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In Greene’s “magnificent tour-de-force among tales of international intrigue,” rival agents engage in a deadly game of cat and mouse in prewar England (The New York Times). D., a widowed professor of Romance literature, has arrived in Dover on a peaceful yet important mission. He’s to negotiate a contract to buy coal for his country, one torn by civil war. With it, there’s a chance to defeat fascist influences. Without it, the loyalists will fail. When D. strikes up a romantic acquaintance with the estranged but solicitous daughter of a powerful coal-mining magnate, everything appears to be in his favor—if not for a counteragent who has come to England with the intent of sabotaging every move he makes. Accused of forgery and theft, and roped into a charge of murder, D. becomes a hunted man, hemmed in at every turn by an ever-tightening net of intrigue and double cross, with no one left to trust but himself. Written during the height of the Spanish Civil War, Graham Greene’s “exciting . . . kaleidoscopic affair” was the basis for the classic 1945 thriller starring Charles Boyer and Lauren Bacall (The Sunday Times).
Describes the life of the Hollywood personality who led a double life as a spy for Israel involved in secret negotiations for that country's nuclear arsenal while he was working as a Hollywood producer for high-profile movies.
Reader beware--you choose the scare! GIVE YOURSELF GOOSEBUMPS! Your parents are going away so your super-cool grandma is coming to stay with you. But when you go to meet granny at the train station you start seeing double—double grannies!There's one granny on the station platform. And another one writing in lipstick on the window of the train. Which one is your real grandma?If you think she’s on the platform you find yourself face to face with a hideous monster! If you decide to jump on the train, you are surrounded by a group of angry aliens out to take over the world! The choice is yours in this scary GOOSEBUMPS adventure that's packed with over 20 super-spooky endings!
Fourth in the series featuring cowboys by day, specialized government operatives by night—men bound by love, loyalty, and the law. The mission: Baby-sit an heiress. Rescue a spoiled heiress who’d gotten herself kidnapped? Agent Vincent Romeo did it single-handed. But instead of the society cream puff Vincent expected, this female seemed to think she was the agent in charge! Whitney MacNair was pure trouble on a shapely set of legs—with a charm as lethal as a loaded gun aimed straight at Vincent’s jaded heart. Whitney had felt alone for so long—now a protector as fierce as the Montana mountains refused to leave her side. Falling for the quiet agent was more dangerous than going after the men stalking her, but heartache meant nothing when each kiss might be their last . . . “Julie Miller’s crisp writing style highlights her well-developed characters, complex intrigue and strong plot.” —Romantic Times “The last story in the Montana Confidential series, and it’s an action-packed, passion-packed ending.” —Rendezvous
Sensationally unveils the long, secretive collaboration between arch-occultist Aleister Crowley and British Intelligence.
Children learn how to become a Club Penguin secret agent, with a tour of the top-secret Penguin Agency and its missions and gear.
Revolutionaries in the backstreets of 19th-century London plot the destruction of Greenwich Observatory in this masterpiece of suspense. Rich in atmosphere and psychological realism.
For Arthur Rowe the charity fair was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget twenty years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man.
Relates the story of the politically motivated kidnapping of Charlie Fortnum, a minor British functionary in Argentina.
The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).