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This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.
本书是《牛津英国文学指南》的最新版本。引进后作为“英美文学文库”的一册。对具有历史的及现代的重要意义的作家、作品、组织等均有简明介绍外,还收入了二十世纪新派文人.
To uphold family honor and tradition, Sheetal Prasad is forced to forsake the man she loves and marry playboy millionaire Rakesh Dhanraj while the citizens of Raigun, India, watch in envy. On her wedding night, however, Sheetal quickly learns that the stranger she married is as cold as the marble floors of the Dhanraj mansion. Forced to smile at family members and cameras and pretend there's nothing wrong with her marriage, Sheetal begins to discover that the family she married into harbors secrets, lies and deceptions powerful enough to tear apart her world. With no one to rely on and no escape, Sheetal must ally with her husband in an attempt to protect her infant son from the tyranny of his family.sion.
A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love
How did the Victorians perceive Muslims in the British Empire and beyond? How were these perceptions propagated by historians and scholars, poets, dramatists and fiction writers of the period? For the first time, Shahin Kuli Khan Khattak brings to life Victorian Britain's conceptions and misconceptions of the Muslim World using a thorough investigation of varied cultural sources of the period. She discovers the prevailing representation of Muslims and Islam in the two major spheres of British influence - India and the Ottoman Empire - was reinforced by reoccurring themes: through literature and entertainment the public saw 'the Mahomedan' as the 'noble savage', a perception reinforced through travel writing and fiction of the 'exotic east' and the 'Arabian Nights'. "Islam and the Victorians" will be an important contribution to understanding the apprehensions and misapprehensions about Islam in the nineteenth century, providing a fascinating historical backdrop to many of today's concerns.