presentation and listen to an interview of the author here.
This book sorts out the confusion created by the use of the term "postmodern" in relation to widely divergent theological positions. Four different types of postmodern theology are distinguished in the preface: constructive, deconstructive, liberationist, and conservative. Two forms of each type are discussed in the book. Writing from a constructive, postmodern perspective, the authors enter into dialogue with the deconstructive postmodernism of Mark C. Taylor and Jean-François Lyotard, with the liberationist postmodernism of Harvey Cox and Cornel West, and with the conservative postmodernism of George William Rutler and John Paul II.